Erstausgabe nach den
Klosterneuburger
Stimmen. Composed by
Franz Schubert. Edited by
Bernhard Paul. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Messe In G-Dur
(Klosterneuburg).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. D 167. 8
pages. Duration 25
minutes. Carus Verlag #CV
40.675/62. Published by
Carus Verlag
(CA.4067562).
ISBN
9790007220051. Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score and part available
separately - see item
CA.4067500.
Erstausgabe nach den
Klosterneuburger
Stimmen. Composed by
Franz Schubert. Edited by
Bernhard Paul. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Messe In G-Dur
(Klosterneuburg).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1696. D 167. 8
pages. Duration 25
minutes. Carus Verlag #CV
40.675/64. Published by
Carus Verlag
(CA.4067564).
ISBN
9790007220075. Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score and part available
separately - see item
CA.4067500.
Erstausgabe nach den
Klosterneuburger
Stimmen. Composed by
Franz Schubert. Edited by
Bernhard Paul. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Messe In G-Dur
(Klosterneuburg).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Viola. D 167. 8
pages. Duration 25
minutes. Carus Verlag #CV
40.675/63. Published by
Carus Verlag
(CA.4067563).
ISBN
9790007220068. Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score and part available
separately - see item
CA.4067500.
The Snake Pit Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151
Composed by Tyler Arcari.
First Plus Band (FPS).
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+3+6+12+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #FPS151. Published
by Carl Fischer Music
(CF.FPS151).
ISBN
9781491152119. UPC:
680160909612.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Violin 2.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 2.
Composed 1815. D 486. 8
pages. Duration 9
minutes. Carus Verlag #CV
70.053/12. Published by
Carus Verlag
(CA.7005312).
ISBN
9790007228293. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Violin 2.
Sacred vocal music, Mass
sections. Single Part,
Violin 2. BR-CPEB E 2 (Wq
219). 4 pages. Duration 4
minutes. Carus Verlag #CV
33.502/12. Published by
Carus Verlag
(CA.3350212).
ISBN
9790007212391. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Soli STB, SATB Choir, [2 Tr, Timp], 2 Vl, Va, Vc/Cb, organ - Level 3 SKU: CA....(+)
Soli STB, SATB Choir, [2
Tr, Timp], 2 Vl, Va,
Vc/Cb, organ - Level 3
SKU: CA.4067504
Erstausgabe nach den
Klosterneuburger
Stimmen. Composed by
Franz Schubert. Edited by
Bernhard Paul. Stuttgart
Urtext Edition: Stuttgart
Schubert Edition. Messe
In G-Dur
(Klosterneuburg).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Vocal
score. D 167. 40 pages.
Duration 25 minutes.
Carus Verlag #CV
40.675/04. Published by
Carus Verlag
(CA.4067504).
ISBN
9790007187354. Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score available
separately - see item
CA.4067500.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Violin 1.
Sacred vocal music, Mass
sections. Single Part,
Violin 1. BR-CPEB E 2 (Wq
219). 2 pages. Duration 4
minutes. Carus Verlag #CV
33.502/11. Published by
Carus Verlag
(CA.3350211).
ISBN
9790007212384. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Violin 1.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 1.
Composed 1815. D 486. 8
pages. Duration 9
minutes. Carus Verlag #CV
70.053/11. Published by
Carus Verlag
(CA.7005311).
ISBN
9790007228286. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Viola.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Viola.
Composed 1815. D 486. 4
pages. Duration 9
minutes. Carus Verlag #CV
70.053/13. Published by
Carus Verlag
(CA.7005313).
ISBN
9790007228309. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher.
Violoncello/double bass.
Sacred vocal music, Mass
sections. Single Part,
Cello/Double Bass.
BR-CPEB E 2 (Wq 219). 2
pages. Duration 4
minutes. Carus Verlag #CV
33.502/14. Published by
Carus Verlag
(CA.3350214).
ISBN
9790007212414. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Viola. Sacred
vocal music, Mass
sections. Single Part,
Viola. BR-CPEB E 2 (Wq
219). 2 pages. Duration 4
minutes. Carus Verlag #CV
33.502/13. Published by
Carus Verlag
(CA.3350213).
ISBN
9790007212407. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Organ. Sacred
vocal music, Mass
sections. Single Part,
Organ. BR-CPEB E 2 (Wq
219). 4 pages. Duration 4
minutes. Carus Verlag #CV
33.502/49. Published by
Carus Verlag
(CA.3350249).
ISBN
9790007212421. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and part
available separately -
see item CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Sacred vocal
music, Mass sections.
Vocal score. BR-CPEB E 2
(Wq 219). 8 pages.
Duration 4 minutes. Carus
Verlag #CV 33.502/03.
Published by Carus Verlag
(CA.3350203).
ISBN
9790007022211. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score available
separately - see item
CA.3350200.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. This edition:
Paperbound. German title:
Sanctus in Es. Sacred
vocal music, Mass
sections. Full score.
BR-CPEB E 2 (Wq 219). 24
pages. Duration 4
minutes. Carus Verlag #CV
33.502/00. Published by
Carus Verlag
(CA.3350200).
ISBN
9790007015237. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev.
By John Edmondson, Anne McGinty. Band. For concert band. Program/technic book. Q...(+)
By John Edmondson, Anne
McGinty. Band. For
concert band.
Program/technic book.
Queenwood Beginning Band.
Book G,7. Conductor's
score and CD. Published
by Queenwood Publications
The Snake Pit Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151F
Composed by Tyler Arcari.
First Plus Band (FPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FPS151F.
Published by Carl Fischer
Music (CF.FPS151F).
ISBN 9781491152799.
UPC:
680160910298.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
Composed
by Carl Philipp Emanuel
Bach. Edited by Jurgen
Neubacher. Complete
orchestral parts. Sacred
vocal music, Mass
sections. Set of
Orchestra Parts. BR-CPEB
E 2 (Wq 219). Duration 4
minutes. Carus Verlag #CV
33.502/19. Published by
Carus Verlag
(CA.3350219).
ISBN
9790007144470. Key: E
flat major. Language:
Latin.
Carl Philipp
Emanuel Bach composed his
(Latin) Sanctus in E flat
from 1768-1778, when he
was the director of music
for the churches of
Hamburg. This short and
solemn work for choir and
orchestra was intended
for the liturgy of
Communion at Christmas,
Easter and Pentecost. The
present edition is based
on a copy of the
manuscript which is
preserved in the music
archives of the
Sing-Akademie zu Berlin.
It was believed to have
been lost following the
second world war, but was
recently discovered by
Professor Christoph Wolff
in Kiev. Score and parts
available separately -
see item CA.3350200.
Composed by Franz
Schubert. Carus CD
series: Carus Choir
Coach; Sacred vocal
music, Masses, Latin.
Carus Choir Coach. Mp3,
Practice-CD, alto. Sacred
vocal music, Masses,
Latin. Compact Disc. D
167. Duration 25 minutes.
Carus Verlag #CV
40.675/92. Published by
Carus Verlag
(CA.4067592).
Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score available
separately - see item
CA.4067500.
Composed by Franz
Schubert. Carus CD
series: Carus Choir
Coach; Sacred vocal
music, Masses, Latin.
Carus Choir Coach. Mp3,
Practice-CD, basso.
Sacred vocal music,
Masses, Latin. Compact
Disc. D 167. Duration 25
minutes. Carus Verlag #CV
40.675/94. Published by
Carus Verlag
(CA.4067594).
Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score available
separately - see item
CA.4067500.
Composed by Franz
Schubert. Carus CD
series: Carus Choir
Coach; Sacred vocal
music, Masses, Latin.
Carus Choir Coach. Mp3,
Practice-CD, soprano.
Sacred vocal music,
Masses, Latin. Compact
Disc. D 167. Duration 25
minutes. Carus Verlag #CV
40.675/91. Published by
Carus Verlag
(CA.4067591).
Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score available
separately - see item
CA.4067500.
Composed by Franz
Schubert. Carus CD
series: Carus Choir
Coach; Sacred vocal
music, Masses, Latin.
Carus Choir Coach. Mp3,
Practice-CD, tenore.
Sacred vocal music,
Masses, Latin. Compact
Disc. D 167. Duration 25
minutes. Carus Verlag #CV
40.675/93. Published by
Carus Verlag
(CA.4067593).
Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score available
separately - see item
CA.4067500.
By Franz Schubert (1797-1828). Edited by Bernhard Paul. For Soli STB, SATB Choir...(+)
By Franz Schubert
(1797-1828). Edited by
Bernhard Paul. For Soli
STB, SATB Choir, [2
Trumpets, Timpani], 2
Violins, Viola,
Cello/Contrabass, Organ.
G-Dur (G major).
Stuttgart Urtext Edition.
German title: Messe in G
(Klosterneuburg). Masses,
Latin. Level
(Proprium fur Solostimme, Chor, Gemeinde und Instrumente (deutsch)). By Ernst Kr...(+)
(Proprium fur Solostimme,
Chor, Gemeinde und
Instrumente (deutsch)).
By Ernst Krenek
(1900-1991). Vocal soli,
mixed choir, orchestra.
For soprano voice
solo/SATB
choir/congregation/2
trumpets/timpani/organ.
Level 3. Score. Language:
German. Composed 1966/67.
Opus 195. Published by
Baerenreiter Verlag