Pop Specials for Strings - Grade 3-4. Par WILLIAMS JOHN. Larry Moore's excellent arrangement for string orchestra captures all the grandeur, urgency, and pathos of John Williams' theme from the latest installment of the Star Wars saga! This would be a truly magnificent concert opener for your students! / Date parution : 2023-01-24/ Répertoire / Orchestre à Cordes

A superb collection of short arrangements of popular tunes. Une superbe collection de courts arrangements de savons bien des oeuvres classiques et populaires, de Saint-Saens, Mendelssohn, John Williams, Henry Mancini, Robbie Williams et beaucoup d'autres. Inclure la partie violoncelle pull-out. / Niveau : Assez Facile / Rép International / Recueil / Violoncelle

Par WILLIAMS JOHN. This new string orchestra arrangement by James Kazik captures all the wonder (and waggish humor) of the hit 1990 movie Home Alone. Retaining many of the quirky rhythms and chromaticism of the original, this arrangement will provide opportunities for your students to grow and develop in the context of this fun and accessible medley. / Date parution : 2023-01-24/ Répertoire / Orchestre à Cordes

A collection of the very best themes and movements by John Williams. The pieces are arranged to be performed by solo Cello with the CD of backing tracks and demonstrations. Alternatively all parts in the series are fully compatible and may be performed as a larger ensemble.

Faisant usage du thème distinctif Jedi Steps qu'on peut entendre dans la fin du film, ainsi que du final entraînant du générique de fin, Stephen Bulla recrée de manière authentique la beauté et la puissance de cette spectaculaire musique de film. Composée par John Williams lui-même, une ' fin de concert ' alternative figure aussi bien que la fin calme entendue à la fin du film. / Ensemble A Cordes

Indiana Jones and the Kingdom of the Crystal Skull-Play a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This book is part of an instrumental series arranged for Violin Viola and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed Piano part that can easily be played by a teacher or intermediate piano student and a carefully crafted removable part complete with bowings articulations and keys well suited to the level 2-3 player. A fully orchestrated accompaniment CD containing a demonstration track of each song featuring live instrumental performance plusa Play-Along track. This terrific edition also contains a tuning note plus a host of full-colour stills from the film.

Soundtrack Highlights (Main Theme Rey's Theme March of the Resistance The Jedi Steps and Finale)-Commençant par les sons familiers du thème principal ce medley au tempo moyen inclut aussi des thèmes importants pour les nouveaux personnages Rey Kylo Ren et le thème entraînant de marche des héros. Musique de film de John Williams à son meilleur et une adaptation efficace pour fanfare.

for Cello and Piano. Par WILLIAMS JOHN. Performance time - ca. 4:00 John Williams ' Theme from Schindler's List for Cello and Piano. Performance time - ca. 4:00./ Recueil / Violoncelle et Piano

for String Quartet Love Theme from Star Wars Episode 2 - Attack of the Clones. Par WILLIAMS JOHN / MOORE LARRY (Arr.). This string quartet arrangement by Larry Moore captures the soaring beauty of this theme from the 2002 Star Wars movie. Moore's arrangement is challenging but rewarding, modulating from B minor to E minor and combining compound and simple meters. This piece will be a surefire hit for your students! / Date parution : 2023-03-11/ Répertoire / Quatuor à Cordes

MP3 Download-William Henry Squire was known in his day as a virtuoso Cellist and also composed many pieces for the instrument. His compositions have become staples of the Cello repertoire the most popular and remembered of which are featured in this collection.The online audio includes professionally recorded backing tracks for all the pieces recorded by Pianist John Walker.

The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory and as I at the same time planned to write a piece for solo Viola my ideas for the music and the memory of the painting fused more and more. I decided then to let my piece borrow the title of Waterhouse’s painting: The Lady Of Shalott. The picture of a mad-like pale and perhaps singing woman alone in a boat without sculls which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson’s poem by the same title which again plaits into theold English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.

For solo Cello.Published 1999.Commissioned by Steven Isserlis with funds from the John S Cohen Foundation.First performance: Steven Isserlis Aldeburgh Festival 10th June 2000.Score.

Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle