Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano

pour clarinette (La), 2 violons, alto, et violoncelle. Par BRAHMS JOHANNES. En 1890, Brahms avait pour ainsi dire pris la résolution d’en finir avec la composition. Mais sa rencontre avec le clarinettiste Richard Mühlfeld lui donna tellement d’inspiration qu’en peu de temps il composa aussitôt plusieurs œuvres pour lui. Le Quintette op. 115 aux mélodies célestes fait partie depuis sa création en 1891 des œuvres préférées du public comme des musiciens. Dès la préparation pour la mise à l’impression – et sans doute avec un regard sur la diffusion future de l’œuvre – fut réalisée une version alternative avec un alto à la place de la clarinette, qui fut créée par ni plus ni moins que le grand Joseph Joachim lui-même, et qui reçut l’autorisation de Brahms. C’est pourquoi l’édition Urtext de Henle, revue sur la base du texte de la Nouvelle édition intégrale des œuvres de Brahms, comprend également la partie d’alto alternative. La responsable d’édition Kathrin Kirsch donne dans une courte préface un aperçu sur la genèse de l’œuvre, et fournit dans les Bemerkungen ou Comments d’intéressants éléments de discussion sur les variantes liées à la réception de l’œuvre./ Répertoire / Clarinette (La), 2 Violons, Alto et Violoncelle

Score + Parties. Par BRAHMS JOHANNES. Bärenreiter's scholarly-critical edition of Brahms' popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and wellresearched musical text based on Brahms' autograph as well as the first edition, and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work's historical context and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings. The editor, Daniel Boomhower, deals with the conflicting readings between the string parts in the autograph engraver's copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of the Critical Commentary. - New Bärenreiter Urtext edition - Exhaustive study of conflicting readings - Notes on performance practice (Eng/Ger) - Informative Foreword (Eng/Ger) and Critical Commentary (Eng)descriptive text to this edition will be provided on December 20./ Répertoire / Violon (2), Alto, Violoncelle, Piano

Incl. Horn Trio op. 40 and Clarinet Trio op. 114. Par BRAHMS JOHANNES. Brahms's twenty-four chamber works include a number of the most acclaimed masterpieces in the repertoire, and his piano trios ; including the famous Horn and Clarinet Trios ; are among the most admired, performed, and recorded of all. This edition, reprinted from the definitive one prepared by Hans Gàl for Breitkopf & Härtel, presents all five of these brilliant works in an inexpensive yet fine-quality volume. Included are the B Major, C Major, and C Minor Trios (Opp. 8, 87, and 101) for violin, cello, and piano; the E-flat Major Trio (Op. 40) for violin, horn (or cello or viola), and piano; and the A Minor Trio (Op. 114) for clarinet (or viola), cello, and piano. Includes the three great piano trios, the 'Horn Trio' and the 'Clarinet Trio'. Edited by Hans Gal./ Répertoire / Musique de Chambre

Du compositeur Brahms Johannes cette partition musicale dont le titre est Sonata op. 38 a été composée pour tous les amateurs ou professionnels de Violoncelle. Fan de Classique vous trouverez votre bonheur dans cette partition musicale des éditions Wiener Urtext. / Violoncelle Et Piano / Partition

Par BRAHMS JOHANNES. Edited and with an afterword by Ulrich Mahlert./ Répertoire / Violoncelle et Piano

Par BRAHMS JOHANNES. Quintet In F Minor (Op. 34), plus the G Minor, A Major and C Minor Quartets (Opp. 25, 26, 60). Breitkopf & Härtel edition. Quintet In F Minor (Op. 34), plus the G Minor, A Major and C Minor Quartets (Opp. 25, 26, 60). Breitkopf & Hortel edition./ Répertoire / Musique de Chambre

Compositeur : Brahms, Johannes
Instrumentation : Chamber Music with Wind Instruments
Editeur Musicologique : Grassi, Andrea Massimo
Couverture Reliée
Contenu :
Clarinet Quintet in b minor op. 115 for Clarinet, 2 Violins, Viola and Violoncello

Cette partition POCO ALLEGRETTO DE LA SYMPHONIE No 3 EN FA MAJEUR OPUS 90 de Brahms Johannes a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8131. Cette oeuvre d'une durée de 00:02:40 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / 4 Violoncelles Et Plus / Partition

Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquable du violoncelle. Ce qui comprend les chansons folk, les dances et le travails par Debussy, Chopin et Brahms. Partition de violoncelle a part. / Violoncelle Et Piano / 160 pages / Partition

Another volume in this highly acclaimed series premiering sensational new arrangements for cello. CELLOWISE 2 includes Lacrimosa by Mozart Paganini's La Campanella Prokofiev Romeo and Juliet Brahms Waltzes Op. 39 and Bach's Gavotte en Rondeau from Violin Partita in E made famous by Segovia.With the drama and spectacle of Prokofiev's Romeo and Juliet acrobatic leaps and fun of the Fair in Moussorgsky's Gopak reflective chiaroscuro of the Brahms Waltzes the fireworks of Paganini's La Campanella mystical Lacrimosa of Mozart's Requiem or Bach's colourful variations in the Gavotte en Rondeau this selection explores vivid and dramatic themes fromthe great Classics. It is idiomatic to the cello clear and accessible in technical format and makes a practical and versatile concert handbook for cellists of all ages.ContentsBach    * 3. Polonaise (from Suite No. 2 BWV 1067)    * 4. Gavotte en Rondeau (from Partita No. 3 in E major BWV 1006)Brahms    * 7. Waltz op. 39 No. 9    * 8. Waltz op. 39 No. 15Handel    * 1. Hornpipe (from the Water Music)    * 2. Air (from the Water Music)Mozart    * 5. Lacrimosa (from the Requiem K626)Mussorgsky (Moussorgsky)    * 9. Gopak (from Sorochintsky Fair)Paganini    * 6. La CampanellaProkofiev    * 10. Montagues and Capulets (from Romeo and Juliet)

Great Clarinet Quintets(2). Mozart's friendship with Anton Stadler, the clarinetist in Vienna's Royal-Imperial Court Orchestra, led to the composition of his beloved Quintet in A Major. The four-movement piece is arranged for clarinet, two violins, viola, and cello. Brahms's Clarinet Quintet in B minor, also in four movements, is equally popular and often recorded as a companion to Mozart's work. Professional and amateur musicians alike will appreciate this convenient single-volume publication of these frequently performed quintets. Both scores were reproduced from authoritative sources. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.

This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Violoncelle