Une collection éminemment utile de favoris sacrés essentiels pour chanteurs classiques. Comprend un CD avec les représentations complets et accompagnements piano seulement à être utilisé pour la pratique ou de la performance. / Voix

Oratori, Lamentazioni, Salmi, Dialoghi Sacri. Par GHEZZI IPPOLITO. / Date parution : 2022-02-03/ Recueil / Chant

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Piano Sonata C major K. 545 (facile) tout le talent de Mozart. Cette partition a été composée pour Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Piano / Chanson En Séparée

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Schubert Franz et éditée par Henle cette partition est idéale pour les joueurs de Piano 4 mains et Plus. Si l'instrumentation Piano 4 Mains correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Piano 4 Mains / Chanson En Séparée

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Chopin Frédéric et éditée par Henle cette partition est idéale pour les joueurs de Piano. Si l'instrumentation Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Piano / Partition

Mount of Olives?(also referred to by the full title ?Christ on the Mount of Olives?) Op. 85 is an oratorio by?Ludwig van Beethoven?portraying the emotional turmoil of Jesus in the garden of Gethsemane prior to his crucifixion. The libretto in German is by the poet Franz Xaver Huber. It was first performed on April 5 1803 at the Theater an der Wien in Vienna; in 1811 it was revised by?Beethoven?for publication by Breitkopf & Härtel.Mount of Olives?is a dramatic oratorio rather than a religious choral Mass or a dramatic opera and isconsidered a much more humanistic portrayal of the Christ passion than other settings such as those by Bach. It concludes at the point of Jesus personally accepting his fate placing the emphasis on his own decision rather than the later Crucifixion or Resurrection.?Novello edition for Voice. A complete performance lasts approximately 50 minutes.

The classic psalter for parish use edited by Sir Sydney Nicholson and still a best seller. Finished in blue clothboard with gold blocking.

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice. Introduction in English French German and Italian.

Purcell Society Volume 25.This volume contains all Purcell's secular solo songs which have no known association with the theatre. It also includes those songs which though mainly for solo voice end with a short duet section. The first edition of this volume was prepared for the Purcell Society by Arthur Somervell published in 1928. This new edition is not just a revision but the outcome of a fresh examination of the sources. A new editorial continuo part more suited to the harpsichord has also been provided.

An extremely expressive and beautiful piece Ave Maria has been a standard at weddings for generations. This timeless masterpiece by Schubert is presented in low voice; lyrics are in Latin English and German.

In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) 'studies' for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called 'heavenly for sending one to sleep'. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life 'I have no reason to be ashamed of these small pieces.'Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.

High Voice. G. Schirmer was the first publisher to accept the work of this prolific and beloved composer of art songs. This new collection includes many of his best-known songs all of which were originally published as individualsheets but most have been unavailable for many years. Two previously unpublished songs appear here for the first time: Elaine and Fragment. Additionally we have made careful transpositions of many songs making them accessibleto more singers. (For each transposed song the original key is also indicated.) This is first-rate collegiate literature.