Ce deuxième volume de Frottole regroupe les premiers 23 unica à 4 voix d'un manuscrit italien de 1502 conservé à la Bibliothèque nationale de France. Il s'agit à l'origine de pièces vocales religieuses ou profanes. Les textes étant rédigés en italien ancien - probablement un idiome de la région de Mantoue ou Ferrare, où résidait le copiste Lodovico Milliare - il nous a malheureusement été impossible de les reconstituer. Néanmoins, et comme cela était implicitement admis à cette époque, les pièces présentées sont tout à fait adaptées au jeu instrumental. / Niveau : Facile / renaissance / Recueil / Dessus, Alto, Ténor et Basse de Viole

Pour Piano, Contrebasse et Batterie. Par JOPLIN SCOTT. Arr. : P. Dendievel_G. Storm / Niveau : Fin 3ème Cycle / Recueil / Contrebasse, Piano et Batterie

Version for piano and string quintet. Par HAKIM NAJI. This concerto follows the structure of the Italian overture – fast, slow, fast. The first movement is a sonata form without development, based on three themes, rhythmical, oriental, waltz respectively. The second movement is characterized by an initial theme with Chopinesque-contours, followed by a more agitated theme and a choral-theme accompanied by a carillon in the treble register of the piano. The recapitulation includes a cadenza, Variation on the choral-theme. The finale is a rondo with a cheerful refrain twirling as a tarentella. Ist festive and dance-like episodes are combined with the perpetuum mobile of the refrain and its variations and the work is rounded off with a brillant, luminous coda. Naji Hakim/ Répertoire / Piano, 2 Violons, Alto, Violoncelle et Contrebasse

Par VERLEUR HELEEN. The purpose of this book is to give beginning musicians the opportunity to play together. Elementary piano players have few opportunities of being part of an ensemble which is both inspirational and fun. It will help develop aural awareness and other ensemble playing skills which can, all too often, be found lacking in performers who most frequently play and practise solo. These trios are playable by any player with 2-3 years experience.   / Ensemble Music / Recueil / Piano, Violon et Violoncelle

Arrangeur: Robert Rainford. Par BRUCH MAZ. 7 short, melodic pieces with chances for both soloists to shine. Max Bruch (1838-1920) was a German Romantic composer, conductor and teacher. A child prodigy, he composed his first pieces at the age of nine, and went on to hold musical posts in Mannheim, Berlin and Bonn. He also spent three seasons as conductor of the Liverpool Philharmonic Society. In his lifetime he was known mostly as a choral composer, but it is for his first violin concerto that he is chiefly remembered now. These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements aredramatic, then tranquil: dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both solo players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the music covering the whole range of the instrument, these gems of pieces are well worth working on. / Niveau : Intermédiaire à Avancé / Répertoire / Flûte Traversière, Hautbois et Piano

Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion

for Viola. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Alto

An amazing selection from VH-1's 100 Greatest Songs Of Rock and Roll, arranged for solo Viola.Includes the songs: All Along the Watchtower, All Shook Up, American Pie, Beat It, Blowin' in the Wind, Blue Suede Shoes, Bohemian Rhapsody, Born to Be Wild, Born to Run, Bridge over Troubled Water, California Dreamin', Dream On, Every Breath You Take, Fire and Rain, Free Bird, Gloria, Good Vibrations, Great Balls of Fire, A Hard Day's Night, Hey Jude, Hotel California, (I Can't Get No) Satisfaction, I Heard It Through the Grapevine, Imagine, Jump, Layla, Let It Be, London Calling, Maggie May, My Generation, Piano Man, Proud Mary, Respect, Rock Around the Clock, Roxanne, Smells like Teen Spirit, Stairway to Heaven, Stand by Me, Sunshine of Your Love, Superstition, We Are the Champions, When Doves Cry, Yesterday, You Shook Me All Night Long and more. / Alto

Par . More fun, flexible arrangements for junior string ensemble from David Brooker. Leading on from Stringplay his first collection of arrangements for beginners, David has now produced arrangements of five pieces from around the world: Rocky Mountain, O du lieber Augustin, Tumbalalaika, Kalinka and Jasmine Flowers. / Date parution : 2023-03-21/ Recueil / Ensemble à Cordes Flexible et Piano en option

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Alto

40 Of His Greatest Hits. Par LLOYD WEBBER ANDREW. 40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: Amigos Para Siempre (Friends for Life) - Any Dream Will Do - Don't Cry for Me Argentina - I Believe My Heart - I Don't Know How to Love Him - Learn to Be Lonely - Love Changes Everything - Memory - No Matter What - The Phantom of the Opera - Pie Jesu - Starlight Express - Stick It to the Man - Tell Me on a Sunday - 'Til I Hear You Sing - Whistle Down the Wind - With One Look - You Must Love Me - and many more./ Recueil / Alto

First movement and a sketch for a Scherzo - (Erstausgabe - First Edition) . Par MAHLER. Sikorski present the first publication of Mahler's 1876 Piano Quartet, a work that reflects the composer's obsession with the great German compositional tradition. The piece reflects Mahler's concerns with the works of Brahms, Schubert and Schumann - a highly valuable source of perspective regarding Mahler's early works and the development of his later, more distinctive aesthetic./ Répertoire / Quatuor

Par CASABLANCAS BENET. The Seven Haikus, lasting some 8 minutes, were written for the Composers Portrait that closed the author's two-season residency at L’Auditori de Barcelona (2015). The work is inspired by the conciseness and essentiality of theJapanese poetic form, which aspires to capture the epiphanic moment with the immediacy of a calligraphic stroke. The Haikus are compact statements, with an expressive range that belies their miniature timespan. The author conjuresin them a wealth of atmospheres, textures and colors from the ensemble of only six players. For all their reduced scale each piece presents a fully-composed argument. Some are calm, lyrical, others more playful, brilliant andwitty, without excluding the most dramatic or elegiac moods, as in the sixth of the collection, written “In memoriam Maria del Carme Casablancas”./ Répertoire / Flûte, Clarinette, Piano, Violon, Violoncelle et C