Two Sonatas for viola da gamba and basso. Sonata I in G major, WKO 149, First Ed...(+)
Two Sonatas for viola da gamba and basso. Sonata I in G major, WKO 149, First Edition, and Sonata II in E minor, WKO 150. This Sonatas belong to the most precious works by Abel for viola da gamba and they remarkably differ from his other chamber music pieces. Edition Güntersberg
Edition : Paris, l'Auteur, Foucault, 1719.Présentation de Jean Saint-Arroman : ...(+)
Edition : Paris, l'Auteur, Foucault, 1719.Présentation de Jean Saint-Arroman : la liste des titresDeux parties instrumentales séparées : partie de viole - partie de basse continue.Un des grands classiques de la littérature musicale pour viole de gambe. Les pièces, de longueurs et de difficultés très variables, s'adressent tantôt à de jeunes musiciens, tantôt à des solistes confirmés. / Viole De Gambe Et Basse Continue / 232 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
Edition : Paris, 1711Le compositeur présente ici un nombre important de pièces...(+)
Edition : Paris, 1711Le compositeur présente ici un nombre important de pièces dont les difficultés sont volontairement limitées, et donc à la portée de jeunes instrumentistes. / Viole De Gambe Et Basse Continue / 262 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
Edition : Paris, l'Auteur, Foucault, c. 1715.Présentation par Jean Saint-Arroma...(+)
Edition : Paris, l'Auteur, Foucault, c. 1715.Présentation par Jean Saint-Arroman : Les titres des pièces.Deux parties instrumentales séparées : viole de gambe et basse continue.Oeuvre de grande qualité, très abordable techniquement. La gravure de Liebaux est d'une parfaite lisibilité. La préface donne les définitions des titres des pièces. / Viole De Gambe Et Basse Continue / 101 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
Premiere Suitte- Prélude- La Mantry- Le Tendre Engagement- La Favoritte- La Bad...(+)
Premiere Suitte- Prélude- La Mantry- Le Tendre Engagement- La Favoritte- La BadineDeuxième Suitte- Prélude- La Fière- L'Amoureux- La Clausié- Les Amufements- Tombeau de Marais le Pere- La WeymarTroisième Suitte- Prélude- La Coudole- Le Turpaux- Le DifficillePrivilège GeneralOeuvre écrite pour viole de gambe et basse continue. / Viole De Gambe Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
The 17th Century composer, Samuel Capricornus, was the author of a number of pio...(+)
The 17th Century composer, Samuel Capricornus, was the author of a number of pious works, among them this Passion music Ein Lammlein for two sopranos, four viols (two trebles, tenor, and bass) and figured basso continuo. His music was highly praised by his contemporary Heinrich Schutz: edited by David Fenton, Margaret Panofsky, and Kent Underwood. (on CD: Teares of the Muses: 2011) B058: Score and Parts.
WALKER CUNNINGHAM HAS PROVIDED A RE-TRANSCRIPTION OF BULL'S HEXACHORD FANTASY ...(+)
WALKER CUNNINGHAM HAS PROVIDED A RE-TRANSCRIPTION OF BULL'S HEXACHORD FANTASY (NO. 50 IN THE FITZWILLIAM VIRGINAL BOOK) FOR FOUR VIOLS (TREBLE OR TENOR TREBLE, ALTO OR TENOR AND TWO BASSES). THE HEXACHORD IS REPEATED IN ALL 12 TRANSPOSITIONS, SIMILAR TO THE HEXACHORD FANTASIAS OF FERRABOSCO.
Johann Gottlieb Graun (1702/3-1771)Concerto in C major for viola da gamba, two v...(+)
Johann Gottlieb Graun (1702/3-1771)Concerto in C major for viola da gamba, two violins, viola, and basso continuoGraunWV A:XIII:2While this concerto contains the excitement and virtuosity which is the soul of the concerto, it is perhaps less demanding than some of Graun?s other gamba concertos. We are indeed fortunate that it has recently come to light again after the chaos of the war years and the darkness of the following Cold War. At the time of its disappearance in the 1940s it would have been dismissed as an unplayable curiosity, but now there are surely many who can bring it to life, as Ludwig Christian Hesse did in the eighteenth century. We are grateful to the Berlin Sing-Akademie for permission to produce this first edition. / Viole de gambe / Guntersberg
Partition pour Viole - Violon Edition : Opera secunda, Lubeca, 1696. Présentati...(+)
Partition pour Viole - Violon Edition : Opera secunda, Lubeca, 1696. Présentation de Marie-Françoise Bloch : Corrections et suggestions. Fac-similé de l?édition originale en parties séparées : violino ? viola da gamba ? cembalo. C'est une musique de grande qualité, qui s'inscrit dans la tradition des sonates en trio allemandes, dans lesquelles les deux parties de dessus sont jouées par un violon et une viole de gambe . il faut un clavecin et une seconde viole pour exécuter la basse continue. Fac-similé de l'exemplaire de la Bibliothèque de l'Université d'Uppsala. Second volume des trios de Buxtehude. Compositeur : BUXTEHUDE Dietrich Auteur : BLOCH Marie FranCoise Collection : Dominantes Contenu : Sonata I, en Si b Majeur : allegro ? adagio ? allegro ? grave ? vivace ? lento ? presto - Sonata II, en Ré Majeur : adagio ? allegro - largo ? arietta (part.I A X) ? largo ? vivace - Sonata III, en sol mineur : vivace ? lento ? allegro ? largo ? andante ? grave ? gique - Sonata IV, en ut mineur : poco adagio ? allegro ? lento ? vivace - Sonata V, en La Majeur : allegro ? adagio pour viole et b.c. ? concitato ? allegro - Sonata VI, en Mi Majeur : grave ? vivace - adagio ? poco presto ? lento ? allegro - Sonata VII, en Fa Majeur : adagio ? forte [allegro] ? lento ? vivace - largo ? allegro Format : 24 x 33 Nombre de pages : 124 Date de parution : 02/2003
Edition : Paris, l'Auteur, Boivin, Leclerc, 1731.Présentation de Jean Saint-Arr...(+)
Edition : Paris, l'Auteur, Boivin, Leclerc, 1731.Présentation de Jean Saint-Arroman : Les titres des pièces.Quatre suites de pièces typiquement françaises, d'une remarquable facture. La préface donne la définition des titres des différentes pièces. / Viole De Gambe Et Basse Continue / 50 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour vi...(+)
Tout comme son père, Carl Philipp Emanuel Bach a composé trois sonates pour viole de gambe. Elles datent de sa période passée au service du roi de Prusse Frédéric le Grand et donnèrent l'occasion au brillant gambiste de la chapelle de la cour, de faire étalage de sa virtuosité. Si les deux Sonates Wq 136 et 137 sont écrites avec accompagnement de basse continue, Bach fils suit, dans la Sonate en sol mineur Wq 88, le modèle fourni par son père: dans cette écriture à trois voix traitées d'égale manière, la main droite et la main gauche du clavecin rivalisent avec l'instrument soliste. La tessiture originale de la partie de gambe permet également une exécution à l'alto, une pratique d'exécution déjà documentée par les sources de l'époque. Cette version est adjointe en supplément à notre édition Urtext. / Alto Et Piano
Becker, Dietrich (1623'1679): Sonata A-Dur for violin, viola da gamba, and b. c...(+)
Becker, Dietrich (1623'1679): Sonata A-Dur for violin, viola da gamba, and b. c., first edition edited by Leonore and Günter von Zadow. Becker numbered among the most important North-German instrumental composers of the second half of the seventeenth century. His works stand in the tradition of Weckmann, Reincken, and Buxtehude. Characteristic of Becker are the passages in which the viola da gamba and bass play together and the concertante sections with solos for the individual instruments with a concluding tutti. Edition Güntersberg
JOHN MAYNARD (B. 1577) COMPOSED THESE SEVEN PAVANS, FOR LYRA VIOL AND BASS VIOL,...(+)
JOHN MAYNARD (B. 1577) COMPOSED THESE SEVEN PAVANS, FOR LYRA VIOL AND BASS VIOL, AS A SUPPLEMENT TO HIS 12 WONDERS OF THE WORLD, A COLLECTION OF LUTE SONGS. EDITED BY JOËLLE MORTON.
in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove ...(+)
in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Pozna?, Poland. Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1759 and 1789 in England, and purchased there by the then Prussian envoy in London, Count Joachim Carl Maltzan, who brought them back with him to Militsch, Silesia (today Milicz, Poland). In 1945 the manuscripts came into the possession of the library in Poznan. The collection was discovered in 2016 by Sonia Wronkowska, who is also the editor of the ten-volume edition of all the previously unknown works from this collection.The viola da gamba sonatas by Abel in the Maltzan Collection are musically mature pieces that throw a new light on Abel's compositional artistry. For the most part, they pose greater challenges for the player than the previously known sonatas from Abel's time in London. The fast movements are more expansive; the range extends from AA to b ; there are movements with variations and polyphonic passages; unusual keys, such as A-flat Major and E Major, are to be found; and many a slow movement contains a cadenza from Abel's hand. / Viole de gambe / Guntersberg
Written in French by Pierre Jacquier and Jean-Louis Charbonnier L'Art De Jouer...(+)
Written in French by Pierre Jacquier and Jean-Louis Charbonnier L'Art De Jouer La Basse De Viole ? Vol. 1 is a method for beginners who want to discover this instrument. The book introduces the player to the history of the Viola da Gamba and to the necessary techniques to be able to play. The book is divided as per below as if it were a game: the first part ?Pieces of the game? explains where the instrument comes from and the ?Rules of the Game? part gives directions to follow to be able to play the instrument. It includes scales studies scales and small pieces as well asadvice. This really interesting volume requires some solid music theory knowledge.
Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da ...(+)
Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da Gamba solo from the manuscript M.3 of the Bibliothèque municipale of Tournus In 1992, in the French town of Tournus, an extensive anonymous music manuscript was discovered, which for insiders was nothing less than a sensation. For it turned out that 143 of the pieces in this collection of music for viola da gamba solo were by Sainte-Colombe, the most important viol player and composer in France before Marin Marais. Since, for various reasons, the manuscript is not easy to read for today\'s players, we present here for the first time a practical edition that contains all of Sainte-Colombe\'s pieces from the Tournus manuscript. The transcription into modern notation has been done with great care, and the original notation retained wherever possible. Sainte-Colombe\'s music is so interesting for the performer because it violates many compositional and musical rules, and as a result often seems improvised. Its soothing and frequently melancholy character is unique. It represents a challenge that every viola da gambist should take upon him/herself.
Par CHARBONNIER / JAQUIER. Written in French by Pierre Jacquier and Jean-Louis C...(+)
Par CHARBONNIER / JAQUIER. Written in French by Pierre Jacquier and Jean-Louis Charbonnier, L'Art De Jouer La Basse De Viole and Vol. 1 is a method for beginners who want to discover this instrument. The book introduces the player to the history of the Viola da Gamba and to the necessary techniques to be able to play. The book is divided as per below as if it were a game: the first part, ; Pieces of the game explains where the instrument comes from and the ; Rules of the Game part gives directions to follow to be able to play the instrument. It includes scales, studies, scales and small pieces, as well asadvice. This really interesting volume requires some solid music theory knowledge. / Pédagogie / Méthode / Viole
Arrangement : Jean-Marc Legrand. Par COUPERIN LOUIS. 6 pièces issus du manuscr...(+)
Arrangement : Jean-Marc Legrand. Par COUPERIN LOUIS. 6 pièces issus du manuscrit de Bauyn (vol. 2) et arrangées pour 3 basses de viole. / Niveau : Facile / baroque / Répertoire / 3 Basses de Viole
29 pieces for viola da gamba solo A1:5'33, edited by Leonore and Günter von Zad...(+)
29 pieces for viola da gamba solo A1:5'33, edited by Leonore and Günter von Zadow. In our edition for practical use, the few mistakes are corrected and documented in an extensive Critical Report. In the main section, we have retained the original treble clef. A supplement that is notated in alto and bass clefs as is usual today is enclosed. Edition Güntersberg
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