(For High Voice And Piano). By Lowell Liebermann. For high voice solo, piano. Co...(+)
(For High Voice And
Piano). By Lowell
Liebermann. For high
voice solo, piano.
Contemporary. Piano
reduction/Vocal Score.
Standard notation. Opus
22. 8 pages. Duration 6
minutes. Published by
Theodore Presser Company
(High Voice Edition with CD of Piano Accompaniments). By Various. For High Voice...(+)
(High Voice Edition with
CD of Piano
Accompaniments). By
Various. For High Voice,
Piano Accompaniments.
Vocal Collection. Book
with CD. 64 pages.
Published by Hal Leonard
(5 Songs for High Voice and Orchestra). By Ricky Ian Gordon. Solo instrument wit...(+)
(5 Songs for High Voice
and Orchestra). By Ricky
Ian Gordon. Solo
instrument with
accompaniment. For Voice,
Piano. E. e. cummings.
East Lansing, MI;
Soprano, Melanie Helton,
conducted by Raphael
Jimenez.. Contemporary.
Performance score.
Standard notation.
Duration 21 minutes.
Published by Theodore
Presser Company
By Donald Martino (1931-2005). For High Voice and Piano. This edition: High Voic...(+)
By Donald Martino
(1931-2005). For High
Voice and Piano. This
edition: High Voice and
Piano. Contemporary
Classical. Contemporary
Classical. Grade 5. Sheet
Music
(10 Contemporary Solos for Female Voice and Piano). Edited by Sally K. Albrecht....(+)
(10 Contemporary Solos
for Female Voice and
Piano). Edited by Sally
K. Albrecht. For with
Piano (Female voice).
Book; CD; Vocal
Collection. Contemporary;
Love. Published by Alfred
Music Publishing
By Donald Martino. For High Voice and Piano. This edition: High Voice and Piano....(+)
By Donald Martino. For
High Voice and Piano.
This edition: High Voice
and Piano. Contemporary
Classical. Contemporary
Classical. Sheet Music.
Published by Dantalian,
Inc. Level: Grade 5.
(A Cycle of 10 Songs to Poems by Women for High Voice and Piano). By David Leisn...(+)
(A Cycle of 10 Songs to
Poems by Women for High
Voice and Piano). By
David Leisner (1953-).
Solo instrument with
accompaniment. For High
Voice, Piano. This
edition: High Voice and
Piano. Poems by Emily
Dickinson, Emily Bronte,
Gene Scaramellino, and
Elissa Ely. World
Premiere: Jordan Hall,
Boston: Sanford Sylvan,
Baritone; Patricia Thom,
Piano. Contemporary.
Piano reduction/vocal
score. Standard notation.
52 pages. Duration 30
minutes. Published by
Theodore Presser Company
Spotlight Solos Voix haute, Piano [Partition + CD] Alfred Publishing
(10 Contemporary Arrangements for Solo Voice and Piano (High Voice)). Edited by ...(+)
(10 Contemporary
Arrangements for Solo
Voice and Piano (High
Voice)). Edited by Sally
K. Albrecht. For with
Piano (High voice
(Medium-High)). Book; CD;
Vocal Collection. 72
pages. Published by
Alfred Music Publishing
High voice, piano SKU: BA.BA11081 Eleven Lieder on texts by Friedrich ...(+)
High voice, piano
SKU:
BA.BA11081
Eleven
Lieder on texts by
Friedrich Schlegel for
high voice and piano.
Composed by Manfred
Trojahn. Stapled. Singing
Score. Composed 2012. 28
pages. Duration 12 hours.
Baerenreiter Verlag
#BA11081_00. Published by
Baerenreiter Verlag
(BA.BA11081).
ISBN
9790006563678. 29.8 x
20.8 cm inches. Language:
German. Text: Schlegel,
Friedrich.
With
their very accessible
style and expressive
interpretation of the
words, these contemporary
works continue in the
tradition of classical
and romantic song cycles
and will form a form a
welcome addition to every
song recital.
Abendröte is a cycle
that brooks comparison
with the songs Schubert
wrote on the same set of
Schlegel poems: Trojahn
has composed the poems
Schubert chose not to
set.
High voice, piano - Level 4 SKU: BA.BA11020 Seven lieder for high voic...(+)
High voice, piano - Level
4
SKU: BA.BA11020
Seven lieder for high
voice and piano after
poems by Johann Wolfgang
von Goethe. Composed
by Manfred Trojahn.
Stapled. Nach Gedichten
von Johann Wolfgang von
Goethe. Singing Score.
Composed 2007/2014. 13
pages. Duration 12 hours.
Baerenreiter Verlag
#BA11020_00. Published by
Baerenreiter Verlag
(BA.BA11020).
ISBN
9790006561964. 29.7 x
20.8 cm inches. Language:
German.
With their
very accessible style and
expressive interpretation
of the words, these
contemporary works
continue in the tradition
of classical and romantic
song cycles and will form
a form a welcome addition
to every song
recital.
By John Craton. Voice and piano. For High voice, piano. Vocal music. Setting of ...(+)
By John Craton. Voice and
piano. For High voice,
piano. Vocal music.
Setting of 6 traditional
children's poems.
Contemporary. Sheet
music. 44 pages. Duration
various. Published by
Wolfhead Music. (WM704)
Level: Moderate.
By John Craton. Voice and piano. For High voice, piano. Vocal music. Setting of ...(+)
By John Craton. Voice and
piano. For High voice,
piano. Vocal music.
Setting of 8 traditional
children's poems.
Contemporary. Sheet
music. 43 pages. Duration
various. Published by
Wolfhead Music. (WM703)
Level: Moderate.
High voice, piano - Level 4 SKU: BA.BA11037 Six lieder on texts by Els...(+)
High voice, piano - Level
4
SKU: BA.BA11037
Six lieder on texts by
Else Lasker-Schüler
for high voice and
piano. Composed by
Manfred Trojahn. Stapled.
Singing Score. Composed
2010. 9 pages. Duration
12 hours. Baerenreiter
Verlag #BA11037_00.
Published by Baerenreiter
Verlag (BA.BA11037).
ISBN 9790006542840.
29.8 x 21 cm inches.
Language:
German.
With their
very accessible style and
expressive interpretation
of the words, these
contemporary works
continue in the tradition
of classical and romantic
song cycles and will form
a form a welcome addition
to every song
recital.
By John Craton. Voice and piano. For High voice, piano. Vocal music. A cycle of ...(+)
By John Craton. Voice and
piano. For High voice,
piano. Vocal music. A
cycle of five songs with
poetic texts by
French-Canadian poet
Emile Nelligan.
Contemporary. Sheet
music. 18 pages. Duration
16:00. Published by
Wolfhead Music. (WM701)
Level: Moderately
advanced.
Chamber Music High voice, Piano SKU: PR.UE037980 Op. 21. Composed ...(+)
Chamber Music High voice,
Piano
SKU:
PR.UE037980
Op.
21. Composed by
Richard Strauss.
Collection - Score. 16
pages. Universal Edition
#UE037980. Published by
Universal Edition
(PR.UE037980).
ISBN
9783702475505. UPC:
803452072614. German,
English.
Richard
Strauss, an early Modern
composer and contemporary
of Gustav Mahler, is best
known for his operas
(Salome, Der
Rosenkavalier, Elektra,
and many more) and was
also a prolific composer
of lieder. This new
edition of his Schlichte
Weisen is based on the
Richard Strauss Works
Critical Edition with
English translation by
John Bernhoff.
(12 Contemporary Settings of Favorites from the Great American Songbook for Solo...(+)
(12 Contemporary Settings
of Favorites from the
Great American Songbook
for Solo Voice and Piano
(High Voice)). Arranged
by Jay Althouse. For
Medium High Voice. Vocal
Collection. Book. 64
pages. Published by
Alfred Music Publishing
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
12 Contemporary Settings of Favorites from the Great American Songbook for Solo ...(+)
12 Contemporary Settings
of Favorites from the
Great American Songbook
for Solo Voice and Piano.
Arranged by Jay Althouse.
For Voice. (Medium High
Voice). Vocal Collection.
Level: High School and
Adult. Book and CD. 64
pages. Published by
Alfred Publishing.