\'Pop For Strings\' is a new and special series for string ensembles who also want to play pop and rock songs. The eight titles contained in this volume have been arranged for violin 1, violin 2 and violoncello. The violin parts are inserted separately while the cellist can play from the score. \'Pop For Strings\' is a refreshing change from the classical ensemble literature - both for lessons and stage performances! / 2 Violon Et Violoncelle

10 flexible Blues Arrangements for String Ensemble. Par HUFSCHMIDT THOMAS. Get the blues by playing in small or large ensembles of woodwinds, brass, strings, or rhythm section!Play together in harmony with classmates, family, and friends. Use any combination of instruments and any skill level. Everyone can play the blues! As a conductor of school bands or ensembles you?re always looking for arrangements that can be played by players of different levels and instrument groups. At many times such arrangements don?t fit to what you require. Alfred?s Flex-Ability series will fit for you! Arranged for multi-level instrumentalists to play popular music together, this Flex-Ability Blues series will enable you:? to perform each blues song either as solo, duet, trio, quartet, and/or quintet to bring together players of different levels to choose your individual ensemble of any size to combine any instrument part from any book with any part from the other books The Flex-Ability Blues series provides you with seven instrumental books including ten blues songs in five-part score form you can use in such a flexible way. The arrangements are carefully crafted to sound authentic, optional octaves are included to allow for range flexibility. To help you practice, a downloadable PDF Piano accompaniment for all the pieces in this book is available online. This way, you definitely will have the blues!/ Recueil / Violon, Alto ou Violoncelle

Par LLOYD WEBBER ANDREW. Cats Suite No.1 in the Stringsets series contains a score and 16 parts (for violins 1 and 2, violin 3 or viola, cello and optional double bass). It is appropriate for intermediate level players (approximately Grades 3-5) and includes three movements: The Old Gumbie Cat, Memory and Skimbleshanks from the hit musical by Andrew Lloyd Webber, all expertly arranged by Tony Osborne. / Ensemble Music / Répertoire / Violon, Alto, Violoncelle et Contrebasse

Par JENNINGS RACHEL. De Haske String Orchestra Series: Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des oeuvres publiées dans cette collection. L'instrumentation est toujours la même : Violons 1 and 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano. Avec CD.Carnival of Strings met en évidence quatre délicieuses danses, dans un charmant arrangement pour Quatuor à Cordes.Demo Tracks:1. Big Bens March2. Coconut Calypso3. Waltz Along4. Boppin Along / Niveau : Facile / Répertoire / Quatuor à Cordes ou Orchestre à Cordes

Par VIOTTI GIOVANNI BATTISTA. Première édition moderne d'un arrangement période par Charles Doisy d'un concerto de violon de trois mouvements majeurs du compositeur principale de concertos pour violon parisien du dix-huitième siècle fin Giovanni Battista Viotti. Peut être effectuée avec l'orchestre à cordes, ou comme un concerto de chambre (avec le Quatuor à cordes). Durée env. 25 min./ Répertoire / Guitare et Quatuor à Cordes

Une superbe sélection de chansons pop à succès, thèmes de film et classiques populaires habilement arrangés pour deux violons et violoncelle par Jack Long. Approprié à un intermédiaire vers le haut standards joueurs (grade 3-5). Idéal pour les concerts, les mariages et les festivals. Score et pièces incluses. / Niveau : Elémentaire / Rép Classique / Recueil / Trio à Cordes

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes

This piece reflects Janácek's memories of childhood and youth in his native Hukvaldy and the Augustinian Abbey in Brno. Kry?tof Maratka, a Czech composer resident in France and a great admirer of Janácek, has arranged the original version to produce a welcome addition to the string quartet repertoire.Youth for wind sextet, is a masterpiece from Janácek's late period (1924). Maratka has successfully managed to transform the concise winds' sound that give this work its unique flavour into the timbre of the strings, thereby creating a 'third string quartet? of the composer.- Janácek's wind sextet arranged for string quartet- Welcome addition to the string quartet repertoire- Foreword by the arranger (Cz/Eng/Ger) / Quatuor A Cordes

Revisiting The Don is a piece of music composed by Michael Nyman for the album 'Mozart 252', a celebration of the 250th anniversary of Mozart's birth. Revisiting The Don is one of the two newly-composed works on this album and is arranged here as parts for String Quintet. Nyman himself states that 'as the title suggests, I revisit the same harmonic material that makes 'In Re Don Giovanni' so powerful, and come up with more lyrical 'solutions'.' The result is a wonderful piece, beginning with a smooth staccato that lays the foundations for wonderful lilting melodies. The piece gradually progresses to widen out the warm strings, making this piece a real joy to play. / Quintette A Cordes

Arrangeur: Siegfried Behrend. Par VIVALDI. Vivaldi's Concerto in D Major for Guitar and Strings RV 93 was written after the Sonata for Lute, 2 Violins and Continuo. This edition has been edited and arranged by Siegfried Behrend. This is the Full Score./ Répertoire / Orchestre à Cordes, Guitare et Conducteur

for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year, particularly the arrangements for Piano four-hands and Piano trio. This arrangement for String Sextet, dating from 1808, is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings. This edition revives this arrangement after almost two centuries, drawing primarily on the sole surviving source: the first edition in parts, published by the Vienna Stamperia Chimica in 1808. The editor, Christopher Hogwood, recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng . / Ger. / Cz . ) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the “New Mozart Edition”. New edition of a historical transcription for String Sextet (1808) Available in print again after almost two centuries Also suitable for Chamber Orchestra Detailed preface and critical report (Eng. /Ger. / Cz . ) Includes facsimiles / Classique / Répertoire / Violon 1, Violon 2, Alto, Violoncelle, Violoncelle

Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas! / Niveau : Facile / Répertoire / Quatuor à Cordes