SA choir, keyboard SKU: CF.CM9006CD Optional Rhythm Accompaniment CD -...(+)
SA choir, keyboard
SKU: CF.CM9006CD
Optional Rhythm
Accompaniment CD -
Suitable for Use with
Choral Publication
Cm9006. Composed by
Russell L. Robinson.
Square Trimpak. Cd. With
Standard notation. Carl
Fischer Music #CM9006CD.
Published by Carl Fischer
Music (CF.CM9006CD).
ISBN 9780825864032.
UPC: 798408064037. Text:
Linda G. Marcus. Linda
Marcus.
Russell
Robinson has crafted a
touching and earnest
“memoriesâ€
song to a lovely original
text by Linda Marcus
outlining the joys of
friendship,. The second
section is set for two
solo voices and the final
verse calls for a
descant. This is a
perfect item for the last
concert of the School
year.
Concert Band (Score) - Grade 2 SKU: HL.4005899 Arranged by Johnnie Vinson...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4005899
Arranged
by Johnnie Vinson.
MusicWorks Grade 2.
Concert. Softcover. 24
pages. Duration 269
seconds. Published by Hal
Leonard (HL.4005899).
UPC: 888680942106.
9.0x12.0x0.074
inches.
Exploring
some of the most
well-known traditional
folk tunes from Korea,
here is an appealing and
well-paced suite for
young players. Let's Sing
and Dance starts slowly
then gradually speeds up
similar to how it is
usually sung. The Gate is
a song and game played by
Korean children, and this
is followed by the
beautiful ballad
Bellflowers. Finally The
Palace completes the set
in a bold and optimistic
style. Dur: 3:55.
Easy Piano Piano/Keyboard SKU: HL.282481 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282481
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Alternative,
Pop, Rock. Softcover. 410
pages. Published by Hal
Leonard (HL.282481).
ISBN 9781540034380.
UPC: 888680789251.
9.0x12.0x0.965
inches.
The 1990s
saw the rise of R&B,
boy bands and alternative
rock as the 20th century
came to a close. This
collection features 80
songs from the decade
arranged for easy piano
with lyrics: Always Be My
Baby * As Long As You
Love Me * ...Baby One
More Time * Black Velvet
* Can You Feel the Love
Tonight * Dreams * Fields
of Gold * Friends in Low
Places * Good Riddance
(Time of Your Life) * How
Am I Supposed to Live
Without You * I Need to
Know * I'm the Only One *
Ironic * Livin' La Vida
Loca * Losing My Religion
* More Than Words * Only
Wanna Be with You *
Smells like Teen Spirit *
Smooth * Tears in Heaven
* Under the Bridge * You
Must Love Me * You're
Still the One * and
more.
SATB choir SKU: WD.080689673023 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689673023
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Christmas.
Practice trax. Word Music
#080689673023. Published
by Word Music
(WD.080689673023).
UPC:
080689673023.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir - Easy SKU: LP.765762102521 An Easter Celebration for Any C...(+)
SATB choir - Easy
SKU:
LP.765762102521
An
Easter Celebration for
Any Choir. Composed
by Marty Parks. Musical.
Excel Series.
Multicultural and Sacred.
Stereo CD. Published by
Lillenas Publishing
Company
(LP.765762102521).
UPC:
765762102521.
This
deeply moving and
compelling musical is a
beautiful response to
God's loving, sacrificial
and powerful act of
redemption. Sacred and
cherished hymns, popular
worship songs, and new,
expressive compositions
combine in arrangements
that are both poignant
and moving, while
retaining a level of
difficulty that even the
smallest choir can
master. The emotive
narrations are derived
directly from the
scriptures and perfectly
frame the musical
settings. In addition,
the work includes several
solo and congregational
opportunities for
participation. Echoing
the song of heaven's
eternity, this 47-minute
presentation is assembled
in 4 main sections: I.
Worthy of Praise II.
Worthy of Our Love III. A
Worthy Sacrifice IV.
Worthy of
Exaltation
These
arrangements are easy to
sing and easy to learn!
Stereo accompaniment CD
trax for use on
performance. Note - does
not include rehearsal
(internal) CD
points.Heart-touching
presentation of the
Easter story with
practical modern-day
relevance. Professional
quality recording useful
as an aid for choir
members learning the
music, or for personal
enjoyment and meditation
times. (Performance demo
- NOT an accompani.
SATB choir SKU: WD.080689751721 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689751721
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. Bulk CD
(10-pak). Word Music
#080689751721. Published
by Word Music
(WD.080689751721).
UPC:
080689751721.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689826221 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689826221
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. Listening CD.
Word Music #080689826221.
Published by Word Music
(WD.080689826221).
UPC:
080689826221.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689550362 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689550362
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. CD preview pak.
Word Music #080689550362.
Published by Word Music
(WD.080689550362).
UPC:
080689550362.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
Item Number: HL.148355 As in the first movie, this mashup weaves together ...(+)
Item Number: HL.148355
As in the first movie,
this
mashup weaves together
several great songs and
storylines from
throughout
the film, with a twist of
an
ending. Songs include
“Run
The World (Girls),”
“Where
Them Girls At,” “We
Belong,”
“We Got The World,”
and
“Flashlight.”.
Choral (ShowTrax CD) SKU: HL.323132 Composed by Randy Newman. Arranged by...(+)
Choral (ShowTrax CD)
SKU: HL.323132
Composed by Randy Newman.
Arranged by Mac Huff.
Disney Choral. Disney,
Medley, Movies, Pop, Show
Choir. CD. Duration 405
seconds. Published by Hal
Leonard (HL.323132).
UPC: 888680977887.
5.0x5.0x0.15
inches.
Like
finally seeing a beloved,
long-lost toy from your
childhood again, the
geniuses at Disney-Pixar
have captured the sense
of joy and wonder of what
it means to have an
imagination for an
incredible fourth time in
the long-running Toy
Story franchise, and
composer Randy Newman has
been there every single
step of the way. This
essential and
affectionate medley
includes a taste of every
installment: You've Got a
Friend in Me, The Ballad
of the Lonesome Cowboy,
When She Loved Me and We
Belong Together.
Trumpet (Trumpet) SKU: HL.48181292 Composed by Raymond Gallois Montbrun. ...(+)
Trumpet (Trumpet)
SKU:
HL.48181292
Composed
by Raymond Gallois
Montbrun. Leduc.
Classical. Softcover. 6
pages. Alphonse Leduc
#AL20696. Published by
Alphonse Leduc
(HL.48181292).
UPC:
888680867157.
9.0x12.25x0.07
inches.
“Sara
bande et Finale is a nice
piece by Raymond Gallois
Montbrun for Bb or C
Trumpet and Piano
accompaniment. Quite
difficult, this piece is
great for recitals or
concert. Starting with
the Piano for just six
measures before the
Trumpet Solo, the
sarabande has a slow
tempo. The finale is
faster, Allegro, and
features a period with
solo Piano before
evolving into Vivo. It
features the score and
parts for Bb or C
Trumpet. Raymond Gallois
Montbrun (1918-1994) was
a French violinist and
composer who won the
Premier Grand Prix de
Rome and the Grand Prix
de Paris. He later became
the director of the Paris
Conservatoire. He
composed many symphonic
pieces, an opera, a
quartet and many pieces
for Solo Piano, Violin
and Piano and other
instruments.â€.
Score Only Concert Band (Score) - Grade 5 SKU: HL.4004764 Composed by Joh...(+)
Score Only Concert Band
(Score) - Grade 5
SKU:
HL.4004764
Composed
by John Williams.
Arranged by Paul
Lavender. Concert Band
Professional. Concert,
Movies. Softcover.
Duration 1320 seconds.
Published by Hal Leonard
(HL.4004764).
UPC:
888680624385.
10.5x14.0x0.148 inches.
John Williams/trans. Paul
Lavender.
Performed
by the United States
Marine Band, and from the
blockbuster 2015 film
Star Wars: The Force
Awakens, this authentic
transcription features
the dramatic music used
at the climax of the film
followed by the explosive
Finale.
Score Only Concert Band (Score) - Grade 4 SKU: HL.4006379 Composed by Lud...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.4006379
Composed
by Ludwig van Beethoven.
Arranged by Robert
Longfield. MusicWorks
Grade 4. Classical.
Softcover. 40 pages.
Duration 290 seconds.
Published by Hal Leonard
(HL.4006379).
UPC:
888680987664.
9.0x12.0x0.107
inches.
The year
2020 marks the 250th
anniversary of the birth
of Ludwig van Beethoven.
While the first movement
of his famous fifth
symphony is more often
performed, the majestic
and triumphant finale
beautifully exemplifies
the craftsmanship and
genius of one of the
greatest composers of all
time. Slightly truncated
in form, this masterful
adaptation for concert
band still retains the
thematic material, power,
and excitement found in
the original.
(MusicWorks).
The Mask of Zorro - Finale by James Horner (1953-). Arranged by Jay Bocook and W...(+)
The Mask of Zorro -
Finale by James Horner
(1953-). Arranged by Jay
Bocook and Will Rapp.
Performance/Easy Limited
Edition. Grade 4.
Published by Hal Leonard
Score Only Concert Band (Score) - Grade 3 SKU: HL.4001567 Composed by Ott...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4001567
Composed
by Ottorino Respighi.
Arranged by James Curnow.
MusicWorks Grade 3.
Classical, Concert,
Symphonic. 16 pages.
Published by Hal Leonard
(HL.4001567).
UPC:
884088065492.
9.0x12.0x0.029
inches.
James
Curnow's adaptations of
classic works for younger
groups have become
standard literature for
many directors who seek
the highest quality works
for their younger groups.
This edition of
Respighi's famous finale
to the Pines Of Rome is a
real gem, putting the
original's power and
majesty within the reach
of most bands.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band
SKU:
PR.16500104F
Three
Places in the East.
Composed by Dan Welcher.
Full score. Theodore
Presser Company
#165-00104F. Published by
Theodore Presser Company
(PR.16500104F).
ISBN
9781491132159. UPC:
680160681082.
Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work.
A Camaroon Marching Song. Composed by Camaroon Folksong. Arranged by Ken B...(+)
A Camaroon Marching Song.
Composed by Camaroon
Folksong. Arranged by Ken
Berg. Fold. Octavo. 12
pages.
Duration 2 minutes, 35
seconds. Carl Fischer
Music
#CM9658. Published by
Carl
Fischer Music
Composed
by Philip Sparke. Anglo
Music Concert Band.
Softcover. Composed 2015.
Anglo Music Press
#AMP443140. Published by
Anglo Music Press
(HL.44012759).
Reflections
on an Old Japanese Folk
Song is based on the
tune Suiryo-Bushi,
which comes from the
shamisen tradition and
opens with two
contrasting statements of
the melody followed by
several variations each
in an own style based
uponthe same tune, or
sometimes only fragments
of it. In one of the
variants, the pentatonic
scale is used. The final
section is in the form of
a scherzo, which
eventually forms the
accompaniment to a final
presentation of the folk
tune.
Reflectio
ns on an Old Japanese
Folk Song is
gebaseerd op het liedje
Suiryo-Bushi, dat
afkomstig is uit de
shamisen-traditie en
opent met twee
contrasterende statements
van de betreffende
melodie, gevolgd door
verschillende
variatieshierop, in
diverse stijlen, steeds
gebaseerd op hetzelfde
liedje of fragmenten
eruit. In een van de
variaties wordt de
pentatonische toonladder
gebruikt. Het
slotgedeelte begint met
een scherzo, dat
uiteindelijk de
begeleiding vormt van een
laatsteuiteenzetting van
het
volksliedje.
Das
Stuck Reflections on
an Old Japanese Folk
Song basiert auf der
Melodie des Volksliedes
Suiryo-Bushi, das
in der Tradition des
japanischen
Saiteninstruments
Schamisen steht. Es
beginnt mit zwei
gegensatzlichen
Darstellungen derMelodie,
gefolgt von verschiedenen
Variationen: jede in
einem eigenen Stil, aber
alle auf der gleichen
Melodie oder auf
Fragmenten der Melodie
beruhend. In einer
Variation wird auch die
pentatonische Tonleiter
verwendet. Im
Scherzo,
demSchlussteil des
Stuckes, erklingt das
Volkslied schliesslich
zum letzten
Mal.
Reflection
s on an Old Japanese Folk
Song est base sur la
melodie
Suiryo-Bushi, qui
est issue de la tradition
de shamisen. L'oeuvre
commence par deux
versions differentes de
la melodie, suivies par
plusieurs variations sur
le theme enentier ou en
partie, chacune dans son
propre style. La section
finale est dans la forme
d'un scherzo, qui
prend le role
d'accompagnement a la
fin, lors de la derniere
presentation du theme
folklorique.
Re
flections on an Old
Japanese Folk Song,
basata su un motivo di
Suiryo-Bushi,
originariamente concepito
per shamisen, strumento a
corde tipico della
tradizione musicale
giapponese. La struttura
del brano e del tutto
peculiare, basata
sulladalla reiterazione
melodica di un tema o
frammenti di esso, con
l'inserimento di brevi
variazioni. In una delle
varianti, e usata la
scala pentatonica. La
sezione finale e nella
forma dello scherzo.