| String Quartet No.5
'The Time That Has
Passend' (BARGIELSKI
ZBIGNIEW) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] PWM (Polskie Wydawnictwo Muzyczne)
Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in S...(+)
Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent
Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather
problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with
elements of a more pungent expression and elements of folklore – ideally Polish. That suggestion
meant that I did not immediately come to a decision, since folklore had not been (with the exception
of a few works for accordion) the object of my interest. However, in defiance of my aesthetic outlook
at that time, I decided to take up this interesting invitation and tackle what was for me a difficult
problem. Ultimately, I found a way out of this rather ambiguous situation by employing a sort of
dodge: I gave the new work a title. In a way, ‘The time that has passed’ substantiates the current to
which I referred while writing this composition. The title and the subtitles of the work’s movements,
which sound quite exotic in our day and age (there are as many as nine movements), justify the curious
marriage between the somewhat nostalgic past and a present that has not yet been particularly
well ‘assimilated’. I hope that these feuilles d’album will discharge their ‘toning’ function well. - Zbigniew Bargielski/ Répertoire / Quatuor à Cordes
54.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Everything That Rises
(ADAMS JOHN LUTHER) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Chester
Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quart...(+)
Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quartet. John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, twomore quartets followed. The second quartet, untouched, is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician isa soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes/ Répertoire / Quatuor à Cordes
40.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Tathata - Quatuor A
Cordes Et Un
Potentiometre En Français Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Billaudot
La référence EFM2085 de l'éditeur Billaudot dont l'auteur célèbre est Tamba...(+)
La référence EFM2085 de l'éditeur Billaudot dont l'auteur célèbre est Tamba Akira, qui a pour titre TATHATA - QUATUOR A CORDES ET UN POTENTIOMETRE, a été écrite et composée pour Musique de Chambre et plus particulièrement pour Quatuor A Cordes. Cette partition musicale appartient à la catégorie Classique. / Quatuor A Cordes / Partition
22.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 101 Hit Songs Alto seul Hal Leonard
This massive collection will keep instrumentalists busy with 101 pop hits to lea...(+)
This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Alto
26.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Hal Leonard Instrumental
Play Along : Movie Music Alto seul [Partition + CD] - Facile Hal Leonard
15 popular hits from the movie blockbusters of today, with accompaniment tracks,...(+)
15 popular hits from the movie blockbusters of today, with accompaniment tracks, including: And All That Jazz, Come What May, I Am a Man of Constant Sorrow, I Believe I Can Fly, I Walk the Line and more. / Niveau : Facile / Recueil / Alto
17.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Jeu Des 5 Eléments
III (TIET TON-THAT) Violon, Alto, Violoncelle et Harpe Jobert
Par TIET TON-THAT. Les parties séparées (JJ70696) sont destinées au trio à c...(+)
Par TIET TON-THAT. Les parties séparées (JJ70696) sont destinées au trio à cordes, le conducteur sert de partie de harpe. / contemporain / Répertoire / Violon, Alto, Violoncelle et Harpe
88.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Phong-Vu (TIET TON-THAT) Quatuor à cordes: 2 violons,
alto, violoncelle Jobert
Par TIET TON-THAT. / contemporain / Répertoire / Quatuor à Cordes
63.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Jeu Des 5 Eléments
V (TIET TON-THAT) Flûte Traversière
Clarinette, Guitare, Violon et V Jobert
Par TIET TON-THAT. / contemporain / Répertoire / Flûte Traversière Clarinet...(+)
Par TIET TON-THAT. / contemporain / Répertoire / Flûte Traversière Clarinette, Guitare, Violon et V
33.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Et La Rivière
Chante
L'Eternité
(TIET TON-THAT) Trio à Cordes Jobert
Par TIET TON-THAT. / contemporain / Répertoire / Trio à Cordes
88.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Chu-Ky I (TIET TON-THAT) Septuor et Dispositif
Electroacoustique [Partition] Jobert
Par TIET TON-THAT. / contemporain / Répertoire / Septuor et Dispositif Electr...(+)
Par TIET TON-THAT. / contemporain / Répertoire / Septuor et Dispositif Electroacoustique
29.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Instrumental Play Along :
Chart Hits - Online Audio Alto seul [Partition + Accès audio] Hal Leonard
A dozen hot contemporary hits are included in this collection perfect for buddin...(+)
A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming, helping you to hear how the songs should sound and allowing you to play along.Songs include: All About That Bass, All of Me, Happy, Radioactive, Roar, Say Something, Shake It Off, A Sky Full of Stars, Someone like You, Stay with Me, Thinking Out Loud and Uptown Funk. / Alto
17.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Terre - Feu (TIET
TON-THAT) Alto Solo [Partition] Jobert
Par TIET TON-THAT. / contemporain / Répertoire / Alto Solo
16.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Lien Hoan (TIET TON-THAT) Alto, Violoncelle (duo) [Partition] Jobert
Par TIET TON-THAT. / Contemporain / Répertoire / Alto et Violoncelle
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Quatuor (BACEWICZ
GRAZYNA) Quatuor à cordes: 2 violons,
alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers...(+)
Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance.
The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords.
Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work.
Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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| Resolutio Op. 74 (AMANTI
LUCIO) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] - Avancé Schott
Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals ...(+)
Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden” in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio” in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartet”. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti) / Niveau : Avancé / Répertoire / 2 Violons, Alto et Violoncelle
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| String quartet no. 1
(2015) (FREEMAN ALEX) Quatuor à cordes: 2 violons,
alto, violoncelle Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...(+)
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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| Rêverie (WIENIAWSKI
/ KAMASA) Alto, Piano [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniaw...(+)
Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano, ''Reverie'', which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and, apart from his regular concert activities, took part in chamber concerts, which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst, Joachim, Wieniawski and Piatti, the cellist) performed together. Wieniawski, who played the viola on that occasion, presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour, characteristic of his other compositions. (S. Kamasa) / Répertoire d'Examen / Répertoire / Alto et Piano
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| Indian Summer (SHARMA
PYARELAL) Quatuor à cordes: 2 violons,
alto, violoncelle Schott
8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL....(+)
8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL. For the first time The Schott String Quartet Series features a collection of pieces that have been originally composed in a style unique to string quartet arrangements. Internationally-acclaimed Bollywood composer Pyarelal Sharma has provided music and songs for over 450 films. This set of string quartets, composed especially for Schott, is influenced by Indian film music, Indian folk, Arabic and light Indian classical music, thus combining the alluring sound of the East with the stability of a classic Western ensemble.
Another new feature that this volume has brought to the series is a special bonus CD containing performances of these charming pieces by leading members of the London Philharmonic Orchestra.
The Schott String Quartet Series
With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before.
An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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| Revisiting The Don -
String Quintet (Parts) Quintet à cordes [Partition] Chester
Revisiting The Don is a piece of music composed by Michael Nyman for the album '...(+)
Revisiting The Don is a piece of music composed by Michael Nyman for the album 'Mozart 252', a celebration of the 250th anniversary of Mozart's birth. Revisiting The Don is one of the two newly-composed works on this album and is arranged here as parts for String Quintet. Nyman himself states that 'as the title suggests, I revisit the same harmonic material that makes 'In Re Don Giovanni' so powerful, and come up with more lyrical 'solutions'.' The result is a wonderful piece, beginning with a smooth staccato that lays the foundations for wonderful lilting melodies. The piece gradually progresses to widen out the warm strings, making this piece a real joy to play. / Quintette A Cordes
22.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 10 Fugues For String
Quartet - Book 2 (BACH
JOHANN-SEBASTIAN) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
31.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Viola School Vol.6 Alto seul [Partition + CD] Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...(+)
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as book and CD kit. / Alto
29.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Passings (LIEBMAN DAVID) Advance Music
Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAV...(+)
Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle
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| Aria (LUKASZEWSKI PAWEL) Alto, Piano [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par LUKASZEWSKI PAWEL. In 2012, at the initiative of Pawel Wojciechowski, Pawel ...(+)
Par LUKASZEWSKI PAWEL. In 2012, at the initiative of Pawel Wojciechowski, Pawel Lukaszewski composed Aria for cello and piano. The work was soon published, and a few years later further versions appeared for other solo instruments: soprano saxophone, alto saxophone, viola and violin. The composer wrote the original version for cello with his son Wojtek in mind, who had just completed his fourth year at a primary school of music, but the emotional charge contained in this composition will satisfy the interpretative demands of mature musicians as well, particularly since the composer left performers considerable scope for individual expression.
With its harmonies, venturing beyond tonality towards jazz-influenced chords, its simple accompaniment, built from repeated motifs that spill between the plans of the two hands, and its consistent narrative, Aria displays a character that is on one hand somewhat nostalgic, and on the other filled with anxiety and hidden drama. An insightful interpretation of this work may bring out that concealed diversity of expression./ Répertoire / Alto et Piano
18.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Viola School Vol.8 Alto seul [Partition + CD] Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...(+)
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. CD performed by Michael Isaac Strauss. / Alto
29.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Gobi Gloria (LIANG LEI) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Schott
Par LIANG LEI. Gobi Gloria belongs to a series of compositions that grew out of ...(+)
Par LIANG LEI. Gobi Gloria belongs to a series of compositions that grew out of my admiration for Mongolian music. The series include Feng (for cello solo, written for Feng Hew), Gobi Polyphony (for erhu and cello, written for Xu Ke), Gobi Canticle (for violin and cello, written for Masuko Ushioda and Laurence Lesser), and Serashi Fragments (written for the Arditti Quartet). The melody is played against its own inversion, retrograde and retrograde-inversion in an otherwise mostly heterophonic texture. The piece alludes to various genres of Mongolian music that include the longchant, as well as the music of dance and shaman rituals. It concludes with a rendering of a folk song that I heard during my visit to Nei Monggol region in 1996./ Répertoire / Quatuor à Cordes
129.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Passalega (KOLBUSZ
ALEKSANDRA) (KOLBUSZ
ALEKSANDRA) Quatuor à cordes: 2 violons,
alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of c...(+)
Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were incredibly well suited to generating the expressive narrative that accompanied me throughout that entire pre-composition period. After recognising the character of the musical potential in that material, I considered it to be similar to Baroque rhetoric in terms of the refined clarity and smoothness of the gestures. Inspired by this, I sought to articulate this material in the fullest possible way by tracing a chain of swelling tensions, referring to a homogeneously polyphonic string quartet. / Date parution : 2022-12-12/ Répertoire / Quatuor à Cordes
35.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Piano Trios on Stage
(AUTEURS DIVERS / BROOKER
DAVID (Arr) Violon Ou Flûte, Violoncelle Et
Piano [Partition] Universal Edition
Intermediate-level arrangements of well-known Classical and Romantic works. Par ...(+)
Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music.
David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing.
Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano
26.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| STRING QUARTET NO. 2 OP.
17 (BARTOK BELA) (BARTOK
BELA) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several lon...(+)
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of this quartet, published in Vienna in 1920, contains a conspicuous number of errors that were only partially corrected in a later revision undertaken by Bartók. As late as the 1940s he noted changes in his personal copy of the score that have never previously appeared in print. These late changes by Bartók are taken into account in this definitive edition of the string quartets supervised by Bartók scholar László Somfai, with problematic passages in the sources carefully documented. It is the first-ever Urtext edition of this work. Sensible page turns and cue notes in the parts mean that this edition is ideal for exploring Bartók?s sound world in performance. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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