Studienpartitur - STP - I: for Strings and Percussion - II: for String Quartet or Strings - III: for Chamber Ensemble (and Voice ad libitum) - IV: for Orchestracomposer: Schnebel, DieterÉditeur: Schott Musicpages: 92Contenu - I. Analysis - II. Stücke - III. Fragment - IV. Composition

Arc-Song II. Par HOSOKAWA TOSHIO. / Date parution : 2023-10-31/ Répertoire / Saxophone, Piano et Percussion

'aus ''Hurra, mir erwe'''. Par MUNDO MARTIN. / Niveau : Moyen / Date parution : 2024-02-16/ Répertoire / Quatuor à Cordes

Harmonische Fantasie über ein Thema von Tallis. Par KNOX GARTH. Thomas Tallis (1505–1585) was one of the great figures of English Renaissance music and the Third mode melody is probably his best known work, largely thanks to Vaughan Williams’s Fantasia on a theme by Thomas Tallis. In the manner of an illuminated manuscript, I wanted to illuminate this fascinating theme in three ways: from behind with medieval techniques like the ‘hoquetus’ passage of the opening or the dance at letter B, from in front with more contemporary sounds (letter A and similar), and from above with the extensive use of high harmonics. Almost all the notes of the theme fall very neatly on the ‘natural’ harmonics of the viola strings, and my ambition was to combine the ‘normal’ notes of the viola with its soaring harmonics, creating a rich luminous soundscape which reflects the spirituality of the theme. Tallis’s melody returns repeatedly to the note B, and I interpreted this as a gentle invitation to simply be, in the sense of quiet moments of mediation. I decided to include a series of still points in the piece: the first one is in silence, the second reveals a note (B) that oscillates in a harmonic heartbeat, the third is a vibrating chord of B with harmonics, and on the last one the second viola tunes down the C string to B, then explores all the natural harmonics of this new world. The term still point is of course a reference to the words of T.S. Eliot in his Four Quartets: 'At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is.' (Garth Knox) / Date parution : 2024-01-06/ Répertoire / 2 Altos

Originally composed for piano solo, Rubinstein's 'Melody' Op. 3/1 is the best-known work written by the Russian composer. Thanks to the simple, yet tender melody and its expressive harmony, the name of the composer will be remembered forever. The piece makes an excellent encore to a concert.

Par JOST CHRISTIAN. / Date parution : 2022-10-12/ Répertoire / Quatuor à Cordes

arranged for Viola and Piano. Par . \'Classical Highlights\' présente, dans des arrangements pour alto et piano, les morceaux de récital les plus connues et les plus appréciés du répertoire classique. Tout altiste à la recherche d\'un classique apprécié pour l\'enseignement ou l\'exécution y trouvera quelque chose. Mais on y trouve également un répertoire adapté à l\'accompagnement musical d\'un mariage ou des obsèques. Pour faciliter la pratique, des pistes d\'accompagnement peuvent être téléchargées sous forme de fichiers MP3. L\'accompagnement au piano est disponible en PDF. / Niveau : Moyen / Date parution : 2022-10-12/ Recueil / Alto et Piano

Par SCHREIER ANNO. Anno Schreier created these four miniatures as preliminary studies for his opera on the logician and computer scientist, Alan Turing, considered today to be the most influential theorist in the development of computers. / Date parution : 2022-07-30/ Répertoire / 2 Altos

Par ORFF CARL. / Niveau : Moyen / Date parution : 2022-07-20/ Recueil / Flûte, Alto et Guitare

Par CZERNOWIN CHAYA. / Date parution : 2022-02-03/ Répertoire / Cor Baryton, Clarinette Basse, Trompette et Trombo

Caleidoscope. Par SCHREIER ANNO. / Date parution : 2021-12-09/ Répertoire / Quintette A Vents

'Die fröhliche Viola' is a viola method for children which is aimed primarily at pupils who start to learn playing the viola without taking a detour to the violin. Those who have already played the violin and use the method as a 'way to change instruments' may skip some pieces or even start with Vol.2.Like 'Die fröhliche Violine', this book intends to make the children have fun while learning to play the viola. For this purpose, a stylistically varied range of classical and folkloristic songs and instrumental pieces encourage music-making, and small texts provide interesting information on the viola, the music and its composers.The viola is used both as a solo and as an accompanying instrument, and the 'hearing' and 'counting' of middle and lower lines are specifically trained. Due to the fact that many songs and secondary parts are notated in the treble clef and thanks to examples for trio and quartet playing, this book especially encourages ensemble playing with friends or within the family.