Par ANDERSON DENNIS C.. Langue: Italiano/Español/ Répertoire / Quatuor à Cordes

Arrangeur: John Glenesk Mortimer. Par ARMITAGE DENNIS. / Niveau : Intermédiaire / Répertoire / Clarinette, Saxophone Alto et Orchestre à vent

Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle

Ten original cello duets including a play along 'cello partner' CD. The 'cello partner' compact disk (performed by a real cellist) includes tuning notes, complete performances of all ten duets, and separate upper/lower part only performances of each duet, all individually tracked for ease of use. Each duet contains a count in bar to prepare the tempo.These duets may be played by a first year cellist and used in conjunction with any private study or school string class method. Perfect motivation for the beginning cellist. / 2 Violoncelles

Ce trio pour piano, violon et violoncelle a été commandé par l'Association nationale des enseignants de musique à présenter et promouvoir la musique de collaboration. Elle a été créée lors de la Conférence MTNA en 2013. Inspiré par la musique de danse, la suite commence par un tango dans le premier mouvement. Les premières notes mélodiques du tango sont utilisés dans le deuxième mouvement, une valse brillante, portant cette suite de deux mouvements à une conclusion passionnante. / Violon, Violoncelle Et Piano