Soprano Recorder - late intermediate SKU: BT.CMP-1065-05-400 Book with CD...(+)
Soprano Recorder - late
intermediate
SKU:
BT.CMP-1065-05-400
Book with CD. Composed
2005. 52 pages. Curnow
Music #CMP 1065-05-400.
Published by Curnow Music
(BT.CMP-1065-05-400).
ISBN 9789043124027.
9x12 inches.
English.
Celtic
Folk Songs for All
Ages is a delightful
collection of rich tunes
and ballads specifically
distinctive to the
cultures of Scotland,
Newfoundland, Ireland,
and England. The
accompaniment CD
(included in the solo
book) provides two tracks
for each tune. The first
track includes a sample
performance of the solo
with the accompaniment.
The second track is just
the accompaniment,
allowing the soloist to
play along. There is also
a separate Piano
accompaniment
available.
Een
rijke verzameling van
Keltische liederen en
balladen uit Schotland,
Newfoundland, Ierland en
Engeland met kleurrijke
begeleidingen. Op de
bijgevoegde cd staan
voorbeeld- en
meespeeltracks. De
pianobegeleiding is
afzonderlijk
verkrijgbaar.Inhoud:
Aiken Drum • The
Ash Grove • The
Bluebells of Scotland
• Loch Lomond
• When Irish Eyes
Are Smiling • Molly
Malone • We'll Rant
and We'll Roar
e.a.
Eine
reichhaltige Sammlung von
keltischen Liedern und
Balladen aus Schottland,
Neufundland, Irland und
England. Die
ursprünglich im Alltag
gesungenen,
eingängigen Lieder
wurden mit
klangfarbenreichen
Begleitungen versehen.
Auf der beiliegenden CD
erklingen die Lieder
einmal komplett mit Solo
und Begleitung und einmal
nur als Begleitversion
zum Mitspielen. Die
Klavierbegleitungen sind
ebenfalls enthalten.
Affrontate un
viaggio musicale
attraverso la musica
celtica. James Curnow e
Timothy Campbell
arrangiano ballate e
melodie provenienti dalla
Scozia,
dall’Inghilterra e
dall’Irlanda. Il
CD incluso contiene
l’accompagnamento
al pianoforte come anche
una versione demo
eseguita da vari
strumenti. Ascoltando le
registrazioni complete vi
farete un’idea di
come meglio raggiungere
la giusta
interpretazione. Con
Celtic Folksongs for
All Ages allargherete
sicuramente gli orizzonti
musicali e culturali del
vostro repertorio, e
potrete stupire il
pubblico con uno
spumeggiante ed insolito
bis. Le parti del
pianoforte sono vendute
separatamente.
Emily! Voix Soprano, Piano - Intermédiaire Schirmer
(Musical Settings of the Poems of Emily Dickinson). Composed by Gwyneth W. Walke...(+)
(Musical Settings of the
Poems of Emily
Dickinson). Composed by
Gwyneth W. Walker
(1947-). For soprano
voice solo, piano.
Secular, 21st century.
Medium. Collection.
Published by E.C.
Schirmer Publishing
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Barry Manilow. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Barry
Manilow. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and black and
white photos. Soft rock
and adult contemporary.
312 pages. 9x12 inches.
Published by Hal Leonard.
Guitar (2. and 3. guitar ad lib). (NOTEN+CD) - very easy to easy SKU: HL.4903...(+)
Guitar (2. and 3. guitar
ad lib). (NOTEN+CD) -
very easy to easy
SKU:
HL.49033377
From
Saint Martin to
Epiphany. Composed by
Klaus Heizmann. Arranged
by Bruno Szordikowski and
Peter Ansorge. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Dieses Heft enthalt 20
leicht spielbare Lieder
fur Gitarre. Es ladt
schon Anfanger mit
wenigen Monaten
Spielpraxis zum
Musizieren ein. Neben
alten und neuen deutschen
Liedern werden auch
beliebte Melodien aus
England, Frankreich,
Spanien und den USA
angeb. Edition with CD.
32 pages. Schott Music
#ED 9888. Published by
Schott Music
(HL.49033377).
ISBN
9790001139427.
This
edition includes 20 easy
songs for guitar. It even
invites beginners with
only a few months'
practice to play.Apart
from old and new German
songs you will also find
popular tunes from
England, France, Spain
and the USA.The selected
songs are suitable for
teaching, student
performances and making
music at home. All tunes
are written in keys which
are easy to sing and play
and can be performed - in
addition or in turns -
with another melody
instrument (recorder,
violin, mandolin etc.)The
accompanying play-along
CD gives the players the
opportunity to perform
their Christmas songs
with a rich and
polyphonic sound - even
without a second
musician.
By Frances Irwin. For Accordion (Keyboard). Solos. World Music. Level: Beginning...(+)
By Frances Irwin. For
Accordion (Keyboard).
Solos. World Music.
Level:
Beginning-Intermediate.
Book. Size 8.5x11. 106
pages. Published by Mel
Bay Publications, Inc.
Piano, Voix et Guitare [Partition] - Facile Hal Leonard
erformed by Barry Manilow. For voice and keyboard (right hand only). Format: eas...(+)
erformed by Barry
Manilow. For voice and
keyboard (right hand
only). Format: easy
piano/vocal/chords
songbook. With big note
notation, vocal melody,
lyrics and chord names.
Soft rock and adult
contemporary. Series: Hal
Leonard E-Z Play Today.
96 pages. 9x12 inches.
Published by Hal Leonard.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples
and Advice for Playing
and Improvising on any
instrument. Edited by
Pascale Boquet, Gerard
Rebours. Music Books/CDs.
Teaching Works. Level:
Grade 0. 144 pages.
Published by Editions
Fuzeau Classique - France
(French import).
Composed by Barry Manilow. For voice, piano and guitar chords. Format: piano/voc...(+)
Composed by Barry
Manilow. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Soft rock
and adult contemporary.
103 pages. 9x12 inches.
Published by Hal Leonard.
Concert Band Concert Band - Grade 3.5 SKU: FJ.B1172 Composed by Elliot De...(+)
Concert Band Concert Band
- Grade 3.5
SKU:
FJ.B1172
Composed by
Elliot Del Borgo.
Arranged by Elliot Del
Borgo. Concert Band. FJH
Concert Band. Score and
Part(s). Duration 6:08.
The FJH Music Company Inc
#98-B1172. Published by
The FJH Music Company Inc
(FJ.B1172).
UPC:
674398211456.
English.
This
one-movement festival
work uses a slightly
reduced instrumentation,
insuring that bands of
all sizes will be able to
enjoy it. The work is
written in three
sections, each based on
material from a New
England song. Consider
this new piece from one
of the country's most
prolific composers.
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
Neapolitan Ode Orchestre d'harmonie - Intermédiaire/avancé Boosey and Hawkes
Concert Band (Score) - Grade 4 SKU: HL.48024520 Windependence Series -...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.48024520
Windependence Series -
Master Level (Grade
4). Composed by
Michael H. Weinstein.
Windependence Master
Level. Concert.
Softcover. 28 pages.
Boosey & Hawkes
#M051664030. Published by
Boosey & Hawkes
(HL.48024520).
UPC:
888680900410.
9.0x12.0x0.08
inches.
Written as
a part of the Frank L.
Battisti 85th Birthday
Commission Project,
'Neapolitan Ode' is a
powerful and evocative
addition to the
repertoire. Utilizing a
tone row suggested by Mr.
B. himself, Michael
Weinstein incorporates a
Neapolitan harmonic
flaovr and a wide range
of textures and moods in
creating this vehicle of
praise (or ode) for his
former conductor/mentor.
Recorded by the New
England Conservatory
Symphonic Winds - William
Drury, conductor. Dur:
ca. 5:00.
Contralto, Baroque string quartet (contralto(2 glass crystals).2vn.va da gamba.v...(+)
Contralto, Baroque string
quartet (contralto(2
glass crystals).2vn.va da
gamba.vc)
SKU:
HL.49045309
Score
and Parts. Composed
by Joseph Schwantner.
This edition: Folder.
Sheet music. Edition
Schott. Softcover.
Composed 2012. 216 pages.
Duration 20'. Schott
Music #ED31320. Published
by Schott Music
(HL.49045309).
ISBN
9781495082443. UPC:
888680656577.
9.0x12.0x0.859 inches.
English.
I was
immediately drawn to the
quartet's poignant,
intimate and expressive
sound world, the
evocative and hauntingly
beautiful voice of
contralto Karen Clark and
the poetry of Henry David
Thoreau whose words so
thoroughly capture the
transcendental spirit of
nineteenth century New
England life. Living and
working in the high hills
of rural New Hampshire
provided a synergy of
poetry and music that
formed an ideal union to
help frame the mood,
character and direction
of this work. Joseph
Schwantner.
Top 50 Ballads Piano Facile [Partition] - Facile Alfred Publishing
(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collec...(+)
(Easy Piano). Arranged by
Dan Coates. For Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental. Top 50.
Easy Piano. 196 pages.
Published by Alfred Music
Publishing
Ten Years of Popular Hits Arranged for EASY PIANO. Arranged by Dan Coates. For P...(+)
Ten Years of Popular Hits
Arranged for EASY PIANO.
Arranged by Dan Coates.
For Piano. Piano - Easy
Piano Collection. Decade
by Decade. Nostalgia;
Pop. Level: Easy Piano.
Book. 144 pages.
Published by Alfred
Publishing.
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS.
Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano.
Spring Overture Orchestre d'harmonie - Avancé Boosey and Hawkes
Concert Band (Score) - Grade 5 SKU: HL.48024518 Windependence Series -...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.48024518
Windependence Series -
Artist Level (Grade
5). Composed by
Kenneth Amis.
Windependence Artist
Level. Concert.
Softcover. 44 pages.
Boosey & Hawkes
#M051663941. Published by
Boosey & Hawkes
(HL.48024518).
UPC:
888680900397.
9.0x12.0x0.134
inches.
Commissione
d in celebration of
renowned
conductor/educator Frank
Battisti's 85th birthday,
′Spring
Overture′ is an
energetic rondo that can
serve as a rousing opener
or closer to either half
of a concert program.
Inspired by a motif
written by Maestro
Battisti himself, this
work is sure to please
performers and audiences
alike. Its closing
measures even allow a
conductor to feature
performers of his or her
choosing in brief solos.
Rcorded by the New
England Conservatory Wind
Ensemble – Charles
Peltz, conductor. Dur:
6:25.