The book includes 30 songs from Studio Ghibli films for intermediate cello and piano. It includes a cello and piano score (120 pg) and a separate piano score (56 pg).
/ Partitions variété - pop - rock / Musique films - comédies musicales / / YAMAHAMUSIC

Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquable du violoncelle. Ce qui comprend les chansons folk, les dances et le travails par Debussy, Chopin et Brahms. Partition de violoncelle a part. / Violoncelle Et Piano / 160 pages / Partition

Par TROJAHN MANFRED. Seit längerem setzt sich Manfred Trojahn kompositorisch mit Texten auseinander, die „das Scheitern des Künstlers aus unterschiedlichen Perspektiven' reflektieren. Vor allem „Le Ceneri di Gramsci' von Pier Paolo Pasolini und „Ein Brief' von Hugo von Hofmannsthal bilden den geistigen, die gleichnamigen Kompositionen Trojahns den ästhetischen und klangsprachlichen Hintergrund des V. Streichquartetts. Es wurde für das Kuss Quartett geschrieben. In drei Sätzen komponierte Trojahn eine expressive Musik mit zum Teil schroffen Kontrasten, in der sich polyphone und blockartige Strukturen gegenüberstehen und ein dichtes, vom Hörer nachvollziehbares Netz motivischer Verbindungen geschaffenwird./ Répertoire / 2 Violons, Alto et Violoncelle

First movement and a sketch for a Scherzo - (Erstausgabe - First Edition) . Par MAHLER. Sikorski present the first publication of Mahler's 1876 Piano Quartet, a work that reflects the composer's obsession with the great German compositional tradition. The piece reflects Mahler's concerns with the works of Brahms, Schubert and Schumann - a highly valuable source of perspective regarding Mahler's early works and the development of his later, more distinctive aesthetic./ Répertoire / Quatuor

This is the full score of Aheym for String Quartet, composed by Bryce Dessner, best known as the guitarist of The National, but also an acclaimed composer in his own right.Composed in 2009 for the Kronos Quartet for their performance in Brooklyn's Prospect Park for the Celebrate Brooklyn! festival, Aheym (meaning 'homeward' in Yiddish) was directly inspired by his grandmother's migration to America. Dessner states that the stories and information she used to tell them permeated their collective imagination and created a close connection to the past. He dedicates Aheym to his grandmother, Sarah Dessner. The score in this edition was first performed on the 12th of March 2009 at the MusicNOW Festival, and on the 18th of July 2009 in Prospect Park, Brooklyn. The work lasts around 10 minutes and is filled with dynamic tempo changes, a mix of staccato and smooth playing and all-round excitement. It's a fantastic piece to play and the genius composition will keep audiences on their toes. / Quatuor A Cordes

Nach dem großen Erfolg der ersten Bände unserer neuen Serie 'Pop For Cello' veröffentlichen wir nun die vierte Ausgabe für Cellisten, die auch Pop- und Rocksongs spielen möchten. Von aktuellen Hits wie dem groovigen 'Prayer In C' oder dem mystisch-sinnlichen 'Once Upon A Dream', dem Titelsong des Disney-Blockbusters 'Maleficent' mit Angelina Jolie, bis hin zu Popklassikern wie 'Tears In Heaven' von Eric Clapton oder dem frühen Beatles-Hit 'From Me To You' bietet diese Ausgabe eine frische und vielsaitige Auswahl an Spielliteratur. Die beigelegte CD enthält alle Titel in einer Komplettfassung und einer Play-Along-Version, damit Üben und Vorspielen richtig Spaß macht. 'Pop For Cello' ist für jeden Cellisten die ideale Abwechslung zu klassischen Etüden - im Unterricht und zu Hause! / Violoncelle

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

Par BRAHMS JOHANNES. Edited and with an afterword by Ulrich Mahlert./ Répertoire / Violoncelle et Piano