By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Eme...(+)
By Meghan Trainor. By
Kevin
Kadish and Meghan
Trainor.
Arranged by Roger
Emerson.
For Choral (SAB and
Solo).
Pop Choral Series. 20
pages.
Published by Hal Leonard
By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Eme...(+)
By Meghan Trainor. By
Kevin
Kadish and Meghan
Trainor.
Arranged by Roger
Emerson.
For Choral (SOP. I/II /
ALTO
/ SOLO). Pop Choral
Series.
20 pages. Published by
Hal
Leonard
Composed by Meghan Trainor and Kevin Kadish. Arranged by Alan Billingsley. Choir...(+)
Composed by Meghan
Trainor and Kevin Kadish.
Arranged by Alan
Billingsley. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. Pop; Secular. 20
pages. Published by
Alfred Music
By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Larry Moore...(+)
By Meghan Trainor. By
Kevin
Kadish and Meghan
Trainor.
Arranged by Larry Moore.
For
Orchestra, String
Orchestra
(Score and Parts). Pop
Specials for Strings.
Grade
3-4. Published by Hal
Leonard
All About That Bass 4 Guitares (Quatuor) [Conducteur et Parties séparées] Edition Dux Verlag
4 guitars SKU: M7.DUX-864 Acoustic Pop Guitar Ensemble 8. Composed...(+)
4 guitars
SKU:
M7.DUX-864
Acoustic Pop Guitar
Ensemble 8. Composed
by Meghan Trainor.
Arranged by Michael
Langer. Sheet music.
Score and parts. Edition
Dux Verlag #DUX 864.
Published by Edition Dux
Verlag (M7.DUX-864).
ISBN
9783868493023.
Eine
r der erfolgreichsten
Hits des Jahres 2014 in
einem Arrangement für
vier Gitarren. In ihrem
Lied 'All About That
Bass' vermischte die
US-amerikanische
Sängerin Meghan
Trainor Einflüsse aus
dem mehrstimmigen
Doo-Wop-Gesangstil der
1950er- bzw. 1960er-Jahre
mit Elementen aus Rhythm
& Blues, Hip-Hop und
Country. 'All About That
Bass' klingt wie ein
alter Rock 'n'
Roll-Klassiker und ist
trotzdem ein aktueller
Pophit - eine
großartige
Möglichkeit, alte Rock
'n' Roll-Gitarrenriffs zu
entstauben! Gitarre 1 und
2 wechseln sich in der
Melodieführung ab,
Gitarre 3 hat
Begleitfunktion und das
prägnante Bass-Riff
('All About That Bass')
verbleibt im ganzen
Stück bei Gitarre 4
und bildet die Grundlage
für das
Arrangement.
Composed by Meghan Trainor and Kevin Kadish. Arranged by Victor Lopez. Jazz Ense...(+)
Composed by Meghan
Trainor and Kevin Kadish.
Arranged by Victor Lopez.
Jazz Ensemble. Jazz
Ensemble; Score. Young
Jazz Ensemble. Jazz; Pop.
Grade 2. 16 pages.
Published by Alfred Music
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Viola - Grade 2-3 SKU: AP.46204 Top Performing Songs and Artists from ...(+)
Viola - Grade 2-3
SKU:
AP.46204
Top
Performing Songs and
Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Play-Along; String
Series. Instrumental
Solos Series. Pop. Book
and CD. 60 pages. Alfred
Music #00-46204.
Published by Alfred Music
(AP.46204).
ISBN
9781470637118. UPC:
038081522739.
English.
Billboard
Greatest Chart All-Stars
Instrumental Solos
contains hit songs from
the Billboard Hot 100 and
Billboard Hot 200 lists
of the past 50 years.
Each instrument book is
carefully
edited---complete with
articulations, dynamic
markings, and keys well
suited for the level 2--3
player. The accompanying
MP3 CD includes a live
instrumental performance
of each song followed by
a play-along track, PDFs
of piano accompaniments,
and Alfred's TNT 2
practice software.
Titles: 21 Guns (Green
Day) * Style (Taylor
Swift) * All About That
Bass (Meghan Trainor) *
Cake by the Ocean (DNCE)
* Can't Feel My Face (The
Weeknd) * Desperado
(Eagles) * Don't Stop
Believin' (Journey) *
Firework (Katy Perry) *
Go Your Own Way
(Fleetwood Mac) * Sorry
(Justin Bieber) * Mr.
Know It All (Kelly
Clarkson) * Like I'm
Gonna Lose You (Meghan
Trainor feat. John
Legend) * and more.
Cello - Grade 2-3 SKU: AP.46207 Top Performing Songs and Artists from ...(+)
Cello - Grade 2-3
SKU:
AP.46207
Top
Performing Songs and
Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Play-Along; String
Series. Instrumental
Solos Series. Pop. Book
and CD. 60 pages. Alfred
Music #00-46207.
Published by Alfred Music
(AP.46207).
ISBN
9781470637125. UPC:
038081522746.
English.
Billboard
Greatest Chart All-Stars
Instrumental Solos
contains hit songs from
the Billboard Hot 100 and
Billboard Hot 200 lists
of the past 50 years.
Each instrument book is
carefully
edited---complete with
articulations, dynamic
markings, and keys well
suited for the level 2--3
player. The accompanying
MP3 CD includes a live
instrumental performance
of each song followed by
a play-along track, PDFs
of piano accompaniments,
and Alfred's TNT 2
practice software.
Titles: 21 Guns (Green
Day) * Style (Taylor
Swift) * All About That
Bass (Meghan Trainor) *
Cake by the Ocean (DNCE)
* Can't Feel My Face (The
Weeknd) * Desperado
(Eagles) * Don't Stop
Believin' (Journey) *
Firework (Katy Perry) *
Go Your Own Way
(Fleetwood Mac) * Sorry
(Justin Bieber) * Mr.
Know It All (Kelly
Clarkson) * Like I'm
Gonna Lose You (Meghan
Trainor feat. John
Legend) * and more.
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46186).
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Instrumental Series;
Play-Along. Instrumental
Solos Series. Pop. Book;
CD. 60 pages. Alfred
Music #00-46189.
Published by Alfred Music
(AP.46189).
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46192).
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46183).
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46198).
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46180).
Top Performing Songs and Artists from the Billboard Hot 100 and Billboard Hot...(+)
Top Performing Songs
and Artists from the
Billboard Hot 100 and
Billboard Hot 200 over
the Past 50 years.
Arranged by Various.
Book; CD; Instrumental
Series; Play-Along.
Instrumental Solos
Series. Pop. 60 pages.
Published by Alfred Music
(AP.46195).
By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Eme...(+)
By Meghan Trainor. By
Kevin
Kadish and Meghan
Trainor.
Arranged by Roger
Emerson.
For Choral (SATB Chorus
and
Solo). Pop Choral Series.
20
pages. Published by Hal
Leonard
Bass clarinet SKU: GI.G-MBCL Introducing the Instruments. Composed...(+)
Bass clarinet
SKU:
GI.G-MBCL
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MBCL.
Published by GIA
Publications (GI.G-MBCL).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Bassoon SKU: GI.G-M3BSN Sing Drum and Play. Composed by James Fros...(+)
Bassoon
SKU:
GI.G-M3BSN
Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Book. 32
pages. GIA Publications
#M3BSN. Published by GIA
Publications
(GI.G-M3BSN).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass
SKU:
BA.BA07896-85
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 15 pages.
Baerenreiter Verlag
#BA07896_85. Published by
Baerenreiter Verlag
(BA.BA07896-85).
ISBN
9790006563395. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through