100 chansons de pop spéciallement arrangées pour saxophone Eb et Bb par Jack Long paroles et accords. / Saxophone / Partition

The Beatles catalogue has, over the years, been transposed, transcribed and translated for just about every musical purpose imaginable. However, many have not been arranged for Saxophonists before. This book contains 72 Beatles favourites arranged for Saxophone, many for the first time. Included are songs from right across the band's highly varied career, and all are suitable for both B-flat and E-flat instruments. / Saxophone

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. With step by step instruction and a progression of specially written pieces, the fundamental elements of good saxophone technique-breath control, tone-production, embouchure, tonguing and fingerings-are introduced alongside the rhythmic subtleties of jazz (for example, 'swung' and syncopated rhythms). Improvisation is encouraged from an early stage, given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With additional information on practical matters such as choosing reeds and earing for the instrument, as well as supplementary suggestions for listening and reading, 'The Jazz Method for Saxophone' is ideally suited both to students working alone and those learning with a teacher. / Méthode / Recueil / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

This great play-along pack lets instrumentalists play solo along with backing tracks so they can sound like a pro. It features all 12 tracks from Lizzo\'s breakout album, including: Better in Color · Crybaby · Cuz I Love You · Exactly How I Feel · Heaven Help Me · Jerome · Juice · Like a Girl · Lingerie · Soulmate · Tempo · Truth Hurts. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Partitions arrangées pour sax tenor un CD audio contenant 2 versions de chaque titre: une démonstration complète puis une version sans saxophone qui vous permettra de jouer accompagné. / Saxophone / Partition Cd

Cette édition propose jazz, salsa, tango, le boléro, le blues et la musique Candombe par le compositeur et instrumentiste Jorge Polanuer, l'un des musicien argentin meilleur contemporaine. Son ensemble, composé de musiciens de la plus haute classe, offre un CD pour le fond nécessaires. Ecoutez l'enregistrement complet d'abord, puis jouer le 'play-along' avec le CD. La musique vous emmènera dans la nuit 'Paris de l'Amérique du Sud', Buenos Aires, à côté de la scène du club de jazz merveilleux. / Saxophone

Step into the spotlight and play along with the specially recorded audio. Demonstration and playalong tracks are available to stream and download Top line arrangements for ten of the best film songsarranged for Alto Saxophone. Born Free (From \'Born Free\'), Eye Of The Tiger (From \'Rocky III\'), Georgia On My Mind (From \'Ray\'), I Will Always Love You (From \'The Bodyguard\'), (I\'ve Had) The Time Of My Life (From \'Dirty Dancing\'), Kiss From A Rose From (\'Batman Forever\'), Nothing\'s Gonna Stop Us Now (From \'Mannequin\'), Oh, Pretty Woman (From \'Pretty Woman\'), Ring Of Fire (From \'Walk The Line\') and Stayin\' Alive (From \'Saturday Night Fever\')As well as the printed score, this book is supported by SoundWise:eBook: a digital edition of your music to read on any device.Audio: full demonstration recordings of each piece, plus accompaniment-only, solo-only and rehearsal backing tracks. / Saxophone

New to the Schott Saxophone Lounge, this latest edition, arranged by Dirko Juchem, takes us on a musical journey through the decades of pop music. With his usual mastery, he adds a surprisingly 'saxy' touch to 14 immortal hits like Hotel California, Angie, Wind Of Change and Layla. All of these accessible arrangements are included on the audio CD as play-along and full performance versions, recorded by the author himself. / Saxophone Alto Et Piano

World Famous Folksongs contient 22 airs traditionnels en provenance du monde entier (Oh! Susannah - Donna, Donna - Mexican Hat Dance - Sur le pont d'Avignon - Cielito Lindo - Sakura, etc.). / [CD inclus - version intégrale + play-along]. / La version papier des accompagnements de piano est vendue séparément. / Saxophone / 24 pages / niveau : Facile / Partition + Cd

Globetrotters for wind-Saxophone Globetrotters - B Flat Edition brings together twelve toe-tapping original tunes in styles from around the world-from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha- for the budding saxophonist.This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world. To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the authors. With options for saxophone or piano accompaniment and an inspirational CD Globetrotters is the ultimate resource for aspiring musicians looking to gotravellin'.12 fun pieces in styles from around the worldSuitable for young saxophonists everywhere (2 years' playing experience/around Grade 2-4 standard)Range of styles including bossa nova klezmer township jazz Brazilian Bulgarian and GreekFascinating background information and tailored warm-upsIncludes saxophone accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chordsCD with performances and backings for every piece recorded by renowned world-music performers

Improvisation - Stilistik - Spezialeffekte-Following on from the best-selling Jazz Method for Saxophone Developing Jazz Technique for Saxophone will help intermediate players take their jazz skills to a new level. This method bridges the gap between beginning tenor sax students and Jamey’s Play-A-Longs with basic but hip solos and a swingin’ rhythm section. The 22 pieces are written in a variety of jazz styles including reggae jazz waltz bossa nova calypso New Orleans South African salsa samba blues and swing. Special emphasis is given to helping students improvise over chord sequences such as the II-V-I progression. Idiomatic effects such as vibrato subtone glissandi and ‘bending’notes are dealt with and there is a special chapter on overtones. Several new scales are introduced including the whole tone and diminished scales and a special section on patterns contains many ideas for practising in all 12 keys. A superb rhythm section provides backing for all the pieces and exercises on the accompanying CD.