Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.

The plantation songs known as 'spirituals' are the spontaneous outbursts of intense religious fervour and had their origin chiefly in camp meetings revivals and other religious exercises.They were never 'composed' but sprang into life ready made from the white heat of religious fervour during some protracted meeting in camp or church as the simple ecstatic utterance of wholly untutored minds and are practically the only music in America which meets the scientific definition of Folk Song.Harry Burleigh became a linguist singing in Hebrew as well as Latin Italian French and German. For several years he regarded his casual efforts at composition as merely mentalexercises until friends virtually forced him to publish. 'Deep River' published in 1917 made Harry Burleigh well known as a composer. His 'Little Mother Of Mine' was sung throughout the world by John McMormack.