Cello, Bass. Par DUNCAN CRAIG. Cette collection contient 14 arrangements de 22 airs traditionnels de l'Irlande et l'Ecosse dans une variété de styles, y compris les gabarits, bobines, hornpipes, glissement turluttes, des strathspeys, valses et airs. Les harmonies sont écrites afin que les diverses combinaisons de solo instrument avec piano, de duos et trios, pour quatuor à cordes/orchestre complet sont possibles. Le livre de violoncelle comprend violoncelle mélodie (solo), harmonie violoncelle, basse et accompagnement au piano. Tous les Celtic Tunes for Solo et Ensemble de livres (violon, alto et violoncelle/basse) sont écrites en livres ensemble, donc ils peuvent être joués comme les livres en solo ou ensemble comme ensemble. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Ensemble / Recueil / Violoncelle et Basse

For Bass Clarinet, Cello, Percussion and Accordion. Par NEWSKI SERGEJ. Langue: Deutsch / Musique contemporaine / Répertoire / Clarinette Basse, Violoncelle, Accordéon et Percus

Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude Debussy's charming Petite Suite arranged for Flute, Clarinet (in A) and Bassoon: En Bateau, Cortege, Menuet, Ballet. Originally composed as a suite for four-hand piano, it is also well-known in its orchestral form, with the orchestration completed by Debussy's friend, Henri Büsser./ Répertoire / Flûte Traversière, Clarinette et Basson

Per Flauto, Clarinetto Basso, Corno, Violino, Viola, Violoncello E Pianoforte. Par SBORDONI ALESSANDRO. / Répertoire / Flûte Traversière Clarinette, Basse, Cor, Violon,

Par BEETHOVEN LUDWIG VAN. / Répertoire / Clarinette, Basson, Cor, Violon, Alto et Violoncel

Une composition intéressante par Peter Racine Fricker pour violoncelle et basson en duo. / Basson Et Violoncelle / niveau : Moyen / Partition

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue

Cette balade au pays de macareux est un duo rythmé et lyrique dont les thèmes balancent entre les deux instruments. Ecrit en ré mineur avec les couleurs modales, la pièce est construite sur un fond syncopé joué tour à tour par les deux musiciens. La mélodie voyage sur un tempo modéré de la tristesse vers l'esprit blagueur. / Basson Et Violoncelle

INSTRUMENTATION : CELLO AND BASSO CONTINUO DATE OF PUBLICATIONS : 05/04/2000 NUMBER OF PAGES : 20 ARRANGER : DARMSTADT, GERHART SERIES : CELLO LIBRARY

Sonates pour le violoncelle avec la basse continüe. Livre III. Edition : Paris, l'Auteur, Boivin, Leclerc, (s.d. = 1739).Présentation : Terminologie - Agrémentation - Chiffrages - Reprises - Points d'orgue.Ce remarquable livre de sonates pour violoncelle et basse continue comprend une sonate en trio qui suppose 2 violoncelles solistes et un violoncelle pour jouer la partie de basse réalisée par le clavecin. / Violoncelle Et Basse Continue / 36 pages / niveau : 1 / Fac-Similés - Format: 24 X 33