Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1732. BWV
177. Duration 13 minutes.
Carus Verlag #CV
31.177/19. Published by
Carus Verlag
(CA.3117719).
ISBN
9790007140267. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and parts available
separately - see item
CA.3117700.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1732. BWV
177. 4 pages. Duration 13
minutes. Carus Verlag #CV
31.177/13. Published by
Carus Verlag
(CA.3117713).
ISBN
9790007209834. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and part available
separately - see item
CA.3117700.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun.
Choral Score. Composed
1732. BWV 177. 8 pages.
Duration 13 minutes.
Carus Verlag #CV
31.177/05. Published by
Carus Verlag
(CA.3117705).
ISBN
9790007209797. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score available
separately - see item
CA.3117700.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1732. BWV
177. 20 pages. Duration
13 minutes. Carus Verlag
#CV 31.177/49. Published
by Carus Verlag
(CA.3117749).
ISBN
9790007209858. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and part available
separately - see item
CA.3117700.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun.
Full score. Composed
1732. BWV 177. 52 pages.
Duration 13 minutes.
Carus Verlag #CV
31.177/00. Published by
Carus Verlag
(CA.3117700).
ISBN
9790007140113. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the
cantata.
(Cantata for the 19th Sunday after Trinity). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 19th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Matthias Wendt. For solo
voice, choir, orchestra
(bass voice solo, SATB
choir, 2 oboes, oboe
d'caccia, solo violin,
strings, basso continuo).
This edition: Urtext
edition. Stapled.
Barenreiter Study scores.
Study score. BWV 56.
Duration 21 minutes.
Published by Baerenreiter
Verlag
Opera seria in tre atti. By George Frideric Handel. Edited by J. Merrill Knapp. ...(+)
Opera seria in tre atti.
By George Frideric
Handel. Edited by J.
Merrill Knapp. Arranged
by Martin Schelhaas.
Text: Giacomo (nach
Antoine Houdar de la
Motte) Rossi. For Soprano
Solo (2), Mezzo-Soprano
Solo, Alto Solo, Bass
(Choir Voice)/ Soprano
Solo, Trumpet, Alto
Recorder (F,G) (2), Oboe
(2), Strings, Basso
Continuo. Hallische
Handel-Ausgabe. Serie II,
Band 8. Oper (Opera). HWV
11. Published by
Baerenreiter-Ausgaben
(German import). (BA4031
90)
Orfeo ed Euridice (Azione teatrale per musica in drei Akten). By Christoph Willi...(+)
Orfeo ed Euridice (Azione
teatrale per musica in
drei Akten). By Christoph
Willibald von Gluck
(1714-1787). Edited by
Anna Amalie Abert; Ludwig
Finscher. For 2 soprano
voice solos, alto voice
solo, mixed choir,
ballett, 2 flutes, 2
chalumeau, 2 oboes, 2
english horns, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, harp, strings,
basso continuo. This
edition: Clothbound,
Complete edition, Urtext
edition. Gluck. Samtliche
Werke. Serie I, Band 1.
Vienna version of 1762.
Oper (Opera). Score.
Language: Italian/German.
Duration 2 hours.
Published by Baerenreiter
Verlag
Arranged In Duet form for Two Trumpets. Composed by Various. Arranged by Neil Mu...(+)
Arranged In Duet form for
Two Trumpets. Composed by
Various. Arranged by Neil
Mueller. Full score
(study). With Standard
notation. 79 pages. Carl
Fischer #BQ-121.
Published by Carl Fischer
By George Frideric Handel (1685-1759). Edited by Gerald Hendrie. For soprano voi...(+)
By George Frideric Handel
(1685-1759). Edited by
Gerald Hendrie. For
soprano voice solo/tenor
voice solo/tenor voice
solo/SATTB
choir/recorder1/recorder2
/oboe/strings/basso
continuo. This edition:
Urtext edition. Set of
wind parts. HWV 255.
Published by Baerenreiter
Verlag
Composed by Daniel Johann Grimm. For SATB choir, soprano voice solo, 2 trumpets,...(+)
Composed by Daniel Johann
Grimm. For SATB choir,
soprano voice solo, 2
trumpets, strings, basso
continuo. Score.
Language: German.
Published by Edition
Musica Rinata
By C. P. E. Bach. Edited by Darvas. For SATB voice soli, SATB Choir, [2.2.0.1-2....(+)
By C. P. E. Bach. Edited
by Darvas. For SATB voice
soli, SATB Choir,
[2.2.0.1-2.3.0.0],
Timpani, Strings, Basso
Continuo. Choral. Full
score. Published by
Edition Kunzelmann
Kantat
Nr. 61. Composed by
Johann Sebastian Bach.
Arranged by Anders
Ohrwall. Nun komm, der
Heiden Heiland - Cantata
No. 61. Choral score.
With Language: Swedish,
German. 16 pages.
Gehrmans Musikforlag #CG
6204K. Published by
Gehrmans Musikforlag
(GH.CG-6204K).
ISBN
9790070004039. A4 inches.
Text: Ingemar von Heijne
/ Jan Arvid Hellstrom
(Swedish).
For
soli, mixed chorus,
strings and basso
continuo with bassoon and
oboe/oboi ad lib. Edited
by Anders Ohrwall,
Swedish and German
lyrics.
Cantata for a
wedding. Composed by
Johann Sebastian Bach.
Edited by Solvej Donadel.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Wedding. Set of Orchestra
Parts. Composed 1708. BWV
196. Duration 14 minutes.
Carus Verlag #CV
31.196/19. Published by
Carus Verlag
(CA.3119619).
ISBN
9790007210496. Text
language:
German/English.
Esp
ecially due to the early
date of its composition,
from the pen of the just
turned 22-year-old Johann
Sebastian Bach, the
cantata The Lord careth
for us BWV 196 has its
charm, and through its
conciseness, as well as
its simple scoring, it is
quite accessible for
performance by ensembles
with only modest means.
The cantata was composed
on the occasion of a
wedding in the 1797/08,
the details of which
cannot be exactly
ascertained. The text of
the libretto contains no
freely written poetry,
rather is drawn solely
from the Bible (Psalm
115:12-13), there are no
recitatives, and the
arias are kept very
short. The scoring is
also of modest
propoportions: In addtion
to the solo voices
soprano, tenor and bass,
as well as a four-voice
choir, only strings and
basso continuo are
requried. The cantata
begins, as is typical
early Bach cantatas, with
a short instrumental
sinfonia and ends, not
with a chorale, but with
a choral movement. Score
and parts available
separately - see item
CA.3119600.
Cantata for a
wedding. Composed by
Johann Sebastian Bach.
Edited by Solvej Donadel.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Wedding.
Choral Score. Composed
1708. BWV 196. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
31.196/05. Published by
Carus Verlag
(CA.3119605).
ISBN
9790007210434. Language:
German/English.
Esp
ecially due to the early
date of its composition,
from the pen of the just
turned 22-year-old Johann
Sebastian Bach, the
cantata The Lord careth
for us BWV 196 has its
charm, and through its
conciseness, as well as
its simple scoring, it is
quite accessible for
performance by ensembles
with only modest means.
The cantata was composed
on the occasion of a
wedding in the 1797/08,
the details of which
cannot be exactly
ascertained. The text of
the libretto contains no
freely written poetry,
rather is drawn solely
from the Bible (Psalm
115:12-13), there are no
recitatives, and the
arias are kept very
short. The scoring is
also of modest
propoportions: In addtion
to the solo voices
soprano, tenor and bass,
as well as a four-voice
choir, only strings and
basso continuo are
requried. The cantata
begins, as is typical
early Bach cantatas, with
a short instrumental
sinfonia and ends, not
with a chorale, but with
a choral movement. Score
available separately -
see item CA.3119600.