| Sonata No. 2 In G Minor
Op. 117 (FAURE GABRIEL) Violoncelle, Piano G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In...(+)
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano
23.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| 3 Trios (Score And Parts) Piano Trio: piano, violon, violoncelle [Partition] Schott
Disponible ensemble pour la première fois sont trois trios avec piano de Mark-A...(+)
Disponible ensemble pour la première fois sont trois trios avec piano de Mark-Anthony Turnage: 'Une Pavane lente' (2005), 'A Fast Stomp' (2005) et 'Une procession Court' (2004) 'Une Pavane lent' prend quelque chose. du caractère solennel et mélancolique de la danse Renaissance, mais avec l'évolution mètres et syncopes plutôt que des mesures strictes du style traditionnel. 'A Fast Stomp' est un scherzo et trio énergique et implacable. Il a commencé sa vie comme une étude pour pièce orchestrale de Turnage 'Scherzoid' et c'est presque un à échelle réduite, aperçu compactée de ce travail. 'Une procession court' a été écrit en mémoire des deux amis du compositeur. Un travail généralement lente et calme en contraste avec une section centrale plus animée et passionnée, la pièce se termine par une brève citation de la chanson folklorique irlandaise 'Women of Ireland'. / Trio De Pianos
73.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Brahms J. - Sonata E
Minor Op.38 - Violoncelle
Et Piano Violoncelle, Piano G. Henle
E minor - revised edition - with marked and unmarked string part - cello and pia...(+)
E minor - revised edition - with marked and unmarked string part - cello and piano fingering: Kanngiesser, Claus fingering: Schilde, Klaus editor: Behr, Johannes editor: Voss, Egon
17.50 EUR - vendu par Woodbrass Délais: Sur commande | |
| Introduction Et Rondo
Capriccioso Op. 28 For
Violin And Orchestra
(SAINT-SAENS CAMILLE) Violoncelle, Piano G. Henle
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / ...(+)
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / Répertoire / Violon et Piano
21.19 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Sonata no. 1 F major for
Violoncello and Basso
continuo (MARCELLO
BENEDETTO) Violoncelle, Piano G. Henle
Par MARCELLO BENEDETTO. with unmarked performance score (Vc/Basso) and marked pa...(+)
Par MARCELLO BENEDETTO. with unmarked performance score (Vc/Basso) and marked part (Vc)/ Répertoire / Violoncelle et Piano
12.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Sonata op. 2 for
Violoncello and Piano
(KISSIN EVGENY) Violoncelle, Piano G. Henle
Par KISSIN EVGENY. with marked and unmarked string parts/ Répertoire / Violonce...(+)
Par KISSIN EVGENY. with marked and unmarked string parts/ Répertoire / Violoncelle et Piano
20.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Violoncello Concerto in b
minor op. 104 (DVORAK
ANTONIN) Violoncelle, Piano G. Henle
Par DVORAK ANTONIN. with marked and unmarked string part/ Répertoire / Violonce...(+)
Par DVORAK ANTONIN. with marked and unmarked string part/ Répertoire / Violoncelle et Piano
24.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| STRING QUARTET NO. 1 OP.
7 (BARTOK BELA) (BARTOK
BELA) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...(+)
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
17.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| STRING QUARTET NO. 1 OP.
7 (BARTOK BELA) (BARTOK
BELA) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...(+)
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
29.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| FAURE GABRIEL - SONATE
N°2 OP.117 - VIOLONCELLE
& PIANO Violoncelle G. Henle
Gabriel Fauré Sonate pour violoncelle n° 2 en sol mineur op. 117 Fab...(+)
Gabriel Fauré Sonate pour violoncelle n° 2 en sol mineur op. 117 Fabian Kolb (Editeur) Markus Bellheim (Doigtés) David Geringas (Doigtés violoncelle) Edition Urtext, reliure paperback partie de corde avec ou sans indications de doigté À l’inverse de la première Sonate pour violoncelle composée quatre ans plus tôt (HN 1357), cette seconde Sonate, sensiblement plus séduisante et plaisante à jouer a obtenu dès le début un grand succès auprès du public et des critiques. Son ami et compagnon de route Vincent d’Indy écrivit à Fauré, le lendemain de la création en mai 1922: «Je veux te dire combien je suis encore sous le charme de ta si belle Sonate. J’ai trouvé là-dedans: La Musique que l’on semble oublier à présent». Il n’est donc guère étonnant que cette sonate ait rapidement figuré au répertoire des concerts, où elle tient aujourd’hui solidement sa place. Pour les indications de doigtés, nous avons pu compter sur le duo David Geringas et Markus Bellheim. / Partitions classique / Cordes / Violoncelle / HENLE VERLAG
20.60 EUR - vendu par Woodbrass Délais: Sur commande | |
| Sonata No. 1 In D Minor
Op. 109 For Violoncello
And Piano (FAURE GABRIEL) Violoncelle, Piano G. Henle
Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108,...(+)
Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued, but on account of increasing interest in Fauré ’s complete late chamber music, this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas, a master of his craft, supplied the markings in the Cello part. / Kolb, Fabian / Répertoire / Violoncelle et Piano
26.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Kol Nidrei Op. 47 For
Violoncello And Orchestra
(BRUCH MAX) Violoncelle, Piano G. Henle
Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” ...(+)
Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “ Kol Nidrei ” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “ Kol Nidrei ” appears for the first time in an Urtextedition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part. / Oppermann, Annette / Répertoire / Violoncelle et Piano
13.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| Sonate Für Klavier
Und Violoncello
En Français Violoncelle, Piano G. Henle
The e minor Cello Sonata is the first work for one solo instrument and piano whi...(+)
The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata 'whose two instruments are both absolutely easy to play? - and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Our new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings- as always, the cello part is enhanced with additional markings. / Violoncelle Et Piano
20.00 EUR - vendu par LMI-partitions Délais: En Stock | |
| Albumblatt für Arriaga
(CASABLANCAS BENET) Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] Unión Musical Ediciones
Par CASABLANCAS BENET. Albumblatt für Arriaga, commissioned by the Trio Arriaga...(+)
Par CASABLANCAS BENET. Albumblatt für Arriaga, commissioned by the Trio Arriaga and lasting some 7:30 minutes, is the composer's fourth contribution to the classical violin, cello and piano ensemble, for which he has a special esteem. The work was written in homage to the composer Juan Crisóstomo Arriaga, and at the same time as a token of gratitude and admiration for the Trio Arriaga, to whose members the work is dedicated; a double motivation that is reflected in the title of the work. Its course is presided over by a markedly lyrical character that coexists with passages full of energy, rhythmic vivacity and drama. The introduction and epilogue of the work are based on a musical motif derived from the name of the Basque composer (Ju-A-n C-r-I-S-ostomo A-rr-I-A-G-A), made up of the notes A, C, E, Eb, A, E, E, A, G, A, in the manner of a musical acrostic, and from whose nature the harmonic and thematic material of the whole work is largely derived. The premiere of this Trio took place on 5 November 2015 in the Chamber Hall of the Palau de la Música Catalana in Barcelona. / Date parution : 2022-02-03/ Répertoire / Violon, Violoncelle et Piano
39.81 EUR - vendu par LMI-partitions Délais: Sur commande | |
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