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| Per Nørgård: Singe Die
Gärten Mein Herz Die
Du Nicht Kennst: SATB:
Score [Partition] - Avancé
Wilhelm Hansen
Singe Die Gärten Mein Herz Die Du Nicht Kennst was composed by Per Nørgård ...(+)
Singe Die Gärten Mein Herz Die Du Nicht Kennst was composed by Per Nørgård in 1974. This version is scored for Choir (minimum 12 singers) Harp and Violoncello. Edited by Ivan Hansen in 1997. Text by Rainer Maria Rilke Alternative versions: Choir and Ensemble - WH29326 Choir and Piano - WH29394
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| Bernhard Romberg: Sonate
Nø2 En Ut Majeur Opus
43: Cello: Score
 En Français
Violoncelle, Piano
Billaudot
Sonate Nø2 En Ut Majeur Opus 43
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| Per Nørgård: Out Of The
Cradle Endlessly Rocking:
Chamber Ensemble: Parts
Clarinette, Violon, Violoncelle, Piano [Partition] - Intermédiaire/avancé
Wilhelm Hansen
Set of parts for Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by P...(+)
Set of parts for Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Commissioned by the Ebb and Flow Ensemble Hawaii. Score: WH30883
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| Antonín Dvo?ák: Piano
Trio In F Minor Op 65:
Piano Trio: Score and
Parts
Piano Trio: piano, violon, violoncelle
Barenreiter
Features a new detailed foreword (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Iva...(+)
Features a new detailed foreword (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch. Includes a newly-engraved Violoncello part.The third of Dvorák?s Piano trios was written in 1883 in Prague; a revised version appeared in the autumn of 1883 published by Simrock in Berlin based on the direct collaboration with the composer. The principal source of this present edition based on the ?Complete Edition of the Works of Anton n Dvorák? is this Simrock publication which presents the final version of the work.
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| Concerto N. 5 In Mi
Bemolle Maggiore (G. 474)
Violoncelle, Piano [Partition]
Ricordi
Seule partition au monde à porter le numéro ISBN 9790520012287 cette partition...(+)
Seule partition au monde à porter le numéro ISBN 9790520012287 cette partition dont le titre est CONCERTO N. 5 IN MI BEMOLLE MAGGIORE (G. 474) comporte des morceaux regroupés et composés par le compositeur Boccherini Luigi.Son instrumentation exacte est Violoncelle Et Piano. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Piano / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Per Nørgård: Mod Aften:
Cello: Instrumental Work
Violoncelle [Partition]
Wilhelm Hansen
Mod Aften for Cello solo was composed by Per Nørgård in 2009. Based on 'Aftonl...(+)
Mod Aften for Cello solo was composed by Per Nørgård in 2009. Based on 'Aftonland' for choir from 1954.
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| Sonatine (NEUMANN
FRIEDRICH)
Guitare et Musique de Chambre [Partition] - Facile
Doblinger
Fl Git. Par NEUMANN FRIEDRICH. Ich habe mir das Ziel gesetzt, die Polarisierung ...(+)
Fl Git. Par NEUMANN FRIEDRICH. Ich habe mir das Ziel gesetzt, die Polarisierung von Historismus und Avantgardismus – von Tonalität und Atonalität zu überwinden. Wesentliche Anregungen zu meinem Vorhaben habe ich von meinem Lehrer J. N. David und von Paul Hindemith empfangen. (Der Komponist) / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre
Délais: 2-5 jours - En Stock Fournisseur |
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| Bernhard Romberg: Sonate
Nø3 En Sol Majeur Opus
43: Cello: Instrumental
Work
En Français
Violoncelle
Billaudot
Sonate Nø3 En Sol Majeur Opus 43
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| Per Nørgård: String
Quartet No.9 - Into The
Source: String Quartet:
Score
Quatuor à cordes: 2 violons,
alto, violoncelle
Wilhelm Hansen
PrefaceThe three movements of the quartet may be perceived as three different ex...(+)
PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to a higher level contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into thesource? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement a more coherent-solid second movement and finally - in the third movement - a return-run ever more vehemently like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different but simultaneous tempi and there are more abstract upwards and downwards half-tone-scales with changing accents creating glimpses of melodies.INTO THE SOURCE String Quartet No. 9 was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård
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| Per Nørgård: Tango
Orango: Cello:
Instrumental Work
Violoncelle
Wilhelm Hansen
Per Nørgård's Tango Orango (1949) for Violoncello Solo.
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| Concerto N. 3 In Sol
Maggiore (G. 480) Per
Violoncello E Orchestra
D'Archi
Violoncelle, Piano
Ricordi
Seule partition au monde à porter le numéro ISBN 9790520011228 cette partition...(+)
Seule partition au monde à porter le numéro ISBN 9790520011228 cette partition dont le titre est CONCERTO N. 3 IN SOL MAGGIORE (G. 480) PER VIOLONCELLO E ORCHESTRA D'ARCHI comporte des morceaux regroupés et composés par le compositeur Boccherini Luigi.Son instrumentation exacte est Violoncelle Et Orchestre A Cordes. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Orchestre A Cordes / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Facsimile):
Cello: Score
Vibraphone, Marimba et Violoncelle
Barenreiter
Autograph: Národni muzeum - Ceské muzeum hudby Praha-Like every other great 19...(+)
Autograph: Národni muzeum - Ceské muzeum hudby Praha-Like every other great 19th-century solo concerto Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák's autograph score were actually written by the cellist Hanu' Wihan; but Bärenreiter's edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák's final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák's original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello and Piano (BA9045-90) and Facsimile (BVK1849) available for sale.
Délais: Info (stock) sur le site |
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| Antonín Dvo?ák: String
Quintet In G Op.77 -
Study Score: String
Quintet: Study
Quatuor à cordes: 2 violons,
alto, violoncelle
Barenreiter
New detailed foreword by Dvo ák scholar David Beveridge (Eng/Cz/Ger).Dvo ák?s ...(+)
New detailed foreword by Dvo ák scholar David Beveridge (Eng/Cz/Ger).Dvo ák?s String Quintet in G Op.77 had five movements when it was premiered on 18 March 1876. Its second movement was the Intermezzo from his String Quartet in E minor (1870). Later Dvo ák removed this movement from the Quintet expanded it and published it as a separate Notturno for String Orchestra Op.40. The Intermezzo is included in its original version in the appendix of the score.This edition is based on the Complete Edition of the Works of Anton n Dvo ák the principal source being the first edition of 1888 for which Dvo áksubjected the work to revision.
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| Cello Recital Album
Volume 2: Cello:
Instrumental Album
Violoncelle, Piano - Facile
Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...(+)
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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| Quatuor à cordes
n°3 (MANTOVANI BRUNO)
En Français
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Lemoine, Henry
Partition + matériel. Par MANTOVANI BRUNO. Tout comme le précédent ouvrage co...(+)
Partition + matériel. Par MANTOVANI BRUNO. Tout comme le précédent ouvrage consacré à cette formation, le Quatuor à cordes n°3 est une pièce peu polyphonique où le matériau est similaire pour tous les instruments. En revanche, il s'agit comme dans mes récents travaux (je pense à Tourbillons pour deux pianos) d'une tentative d'épuration du langage. Les idées musicales ici s'entrechoquent mais sont développées dans une logique plus extrême qu'auparavant. L'obsession est ici le maître mot, que ce soit dans la recherche de la densité (début de la pièce) comme sur le plan rythmique (dans une section centrale où des périodicités se superposent) ou sur celui du flux (abondance de trilles communs aux quatre instruments). Au milieu de ce discours 'jusqu'au-boutiste', deux cadences, une de violon et l'autre de violoncelle, aèrent un discours qui tend en permanence vers une forme d'oppression.
Bruno Mantovani/ Répertoire / Quatuor à Cordes
Délais: Sur commande |
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| Per Nørgård: Out Of The
Cradle Endlessly Rocking:
Chamber Ensemble: Score
Clarinette, Violon, Violoncelle, Piano [Conducteur] - Intermédiaire/avancé
Wilhelm Hansen
Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Sco...(+)
Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic
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| Georges Enesco: Deuxieme
Sonate Op. 26 N. 2 En
Ut Majeur: Cello
Violoncelle, Piano
Salabert
Deuxieme Sonate Op. 26 N. 2 En Ut Majeur
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| Quatuor n°2 (D'ADAMO
DANIEL)
Quatuor à cordes: 2 violons,
alto, violoncelle
Chant du Monde
Par D\'ADAMO DANIEL. ?Quatuor n°2? was first performed by the Tana string quart...(+)
Par D\'ADAMO DANIEL. ?Quatuor n°2? was first performed by the Tana string quartet on April 14, 2013, at Radio France, Paris. ?I conceived a piece whose principal subject was going to consist in the description of a minuscule sonic element. The description of this tiny initial material would be so precise, so detailed that, deployed on a much larger scale than its original one, it would occupy the entire duration of the piece. At that point, I just had to choose a sound model as the starting point of the piece, the sound that would best characterize the string instruments themselves: the noisy sound produced by the bow barely coming in contact with one of the strings, getting ready to acquire speed, weight, acceleration, and producing a full sound of a violin, a viola or a cello?? Daniel D?Adamo / Date parution : 2022-02-03/ Répertoire / Quatuor à Cordes
Délais: Sur commande |
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| Arabesque N 1 Vlc/Piano
(Jj Gurt
En Français
Violoncelle, Piano [Partition]
Durand
Morceau, Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner...(+)
Morceau, Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Violoncelle Et Piano vous pourrez découvrir une des oeuvres de Debussy Claude en l'occurence ARABESQUE N 1 VLC/PIANO (JJ GURT qui a été éditée par la maison d'édition Durand. / Violoncelle Et Piano / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Per Nørgård: String
Quartet No.6
'Tintinnabulary': String
Quartet: Parts
Quatuor à cordes: 2 violons,
alto, violoncelle
Wilhelm Hansen
Set of parts for String Quartet No.6 'Tintinnabulary' by Per Nørgård (1986). S...(+)
Set of parts for String Quartet No.6 'Tintinnabulary' by Per Nørgård (1986). Study score available: WH30118B
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| Per Nørgård: Nacht Und
Träume: Chamber
Ensemble: Parts
Clarinette, Violon, Violoncelle, Piano [Set de Parties séparées] - Intermédiaire/avancé
Wilhelm Hansen
Set of parts for Nacht Und Träume by Per Nørgård (2005).
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| Per Nørgård: String
Quartet No.1 - 'Quartetto
Breve': String Quartet:
Parts
Quatuor à cordes: 2 violons,
alto, violoncelle
Wilhelm Hansen
Parts for Per Nørgård's String Quartet No.1 - 'Quartetto Breve'Score available...(+)
Parts for Per Nørgård's String Quartet No.1 - 'Quartetto Breve'Score available: KP01185
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| Tango Passion (DIVERS
AUTEURS (ARR)
2 Violoncelles (duo) - Intermédiaire
Universal Edition
8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Au...(+)
8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Authentic tango classics arranged as duets of medium difficulty for 2 cellos - this edition includes the famous tunes of some of the greatest tango compositions the world has ever heard.
Tango is full of life and passion - the fact that this love affair of music and rhythm has not lost any of its fascination is demonstrated these classic tango pieces that have been selected for this collection and arranged for two cellos. When Astor Piazolla, Vicente Greco, and Angel Villoldo meet in an edition of tango classics, entertainment and expertise of the highest level are sure to ensue. In addition to one of his own compositions, arranger Diego Collatti has selected some of the most popular tango tunes to be arranged for two cellos, among them 'Libertango', 'El Choclo' and 'A media Luz'.
Collatti, who is considered an expert in Argentine tango, has brilliantly and expressively highlighted the two violin parts, which have been essential elements of the tango tradition since its beginning.
The duets' characteristic phrasing opportunities combined with their dynamic shading and diverse articulation enhance their value as entertaining concert pieces and deeply authentic ensemble repertory additions. Melancholic tunes, rhythmic precision, and untamed passion can be found in this stylistically diverse collection, the compositional art of which showcases the full emotional range of the tango tradition.
- Engaging tango classics by Astor Piazzolla, Vicente Greco, Agostín Bardi, and many other tango composers, selected and arranged by Argentine tango expert Diego Collatti
- The clearly structured instrumental parts communicate with each other and remain true to the originals in their range of articulation and dynamics
- The stylistic variety, expressiveness, imagination and multicultural influences of the genre are wonderfully combined in this collection / Niveau : Intermédiaire / Recueil / 2 Violoncelles
Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto N. 10 In Re
Maggiore (G. 483)
Violoncelle, Piano [Partition]
Ricordi
Seule partition au monde à porter le numéro ISBN 9790520012294 cette partition...(+)
Seule partition au monde à porter le numéro ISBN 9790520012294 cette partition dont le titre est CONCERTO N. 10 IN RE MAGGIORE (G. 483) comporte des morceaux regroupés et composés par le compositeur Boccherini Luigi.Son instrumentation exacte est Violoncelle Et Piano. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Piano / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| César Franck: Trio N 1:
String Ensemble
En Français
Orchestre de chambre
Durand
15.50 GBP - vendu par Musicroom GB |
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| Classique Violoncelle N
(6 Piece
En Français
Violoncelle [Partition]
Leduc, Alphonse
La partition Classique Violoncelle N(6 Piece a été composée pour Violoncelle....(+)
La partition Classique Violoncelle N(6 Piece a été composée pour Violoncelle. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Violoncelle / Partition
Délais: 2-5 jours - En Stock Fournisseur |
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| Paul Bazelaire:
Concertino N 1: Cello
Violoncelle, Piano
Durand
12.99 GBP - vendu par Musicroom GB |
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| Per Nørgård: Sonata
No.3: Cello: Instrumental
Work
Violoncelle
Wilhelm Hansen
I - Lento II - Imposante III - Andante Programme Note In my early television rem...(+)
I - Lento II - Imposante III - Andante Programme Note In my early television remembrance I recall a broadcast with Samuel Beckett one of the fathers of the absurd play and drama. At one time Beckett looked the viewer (the camera) in the eye and said:'What! - is the Word'. I have not since been able to forget it obviously having borrowed this ambiguous sentence as title for this short cello sonata. The fact that it is conceived as a unity is obvious from the fact that the two outer movements are closely related. The long immediately recognizable melodic line which dominates the first movement appears in the third movement aswell first in an inverted version and then almost identical to its original appearance only shorter. In contrast the middle movement is a fast one constantly and intensely on the move with many changes of pulse and meters as well as large melodic leaps. And while the outer movements each are composed as a single melodic line the middle movement makes extensive use of the cello as a polyphonic instrument employing lots of chords double stops and flageolet effects. Per Nørgård (2010)
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| Bacri: Quatuor n° 8
omaggio a haydn op. 112:
String Ensemble
En Français
Formation musicale - Solfège
Leduc, Alphonse
Quatuor n° 8 ''omaggio à haydn'' op. 112 (23') pour 2 violons alto et violon...(+)
Quatuor n° 8 ''omaggio à haydn'' op. 112 (23') pour 2 violons alto et violoncelle (partition et parties). Par Bacri aux éditions Leduc. Partition / Livre de chansons pour ensemble de cordes
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| Le Double
En Français
Flûtes Traversières et
Clarinettes [Partition]
Lemoine, Henry
4 Pièces Pour Flûte(S) et Clarinette(S). Gaëlle Belot, flûtiste et Szymon Ka...(+)
4 Pièces Pour Flûte(S) et Clarinette(S). Gaëlle Belot, flûtiste et Szymon Kaça, clarinettiste, tous deux enseignants au conservatoire de musique et de danse d'Ivry-sur-Seine, sont, dans leur pratique artistique, engagés dans le répertoire contemporain et convaincus de l'importance de la musique de notre temps dans la formation des élèves.
De leur envie de créer un concert autour de la notion de double, de la dualité, du 'jeu à deux' est née l'idée d'un projet associant des pièces du répertoire pour la flûte et la clarinette jouées par les professeurs et des pièces spécialement écrites pour les élèves où les jeunes musiciens auraient l'occasion de rencontrer et de travailler avec des compositeurs, de participer au processus de la création.
La ville d'Ivry-sur-Seine a soutenu leur projet et a passé commande à Noriko Baba, Jérôme Combier, Julien Malaussena et Martin Matalon. Les pièces, qui sont le fruit de leur travail et qui se trouvent dans ce recueil, ont été crées à l'Auditorium Antonin Artaud d'Ivry-sur-Seine le 8 juin 2018./ Recueil / Flûtes Traversières et Clarinettes
Délais: Sur commande |
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