This is an updated edition of Francis Poulenc's 1962 work Sonata For Oboe And Piano, edited by Millan Sachania. Featuring the full score and a separate Oboe part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.Originally completed in 1962, Poulenc's Sonata For Oboe And Piano had been brewing in his mind for at least five years. The last of Poulenc's trio of sonatas for woodwind instruments, he tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, published posthumously. A number of revisions have taken place, but this, expertly edited by Millan Sachania, aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc's intentions.This new edition revises many minor details, including Piano chords, tied notes, the correction of various bars throughout as well as his crescendos during the third movement. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended. This is a most exciting prospect considering the reputation that this work has garnered as a piece of profound poignancy. Dedicated to Sergey Prokofiev, it has been said that the mournful final movement, Déploration, is something of an obituary. What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned oboist Christopher Cowie and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the Oboe in your very own performance. This is a unique opportunity for oboists to learn from an authoritative score, and play along to a special backing track, with a work that's one of the finest for the instrument ever composed.For oboist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for beautiful music, this edition of Sonata For Oboe And Piano has been long-awaited, and now it's available in this unique edition with accompanying download card. / Hautbois Et Piano

Par WEDGWOOD PAM. Pam Wedgwood's After Hours for Oboe and Piano presents eight atmospheric, original pieces for the intermediate oboist with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam's highly acclaimed Jazzin' About series./ Recueil / Hautbois et Piano

Solos That Expand Into Ensembles. Par WASTALL PETER. Livres de solos qui vise à étendre pour la fabrication de musique souple, groupe ! Maintenant disponible pour cuivres, de cordes et de bois ! Temps de la session est idéal pour les nombreuses situations musicales - solos, individu et enseignement de groupe, concerts de l'école ou justes amis, faire de la musique à la maison. Solos ou ensembles - le choix est le vôtre !/ Répertoire / Hautbois ou Ensemble à Vent-Bois en Mib et Piano A

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.

An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works which the composer himself was fond of playing at recitals. As he explained in an American interview it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of HungarianSketches. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer’s death. This involves reissuing our tried publications and publishing some further new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.

paperbound-Carl Nielsen?s Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra Nielsen had already experienced successwith his String Suite Op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for Oboe which were to appear in 1890 as his Opus 2.The twomovements Romance and Humoreske are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the?young talented composer? took the public and critics by storm at their first performance in March 1891.

Giovanni Boni is a little known Italian composer from – presumably – the first half of the 18th century. Multiple records of composers with identical or similar names from that period can be found whocould indeed have been one and the same person and the Giovanni Boni at hand could have been any or none of them! Evelyn Rothwell edited and arranged four pieces from the Walsh edition of the “Solos for a GermanFlute Hoboy or Violin compos’d by Sigr. Giovanni Boni” into the Oboe Sonata In G for Oboe with Piano accompaniment.This hidden gem of Italian Baroque music should not be dismissed as the charmingly melodic sonata is a particular delight for musicians and audiences alike. The four movements (Preludio – Largo Allegro Alla Siciliana Allegro) can be played separatelyor together their total performance time is approximately 8:30 minutes.Boni’s Sonata In G is well within the capabilities of the average student or amateur Oboe player and aunique addition to the solo player’s repertoire!