Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as part moth, part Maenad . There is a feral quality to much of the tumultuous solo writing all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. ARRANGEMENT Piano and ensemble of ten players: Alto Flute, Cor Anglais, Bass Clarinet, Horn, Percussion (1 player), Harp, Violin, Viola, Cello, Double Bass. / Scores / Répertoire / Piano et Ensemble De Chambre

Par EAST ANGELA. This fascinating introduction to the world of Baroque style and technique is perfect for players both young and adult who are learning on the modern Cello. Play Baroque! contains Twenty-six masterpieces from the Baroque period, arranged and edited for Cello with teaching notes and Piano accompaniments. Angela East provides lively insights into bowing, fingering, vibrato and other aspects of baroque performance practice that are sure to enhance the study of this repertoire for all teachers. This book will also appeal to those who wish to study a historical style to enhance their experience of learning the instrument. Suitable for performers of a wide range of abilities, from beginners to confident performances at an intermediate level, this practical, accessible guide is of invaluable benefit to any cellist who wants to learn about the Baroque style./ Recueil / Violoncelle et Piano

13 songs guaranteed to get the fans fired up, including: Crazy Train · Don't Stop Believin' · Eye of the Tiger · Havana · Seven Nation Army · Sweet Caroline · We Are the Champions · and more. Songs are arranged for instrumentalists and feature access to great demonstration and backing tracks so they can play along and sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Recueil / Violoncelle

Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. Little is known about Henry Eccles. Neither his birth nor his death date has been firmly established, ranging respectively between 1675-85 and 1735-45. It is not even certain that he composed this sonata. He probably hailed from London and later served at the court of Louis XV in France. The editorChristoph Sassmannshaus, is the grandson of Egon Sassmannshaus, the founder of the “Early Start” series of string methods. / Niveau : 3 / Répertoire / Violoncelle et Piano

Arrangeur: A. Gout. Par LEGG PAT. Variety is the spice of musical life and the essence of First Repertoire for Cello. This is the last of three books containing carefully-graded repertoire that skillfully explores the cello's unique sonorities and provides a superb introductory literature for the young player./ Recueil / Violoncelle

Par SALLINEN AULIS. Commissioned by the Naantali Music Festival 2020 and first performed by Arto Noras, Frans Helmerson, Samuli Peltonen and Jussi Vähälä. Lasting around 17 minutes, the three-movement piece gives equal prominence to each of the four players making it an ideal showpiece. / Date parution : 2023-10-31/ Répertoire / 4 Violoncelles

Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle

Volume 2 of the Cellissimo series contains 25 popular original pieces for cello and piano from the Baroque, Classical and Romantic eras and is a real treasure trove for advanced pupils, students, teachers and cello lovers.The cello literature comprises a lot of major standard works for lessons, concerts and competitions. Apart from classics by Vivaldi, Bréval, Beethoven, Mendelssohn, Schumann, Faurè, or Saint-Saëns, the volume also contains several lesser known pieces, e.g. by August Nölck (1862-1928) and Georg Goltermann (1824-1898).The pieces are of medium technical difficulty which corresponds to grade 3-4 or grade 5-8 of the international examination system. Some pieces can be played in the 2nd to 7th position, while several works require putting the thumb under. All selected works are particularly suitable for the development of sound, vibrato, differentiated bowing technique, as well as the performer's personal interpretation and musical presentation.Some of the pieces come with a basso part (violoncello 2) which is available for download free of charge.Other editions:Volume 1: Arietta. 40 easy original pieces for violoncello and piano (Schott, ED 22353) / Violoncelle Et Piano

50 'uvres incontournables, arrangées simplement, de Bach, Brahms, Haendel, Tchaïkovski et bien d\'autres pour violoncelle ! Le recueil comprend l\'accompagnement au piano et une partie détachable pour violoncelle. Parmi les titres proposés : La valse du Danube bleu (Johann Strauss II) - Canon en Ré (Johann Pachelbel) - Dona Nobis Pacem (traditionnel) - Evening Prayer (Engelbert Humperdinck) - Jupiter Chorale (Gustav Holsts) - Ode à la joie (Ludwig van Beethoven) - Pomp and Circumstance (Edward Elgar) - Sheep May Safely Graze (J.. S. Bach) - Le Lac des Cygnes (Thème) (Pyotr Il\'yich Tchaikovsky) - To a Wild Rose (Edward MacDowell) - et bien d\'autres encore. / Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this Bach concerto arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s organ Passacaglia and Fugue for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: "Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker)

In a speech at the 1984 Matsumoto Summer Conference, Dr. Shinichi Suzuki nicknamed Alice Kanack Mozart's mother in response to her innovative work in the development of the creative part of the brain. He added to this his hope that as a result, someday all children might create their own music. After twelve years of research and testing, the Fun Improvisation for... series was developed. Each book contains philosophical and practical advice on how to use the 28 musical exercises to develop a child's innate creative ability to its highest level. The basic instructions allow even a twinkler to use these exercises, while the advanced instructions provide a challenge to the most advanced player.

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano