| Pieces For Violoncello Violoncelle, Piano EMB (Editio Musica Budapest)
Peu de gens savent que Franz Liszt organisé certaines de ses pièces pour piano...(+)
Peu de gens savent que Franz Liszt organisé certaines de ses pièces pour piano pour le violoncelle, avec accompagnement de piano, et cette version de l'oeuvre apparu dans d'impression pendant la durée de vie du maestro. Árpád Pejtsik sélectionné deux de ces volumes pour cette compilation d'jubilé marque de Liszt: Elégies I et II Les autres compositions de Liszt qui apparaissent dans la collection ont été également à l'origine pour des oeuvres pour piano: l'Ave Maria et Cantique d'amour (des pièces de la Harmonies poétiques et religieuses de cycle) ont été transcrites par un élève de Liszt, Robert Pflughaupt, la version pour violoncelle, transposée en sol majeur, de la Consolation E Major est par Jules de Swert, violoncelliste solo à l'orchestre de Weimar de ces jours, celle de l'Angélus (le morceau d'ouverture dans le tome 3 du cycle intitulé Années de Pèlerinage) est par Lothar Windsperger, un compositeur qui vivait Deutsch au tournant du siècle 19ème-20ème. / Violoncelle Et Piano
37.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Eric Coates 100Th
Anniversary (Pno/Vcl)
(COATES ERIC) Violoncelle, Piano [Partition] Faber Music Limited
Par COATES ERIC. This edition of the most popular of Eric Coates' compostions wa...(+)
Par COATES ERIC. This edition of the most popular of Eric Coates' compostions was published to commemorate the 100th anniversary of his birth. Includes the Dambuster's March and 'By the Sleep Lagoon' (the famous theme tune to Desert Island Discs). All the pieces are arranged for Piano Solo, except for Bird Songs At Eventide, I Heard You Singing, I Pitch My Lonely Caravan At Night, Star Of God and The Green Hills O'Somerset , which are arranged for Voice and Piano accompaniment. / Niveau : Intermédiaire à Avancé / Recueil / Violoncelle et Piano
23.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Les Misérables For
Classical Players -
Online Accompaniments
(BOUBLIL ALAIN /
SCHOENBERG CLAUDE-MICHEL) Violoncelle, Piano [Partition + Accès audio] Hal Leonard
Cello and Piano with Online Accompaniments (Score and Solo Part). Par BOUBLIL AL...(+)
Cello and Piano with Online Accompaniments (Score and Solo Part). Par BOUBLIL ALAIN / SCHOENBERG CLAUDE-MICHEL. Retrouvez 12 chansons extraites de la fameuse comédie musicale, arrangées pour instrumentistes solistes avec les accompagnements de piano enregistrés par des professionnels, et disponibles en téléchargement ou streaming. Parmi la sélection : At the End of the Day · Bring Him Home · Castle on a Cloud · Do You Hear the People Sing? · Drink With Me (To Days Gone By) · Empty Chairs at Empty Tables · I Dreamed a Dream · A Little Fall of Rain · On My Own · Stars · The Thénardier Waltz of Treachery · Who Am I?
Les pistes audio sont accessibles en ligne à l'aide du code unique qui se trouve à l'intérieur du livre et peuvent être écoutées en streaming ou téléchargées. Le fichier audio comprent PLAYBACK +, un lecteur audio multifonctionnel qui permet de ralentir l'audio sans changer le ton, de définir des points de boucle, de changer de tonalité et de régler la balance à gauche ou à droite./ Recueil / Violoncelle et Piano
23.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Broadway Songs For
Classical
Players-Cello/Piano Violoncelle, Piano [Partition + Accès audio] Hal Leonard
With online audio of piano accompaniments. Intermediate level arrangements for s...(+)
With online audio of piano accompaniments. Intermediate level arrangements for solo instruments and piano accompaniment, in a range flattering to each instrument. The music has been edited with added dynamics, articulations, and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / TV, Film, Comédie musicale / Date parution : 2019-05-27/ Recueil / Violoncelle et Piano
22.80 EUR - vendu par LMI-partitions Délais: En Stock | |
| I Could Sing Of Your Love
Forever Vol.4 Violoncelle, Piano Hal Leonard
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...(+)
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
24.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Sondheim For Classical
Players (SONDHEIM
STEPHEN) Violoncelle, Piano [Partition + Accès audio] - Intermédiaire Hal Leonard
12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection feat...(+)
12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Niveau : Moyen / Recueil / Violoncelle et Piano
27.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Sheku Kanneh-Mason: Song
(KANNEH-MASON SHEKU) Violoncelle, Piano [Partition] Faber Music Limited
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for s...(+)
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for solo cello, cello and piano, plus a beautiful cello duet and trio, from the award-winning and internationally acclaimed cellist. This collection presents music from Sheku?s third album, Song, which is a very personal collection that refers to the unique singing tone of the cello. Pieces include Deep River by Samuel Coleridge Taylor, Burt Bacharach?s I Say a Little Prayer and Parry?s Myfanwy, which is arranged for cello trio. / Date parution : 2022-10-25/ Recueil / Violoncelle et Piano
25.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Play Gershwin (GERSHWIN
GEORGE) Violoncelle, Piano [Partition] - Facile Faber Music Limited
Par GERSHWIN GEORGE. A collection of pieces that pay tribute to Gershwin's uniqu...(+)
Par GERSHWIN GEORGE. A collection of pieces that pay tribute to Gershwin's unique melodic genius, which gave us such gems as Embraceable You, Summertime, I Got Rhythm, 'S Wonderful, and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. / Niveau : Assez Facile / Date parution : 1996-01-18/ Recueil / Violoncelle et Piano
14.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Solos For The Cello
Player Violoncelle, Piano [Partition] Schirmer
Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Alleg...(+)
Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel)
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Allegro Spiritoso (Senaille)
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Andante (Beethoven)
-
Andante (Gluck)
-
Aria (Lotti)
-
Bourrée I (Bach) -
Country Dance
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La Cinquantine (The Golden Wedding)
-
Larghetto (Handel)
-
Lento (Schumann)
-
Lullaby
-
Menuet (Mozart)
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Nina (Pergolesi)
-
Romance
-
Sicilienne (Debussy)
-
The Swan (Saint-Saëns)
-
Village Song (Popper)./ Recueil / Violoncelle et Piano
23.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| 90 Golden Years Of Irving
Berlin (BERLIN IRVING) Violoncelle, Piano [Partition] I.M.P.
Par BERLIN IRVING. Une collection des plus célèbres chansons d'Irving Berlin, ...(+)
Par BERLIN IRVING. Une collection des plus célèbres chansons d'Irving Berlin, arrangé pour piano et voix, complete avec les paroles et les symboles de la corde. / Date parution : 2005-05-27/ Recueil / Violoncelle et Piano
4.50 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Souvenirs En Français Violoncelle, Piano Salabert
Pièce inédite de Francis Poulenc, publiée avec l'autorisation de la Biblioth...(+)
Pièce inédite de Francis Poulenc, publiée avec l'autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l'Association des Amis de Francis Poulenc. Le 1er avril 1944, Le Voyageur sans bagage d'Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Théâtre de la Michodière. Francis Poulenc a été sollicité afin d'écrire une nouvelle musique de scène. On ignorait tout de cette partition inédite, jusqu'au jour où Bérengère de l'Epine, conservateur à la Bibliothèque historique de la ville de Paris, nous signala l'existence d'un manuscrit dans le fonds de l'Association de la Régie théâtrale. Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano. Cependant, à la fin de son manuscrit, le compositeur reprend le #2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n'est pas biffée dans le manuscrit. Poulenc semble nous inviter à considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l'édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant le colloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d'orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP). Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d'intituler Souvenirs. Le personnage principal de la pièce d'Anouilh, Gaston, a été retrouvé amnésique à la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces - mais Gaston ne parvient à se reconnaître dans l'enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l'acte I, resté seul un moment, écrasé par l'histoire de cet autre lui-même qu'il découvre peu à peu, indigné par le désir des personnes qui l'entourent de le ramener à elles au détriment de celui qu'il voudrait être désormais, il se murmure ces paroles : ' Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis comme des crimes? je vous écoute tous et je sens surgir peu à peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi '? C'est sur ces mots que Poulenc a choisi de placer le #2 de sa partition de musique de scène. Comme il le fait souvent, il emprunte à une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section ' Lent et mélancolique ' de l'Histoire de Babar, composée entre 1940 et 1945, créée en 1946 (à moins que ce ne soit Babar qui réutilise l'idée musicale du Voyageur). Le héros-éléphant s'est décidé à partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l'a rassurée : jamais il ne l'oubliera. Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire à celle du Voyageur sans bagage : solitude, tristesse, instant de trouble et de retour sur soi, crainte de l'oubli, présence des souvenirs? / Violoncelle Et Piano (Ou 2 Violoncelles)
12.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Sonata No. 2 In G Minor
Op. 117 (FAURE GABRIEL) Violoncelle, Piano G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In...(+)
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano
23.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Pavane Op. 25 En Français Violoncelle, Piano [Partition] Billaudot
La référence CC1904 I de l'éditeur Billaudot dont l'auteur célèbre est Lieg...(+)
La référence CC1904 I de l'éditeur Billaudot dont l'auteur célèbre est Liegeois Cornélis, qui a pour titre PAVANE OPUS 25, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
6.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Premiers Pas (SAINT-LEGER
PASCAL) Violoncelle, Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront ave...(+)
Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront avec cette pièce qui trouvera toute sa place dans un programme d'audition ou de concert. - Pascal SAINT-LEGER - Une pièce adaptée pour un examen de Cycle I 2e année - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal SAINT-LEGER - / Niveau : Facile / Classique, Pédagogique / Répertoire / Violoncelle et Piano
13.20 EUR - vendu par LMI-partitions Délais: Sur commande | |
| 3 Petits Couplets (PROUST
PASCAL) Violoncelle, Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Par PROUST PASCAL. Trois courtes histoires qui s'enchainent, trois caractères b...(+)
Par PROUST PASCAL. Trois courtes histoires qui s'enchainent, trois caractères bien différents à traduire en musique. - Pascal PROUST - Une pièce pour une fin de Cycle I. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 00 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Violoncelle et Piano
14.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Vert Lagon (PROUST
PASCAL) Violoncelle, Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Par PROUST PASCAL. Rêverie pour les jeunes instrumentistes au bord d'une mer d'...(+)
Par PROUST PASCAL. Rêverie pour les jeunes instrumentistes au bord d'une mer d'émeraude - Pascal PROUST - Une pièce pour un début du Cycle I. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Facile / Classique, Pédagogique / Répertoire / Violoncelle et Piano
13.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Pezzo Capriccioso B Minor
Op. 62 Violoncelle, Piano Schott
Mis à part les Variations Rococo célèbre, Piotr Tchaïkovski d'i. a composé ...(+)
Mis à part les Variations Rococo célèbre, Piotr Tchaïkovski d'i. a composé une autre oeuvre pour violoncelle solo : Pezzo capriccioso, Opus 62. Elle est dédiée à Brandoukoff (Brandoukov), avec qui il avait effectué ce petit morceau de virtuose pour la première fois à th / Violoncelle Et Piano
27.30 EUR - vendu par LMI-partitions Délais: En Stock | |
| 3 Pièces Pour
Violoncelle Et Piano En Français Violoncelle, Piano Delatour France
Cette suite de trois pièces, qui peuvent se jouer séparément, oppose une prem...(+)
Cette suite de trois pièces, qui peuvent se jouer séparément, oppose une première pièce très dynamique, véhémente, à deux pièces plus contemplatives et simples, qui achèvent le cycle dans un caractère très doux, I - Très intense, véhément (05'00'')II - Calme (04'00'')III - Très calme, nostalgique (04'30'') / Violoncelle Et Piano
22.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Complete Works Vol.1
(MENDELSSOHN-BARTHOLDY
FELIX) Violoncelle, Piano Barenreiter
For Violoncello et Pianoforte. Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssoh...(+)
For Violoncello et Pianoforte. Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces. Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo. Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumes Also includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and piano Informative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pages Special price for both volumes I and II (BA9098)/ Répertoire / Violoncelle et Piano
47.90 EUR - vendu par LMI-partitions Délais: En Stock | |
| Complete Works Vol.2
(MENDELSSOHN-BARTHOLDY
FELIX) Violoncelle, Piano Barenreiter
For Violoncello et Pianoforte. Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssoh...(+)
For Violoncello et Pianoforte. Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces. Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo. Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumes Also includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and piano Informative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pages Special price for both volumes I and II (BA9098)/ Répertoire / Violoncelle et Piano
33.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Piano [Partition] Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
23.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Star Wars : Episodes I II
And III Instrumental
Solos For Strings Violoncelle, Piano Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...(+)
This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
25.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Andrew Lloyd Webber For
Classical Players (LLOYD
WEBBER ANDREW) Violoncelle, Piano [Partition + Accès audio] Hal Leonard
10 Songs from 6 Musicals. Par LLOYD WEBBER ANDREW. Arrangements de niveau élém...(+)
10 Songs from 6 Musicals. Par LLOYD WEBBER ANDREW. Arrangements de niveau élémentaire avec accompagnement de piano, dans une tessiture adaptée à chaque instrument. Les morceaux contiennent diverses indications comme le phrasé, les articulations, ce qui permet de les interpréter en cours ou lors d'une audition. Les accompagnements ont été enregistrés sur un piano à queue acoustique et sont disponibles en ligne pour écoute ou téléchargement.
Sommaire : All I Ask of You (from The Phantom of the Opera) - Bring Him Home (from Les Misérables) - Memory (from Cats) - Some Enchanted Evening (from South Pacific) - The Sound of Music - Till There Was You (from The Music Man) - Tonight (from West Side Story) - et bien d'autres./ Recueil / Violoncelle et Piano
27.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| QUATRE ÉLÉGIES, OP.127
(BACRI NICOLAS) (BACRI
NICOLAS) Violoncelle, Piano [Partition] Chant du Monde
Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Som...(+)
Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Sommets Musicaux de Gstaad' Festival I. Nocturne, II. Berceuse (Hommage Brahms), III. Souvenir, IV. Canto di speranza / Date parution : 2023-04-14/ Répertoire / Violoncelle (ou Alto) et Piano
38.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Sonate Violoncelle, Piano [Partition] Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...(+)
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
41.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| B Kelly: Sonatina: Cello:
Instrumental Work Violoncelle, Piano [Partition] - Avancé Spartan Press
'Apart from the piano the cello is my favourite instrument. I taught myself how...(+)
'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write something for one hence this Sonatina! The dedication is to Naomi Butterworth who has championed my cello music and given many performances of it.'Bryan Kelly
7.95 GBP - vendu par Musicroom GB Délais: En Stock | |
| Judith Weir: Three
Chorales: Cello:
Instrumental Work Violoncelle, Piano Chester
These three pieces for cello and piano are meditations – personal secular...(+)
These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
17.99 GBP - vendu par Musicroom GB | |
| BOOSEY and HAWKES
PIAZZOLLA ASTOR - 25
PIAZZOLLA TANGOS - CELLO
AND PIANO Violoncelle, Piano Boosey and Hawkes
composer/Author (EN) : Piazzolla, Astor Artisane 1 from A Midsummer Night's...(+)
composer/Author (EN) : Piazzolla, Astor Artisane 1 from A Midsummer Night's Dream Ausencias (The Absent) Chanson de la Naissance (Song of the Birth) from Famille d'artistes Dansée (Dance) from A Midsummer Night's Dream Duo I from A Midsummer Night's Dream El Viaje (Voyage) Fracanapa La Chanson Du Popo (The Song of Popo) from Famille d'artistes Libertango Los Sueños (Dreams) Milonga from A Midsummer Night's Dream Milonga for Three Milonga Picaresque Mumuki Nuevo Mundo (New World) Oblivion Ouverture from A Midsummer Night's Dream Psicosis (Psychosis) Sensuel (Sensual) from A Midsummer Night's Dream Sentimental from Famille d'artistes Sin Rumbo (Aimless) Street Tango Tango Final from Famille d'artistes Todo Fué (It All Was) Vuelvo Al Sur (I'm Returning South) / Partitions classique / Cordes / Alto / BOOSEY and HAWKES
28.50 EUR - vendu par Woodbrass Délais: Sur commande | |
| Edward Gregson: A Song
For Chris: Cello:
Instrumental Work Violoncelle, Piano [Partition] - Avancé Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
19.99 GBP - vendu par Musicroom GB | |
| A Kernis: Air: Cello and
Accomp.: Instrumental
Work Violoncelle, Piano [Partition] Associated
A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The co...(+)
A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The composer describes this piece as: songlike and melodic ... the 'purest' and sparest piece I've written in a few years.
13.99 GBP - vendu par Musicroom GB | |
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