Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do - Cabaret - Defying Gravity - Do You Hear the People Sing? - Edelweiss - Getting to Know You - Guys and Dolls - Hello, Dolly! - I Dreamed a Dream - If I Were a Bell - Luck Be a Lady - Mame - The Music of the Night - Ol' Man River - People Will Say We're in Love - Seasons of Love - Send in the Clowns - The Surrey with the Fringe on Top - Think of Me - Tomorrow - What I Did for Love - You'll Never Walk Alone - and many more. / Violoncelle

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Violoncelle

for Cello. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violoncelle

Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total harmonic structure, and they are chords like all others.' (Arnold Schoenberg, Theory of Harmony, 1911) The Chamber Symphony Op.9 heralded a breakthrough in Schoenberg's compositional style. While the work did not go hand in hand with the complete destruction of the old tonal system it does show an extension in chordal and melodic constructions. It's focus on the interval of the fourth rather than the third is stated right at the start with the horn fanfare and this leads into the use of the whole tone scale soon after. These two elements open up a new sound space which he would explore further in the works to follow. Certainly not a work to be missing from any library where contemporary music is one of the main focuses./ Répertoire / Ensemble de Musique de Chambre

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano

A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming, helping you to hear how the songs should sound and allowing you to play along.Songs include: All About That Bass, All of Me, Happy, Radioactive, Roar, Say Something, Shake It Off, A Sky Full of Stars, Someone like You, Stay with Me, Thinking Out Loud and Uptown Funk. / Violoncelle

This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl's Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Violoncelle

Quatuor pour hautbois, violon, alto et violoncelle. K. 370 (K. 368 b)Fac-similé du manuscrit autographe (1781), et de l'édition originale en parties séparées, J.A. André (1800).Présentation de Michel Giboureau : lecture de la partition (les négligences et repentirs de Mozart, tempi, articulations, nuances, ornementation) - restauration de la partiton - annotations figurant sur la partition - l'édition de J.A. André - comparaison de l'édition avec l'autographe de Mozart - l'édition de l'AMA - l'édition NMA.Nous avons regroupé le manuscrit autographe de Mozart et la première édition. La préface démontre que, jusqu'à aujourd'hui, aucune édition n'a été fidèle au manuscrit du compositeur. - / Musique De Chambre / 69 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Par ALBIN ROGER. chorus, flute, guitar and percussion/ Répertoire / Flûte Traversière Alto et Harpe