A Winter's Tale Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-293-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-293-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2010.
Anglo Music Press #AMP
293-010. Published by
Anglo Music Press
(BT.AMP-293-010).
9x12
inches.
English-German-French-Dut
ch.
Bij dit
winterverhaal staat het
thema kerst eens n et
centraal. Vandaar dat u
A Winter’s
Tale net zo goed
rondom de kerstdagen als
ook bij andere concerten
in het winterseizoen kunt
uitvoeren. De muziek
geeft een beschrijvingvan
een winters tafereel op
het land: een
zonsondergang,
sprookjesachtig
besneeuwde landerijen en
bossen. In de verte
klinken de bellen van een
slee die langzaam maar
zeker naderbij komt. Maar
dan keert de rust weer
terug, terugin het
verstilde
landschap…
A
Winter’s Tale hat
keinen direkten Bezug zum
Thema Weihnachten, kann
also ebenso zu (vor-)
weihnachtlichen
Anlässen wie auch bei
anderen Konzerten im
Winterhalbjahr
aufgeführt werden.
Die Musik beschreibt eine
Winterszenerie auf dem
Lande: Ein stiller
Sonnenuntergang, tief
verschneite Felder und
Wälder, von ferne
klingen die Glöckchen
eines Schlittens, der
sich als Dreigespann
entpuppt, bevor zum
Schluss des Werkes wieder
Ruhe in die Szenerie
einkehrt.
A Winter's Tale Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-293-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-293-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2010. 24 pages.
Anglo Music Press #AMP
293-140. Published by
Anglo Music Press
(BT.AMP-293-140).
9x12
inches.
English-German-French-Dut
ch.
Bij dit
winterverhaal staat het
thema kerst eens n et
centraal. Vandaar dat u
A Winter’s
Tale net zo goed
rondom de kerstdagen als
ook bij andere concerten
in het winterseizoen kunt
uitvoeren. De muziek
geeft een beschrijvingvan
een winters tafereel op
het land: een
zonsondergang,
sprookjesachtig
besneeuwde landerijen en
bossen. In de verte
klinken de bellen van een
slee die langzaam maar
zeker naderbij komt. Maar
dan keert de rust weer
terug, terugin het
verstilde
landschap…
A
Winter’s Tale hat
keinen direkten Bezug zum
Thema Weihnachten, kann
also ebenso zu (vor-)
weihnachtlichen
Anlässen wie auch bei
anderen Konzerten im
Winterhalbjahr
aufgeführt werden.
Die Musik beschreibt eine
Winterszenerie auf dem
Lande: Ein stiller
Sonnenuntergang, tief
verschneite Felder und
Wälder, von ferne
klingen die Glöckchen
eines Schlittens, der
sich als Dreigespann
entpuppt, bevor zum
Schluss des Werkes wieder
Ruhe in die Szenerie
einkehrt.
Organ - Intermediate SKU: JK.01980 Composed by Various. Arranged by James...(+)
Organ - Intermediate
SKU: JK.01980
Composed by Various.
Arranged by James C.
Kasen. Organ Postludes,
Organ Preludes, Organ
Solos, Seasonal Music
Christmas, Christmas.
From the highly-acclaimed
Postludes collection, we
bring you Christmas
Postludes Volume Two.
This book brings with it
the familiar beauty and
playability of the other
Postludes volumes and
adds more favorite
Christmas songs with some
wonderful... Christian,
Christmas, Christmas
Carols, Contemporary
Christian, Gospel,
Holiday, Inspirational.
Score. Jackman Music
Corporation #01980.
Published by Jackman
Music Corporation
(JK.01980).
UPC:
093285019805.
From
the highly-acclaimed
Postludes collection, we
bring you Christmas
Postludes Volume Two.
This book brings with it
the familiar beauty and
playability of the other
Postludes volumes and
adds more favorite
Christmas songs with some
wonderful surprises. Use
these intermediate
arrangements in church
for prelude, postlude, or
special musical numbers.
Click here to view the
entire Postludes
collection.
Pieces included in this
volume: Away in a
Manger Far, Far Away
on Judea's Plains O
Little Town of
Bethlehem Of the
Father's Love
Begotten Oh, Come,
All Ye Faithful Once
in Royal David's City
The First Noel
Composers: Various
Arranger: James C.
Kasen Difficulty:
Intermediate - Late
Intermediate.
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M).
ISBN
9781513468792. 8.75x11.75
inches.
Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book.
This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles.
There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book.
In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read.
The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes.
The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other.
Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
Windrider Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Opus III Wind Orchestra Publications
Composed by B. J. Brooks. Concert Band. Opus III Series. Audio recording availab...(+)
Composed by B. J. Brooks.
Concert Band. Opus III
Series. Audio recording
available separately
(item CL.WFR372). Score
and set of parts.
Composed 2011. Duration
12 minutes, 29 seconds.
Published by Opus III
Wind Orchestra
Publications
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445).
ISBN
9790014135041. 297 x 420
mm inches.
German.
ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss.
Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte).
Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung!
Bernd
Franke. Leipzig,
11.10.2019
W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano.
14
songs for solo
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006
AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything:
Every
flame, every fire, every
light, every warmth is
AGNI.
AGNI is
omnipresent, establishing
everything and ending
everything.
AGNI is
often depicted with seven
tongues which represent
different aspects of his
being.
These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming.
Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet.
This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies.
The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer.
W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work.
Score and
horn
part.
Contempo
rary work for Horn in F
and
piano
Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010.
Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music.
Contemp
orary piece for solo
cello
Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006
to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006
Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual.
This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788
A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'.
Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano.
14
songs for solo high
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of sacred and
secular Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298
for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony.
W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind.
I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation.
The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world.
The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello.
The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020.
Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Concert band - Grade 2 SKU: CL.011-4462-00 Composed by Phillips. Young Co...(+)
Concert band - Grade 2
SKU:
CL.011-4462-00
Composed by Phillips.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR390). Score and set
of parts. Composed 2016.
Duration 2 minutes, 33
seconds. C.L. Barnhouse
#011-4462-00. Published
by C.L. Barnhouse
(CL.011-4462-00).
Embark upon a
musical adventure when
you board the
trans-Siberian railway in
Moscow! Let your
imagination roam as you
travel through the Ural
Mountains, the
geographical line between
European Russia and Asian
Russia. Visualize the
snow covered reaches of
Siberia and the vast
plains. Take a quick stop
at Baikal, the
worlds’ largest
and deepest freshwater
lake for a swim that
local legend says can add
years to your life.
Conclude your excursion
in Vladivostok by the Sea
of Japan. Let the music
take your thoughts on the
trip of a life-time! A
perfect cross-curricular
connection for your
students studying the
eastern hemisphere.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert band - Grade 2 SKU: CL.011-4462-01 Composed by Phillips. Young Co...(+)
Concert band - Grade 2
SKU:
CL.011-4462-01
Composed by Phillips.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR390). Extra full
score. Composed 2016.
Duration 2 minutes, 33
seconds. C.L. Barnhouse
#011-4462-01. Published
by C.L. Barnhouse
(CL.011-4462-01).
Embark upon a
musical adventure when
you board the
trans-Siberian railway in
Moscow! Let your
imagination roam as you
travel through the Ural
Mountains, the
geographical line between
European Russia and Asian
Russia. Visualize the
snow covered reaches of
Siberia and the vast
plains. Take a quick stop
at Baikal, the
worlds’ largest
and deepest freshwater
lake for a swim that
local legend says can add
years to your life.
Conclude your excursion
in Vladivostok by the Sea
of Japan. Let the music
take your thoughts on the
trip of a life-time! A
perfect cross-curricular
connection for your
students studying the
eastern hemisphere.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginnin...(+)
By Cari Fuchs. For
acoustic instruments.
Songbook. Celtic/Irish.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
128 pages. Published by
Mel Bay Publications,
Inc.
By Ruth Schonthal (1924-). For Opera. Work premiere: 20.05.1989 White Plains Hig...(+)
By Ruth Schonthal
(1924-). For Opera. Work
premiere: 20.05.1989
White Plains High School,
WP, NY, Soloists; Deborah
Grow: Soprano, Mark
Wolff: Tenor, Stephen Lee
White: Bass-baritone, Una
Langdon: alto, Blaine
Brown Bass-baritone, Lynn
Callow: mezzo-soprano,
children and adult
choruses and mu.
Incidental Music.
Advanced. Piano/vocal
score. Composed 1988/89.
Duration 105'
Composed by
Michael John Trotta. E.e.
cummings. Mjts.
Performance Score. With
Standard notation. 20
pages. Duration 5
minutes, 11 seconds. Carl
Fischer Music #CM9565.
Published by Carl Fischer
Music (CF.CM9565).
ISBN 9781491153611.
UPC: 680160911110. 6.75 x
10.5 inches. Key: E
minor. English. Text:
E.E. Cummings. E. e.
cummings. E.e.
cummings.
Trotta's
unique juxtaposition of
texts from the past
(Requiem?text in
the?Liber Usualis) with
the present (e.e.
cummings poem?i carry
your heart) results in a
compelling, lush
composition accessible to
mixed choirs of all
sizes. With optional oboe
and solo or small group,
i carry your heart?is
appropriate for concert,
festival, retirement or a
special tribute. It is
certain to be adored and
appreciated by all.
Highly
recommend!. This piece
incorporates the
Introit from the
Requiem in the
Liber Usualis in
the men's voices using
the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates theA
IntroitA from
theA RequiemA in
theA Liber UsualisA
in the men's voices
using the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features theA
RequiemA text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates theA
IntroitA from
theA RequiemA in
theA Liber UsualisA
in the men's voices
using the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features theA
RequiemA text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates the
Introit from the
Requiem in the
Liber Usualis in
the men's voices using
the text by E. E.
Cummings. The women's
voices have original
music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates the Introit
from the Requiem in the
Liber Usualis in the
men's voices using the
text by E. E. Cummings.
The women's voices have
original music that soars
gracefully about the
plainsong. The middle
section features the
Requiem text, set simply
in a homophonic style.
The final section blends
the two styles into a
prayer of thanks and
remembrance. This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.
Director of Choral
Activities Dr. Greg
Ramsdell sought to pay
tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our song.
INSERT GRAPHIC
HERE - I e mailed you on
5-14. This piece
incorporates
the Introit from
the Requiem in
the Liber
Usualis in the men's
voices using the text by
E. E. Cummings. The
women's voices have
original music that soars
gracefully about the
plainsong. The middle
section features
the Requiem text,
set simply in a
homophonic style. The
final section blends the
two styles into a prayer
of thanks and
remembrance.This beloved
E.E. Cummings text was
commissioned in honor and
loving memory of Dr.
Ferris Ohl (1914-2017) in
thanks for over four
decades of service to the
Heidelberg University
Music department.Director
of Choral Activities Dr.
Greg Ramsdell sought to
pay tribute to the rich
legacy of Dr. Ohl by
having a setting of the
text that broadened the
scope of the message i
carry your heart to
include those who have
come before us and who
live on in our
song. INSERT GRAPHIC
HERE - I e mailed you on
5-14.
Antiphon. Composed
by Carl Ditters von
Dittersdorf. Edited by
Rudolf Walter. Sacred
music of the Vienna
classic. German title:
Regina Coeli (Antiphon)
1000201. Sacred vocal
music. Set of Orchestra
Parts. KreD. Carus Verlag
#CV 91.006/19. Published
by Carus Verlag
(CA.9100619).
ISBN
9790007139797. Language:
Latin.
The antiphon
Regina caeli by Carl
Bitters von Dittersdorf,
laid out in rondo form,
to highlighted throughout
by virtuosic passages for
the two solo sopranos.
Backed by choir and
orchestra, this is a work
featuring concertante
technique, but it also
reveals its background of
Gregorian plainsong.
Score and parts available
separately - see item
CA.9100600.
Antiphon. Composed
by Karl Ditters von
Dittersdorf. Edited by
Rudolf Walter. Sacred
music of the Vienna
classic. Regina Coeli
(Antiphon) 1000201.
Sacred vocal music.
Single Part, Violin 1 and
2. KreD. 8 pages. Carus
Verlag #CV 91.006/11.
Published by Carus Verlag
(CA.9100611).
ISBN
9790007229979. Language:
Latin.
The antiphon
Regina caeli by Carl
Bitters von Dittersdorf,
laid out in rondo form,
to highlighted throughout
by virtuosic passages for
the two solo sopranos.
Backed by choir and
orchestra, this is a work
featuring concertante
technique, but it also
reveals its background of
Gregorian plainsong.
Score and part available
separately - see item
CA.9100600.
Antiphon. Composed
by Karl Ditters von
Dittersdorf. Edited by
Rudolf Walter. Sacred
music of the Vienna
classic. Regina Coeli
(Antiphon) 1000201.
Sacred vocal music.
Choral Score. KreD. 8
pages. Carus Verlag #CV
91.006/05. Published by
Carus Verlag
(CA.9100605).
ISBN
9790007113704. Language:
Latin.
The antiphon
Regina caeli by Carl
Bitters von Dittersdorf,
laid out in rondo form,
to highlighted throughout
by virtuosic passages for
the two solo sopranos.
Backed by choir and
orchestra, this is a work
featuring concertante
technique, but it also
reveals its background of
Gregorian plainsong.
Score available
separately - see item
CA.9100600.
Antiphon. Composed
by Carl Ditters von
Dittersdorf. Edited by
Rudolf Walter. Sacred
music of the Vienna
classic. Regina Coeli
(Antiphon) 1000201.
Sacred vocal music. Vocal
score. KreD. 16 pages.
Carus Verlag #CV
91.006/03. Published by
Carus Verlag
(CA.9100603).
ISBN
9790007127701. Language:
Latin.
The antiphon
Regina caeli by Carl
Bitters von Dittersdorf,
laid out in rondo form,
to highlighted throughout
by virtuosic passages for
the two solo sopranos.
Backed by choir and
orchestra, this is a work
featuring concertante
technique, but it also
reveals its background of
Gregorian plainsong.
Score available
separately - see item
CA.9100600.
Antiphon. Composed
by Karl Ditters von
Dittersdorf. Edited by
Rudolf Walter. Sacred
music of the Vienna
classic. Regina Coeli
(Antiphon) 1000201.
Sacred vocal music.
Single Part, Cello/Double
Bass. KreD. 4 pages.
Carus Verlag #CV
91.006/12. Published by
Carus Verlag
(CA.9100612).
ISBN
9790007229986. Language:
Latin.
The antiphon
Regina caeli by Carl
Bitters von Dittersdorf,
laid out in rondo form,
to highlighted throughout
by virtuosic passages for
the two solo sopranos.
Backed by choir and
orchestra, this is a work
featuring concertante
technique, but it also
reveals its background of
Gregorian plainsong.
Score and part available
separately - see item
CA.9100600.