Emily Dickinson (1830-1886)-A multi-movement work for Choir Piano and Cello fro...(+)
Emily Dickinson (1830-1886)-A multi-movement work for Choir Piano and Cello from Alice Parker using several Emily Dickinson poems. The work features expertly crafted Vocals that are both complex and singable. The Piano is supportive and yet exists as its own entity. The Cello soars above as a heavenly voice. A fantastic selection for high school university and community choirs. Separate Cello part.
Vocal Score-Nico Muhly's Let All The World In Every Corner Sing for SATB chorus ...(+)
Vocal Score-Nico Muhly's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Vocal Score.Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello.Rebecca Tavener in the March 2015 issue of Organist's Review states that Muhly 'has done more than merely set the text...it is an intriguing fresh response.'
However often Bennett may have employed serial techniques or introduced jazz and...(+)
However often Bennett may have employed serial techniques or introduced jazz and modern elements into his work his Choral compositions are always tonal and melodic. In A Farewell To Arms he displays an exquisite sensitivity to the poetry of Ralph Knevet (17th century) and George Peele (16th century) and their mediations on the homely life after years spent soldiering. The Cello can be heard to serve as the ‘Voice’ of the old soldier. The music combines the jaggedly Romantic Cello line with Choral writing that suggests early music motifs and harmonies.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and manyaward-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist.
Uses: Hymn Arrangement ThanksgivingScripture: Psalm 67:5-7; Jeremiah 31:12Traditional hymnody warms the spirit and celebrates our legacy of praise. This Thanksgiving antique has been restored to musical relevance withgreat style and elegance. The arrangement is respectful to the original message and music while adding colorful new harmonies. The optional violin cello and organ are a magical touch. A lovely rethinking of this sanctuary standard! Violin and Celloparts included. Organ part available as a free download in the Closer Look feature for Item 35030236.
Instrumental Accompaniment Set-Instrumentation Includes: Picc 2Fl 2Ob 2Cl 2 Bsn Contra Bsn 4 Hns 2 Tpts 3 Trombones Tuba Violin I & II Viola _x000D_Cello Contra Bass 2hp 3 Timp Organ String Count (12 12 8 6 4)._x000D_Regarding The Harp Brahms Specifically Stated: ' At Least Doubled'_x000D_Also Although The Standard String Set Of Parts Is 12 10 8 6 4 Brahms_x000D_Scoring For Violin Ii Indicates It Should Be Of Equal Strength With_x000D_Violin I. Therefore Two Additional Violin II Parts Are Included.Full Score Available: (Hmb145a)String Supplemental (Hmb145s):8-Violin I 8-Violin II 5 Viola 4 Cello 4 Bass.Can Only Be Sold As A Set String Parts Not Available Separately.
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio a...(+)
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio and recieved its premiere in Merton College Oxford in June 2007 conducted by Matthew Berry and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the othergroups. Thus Choir I will begin and as they finish Choir II will commence etc. The music should continue for about two minutes getting gradually quieter with each repetition. Though a common pulse should be kept the groups begin each repetition as they wish: the music should overlap and blur. Against this the solo Cello plays its fragments of melody. The choirs at the conductor's discretion should end in the order they began leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio a...(+)
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio and recieved its premiere in Merton College Oxford in June 2007 conducted by Matthew Berry and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the othergroups. Thus Choir I will begin and as they finish Choir II will commence etc. The music should continue for about two minutes getting gradually quieter with each repetition. Though a common pulse should be kept the groups begin each repetition as they wish: the music should overlap and blur. Against this the solo Cello plays its fragments of melody. The choirs at the conductor's discretion should end in the order they began leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes
Cecilia McDowall's Night Flight for SSATB and Cello.Night Flight was written to ...(+)
Cecilia McDowall's Night Flight for SSATB and Cello.Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel. Setting texts by Sheila Bryer on the mysterious powers of the sea earth and air McDowall uses vocal clusters and haunting solo Cello lines to highlight the sense of fear awe and majesty experienced by an individual pitted against the elements. Cecilia McDowall was awarded the 2014 British Composer Award in the Choral category for Night Flight.The solo Cello part is available for sale separately.
Par VAUGHAN WILLIAMS RALPH. Johann Sebastian Bach did not write any cello concer...(+)
Par VAUGHAN WILLIAMS RALPH. Johann Sebastian Bach did not write any cello concertos. Or did he? Many of his music manuscripts disappeared after his death. Included in that lost treasure may have been a couple of cello concertos. Bach wrote six suites for cello and three sonatas for viola da gamba, so, yes, why not a cello or a gamba concerto? Here is the Concerto In F Minor BWV1056 arranged for cello and piano./ Feuillet / SATB
This new edition of Gabriel Fauré's Requiem presents the work in a chamber edit...(+)
This new edition of Gabriel Fauré's Requiem presents the work in a chamber edition for the first time. Edited and arranged by David Hill for Violin Cello Harp and Organ this score is compatible with the Novello vocal score of the same work and all other major editions. It aims to convey the original chamber-music qualities of Fauré's original scoring and will enhance performances with keyboard reductions at minimal cost. It will be of great use to chamber and church choirs without the budget or space to perform this understated masterpiece with full orchestra yet who wish to convey the rich colours and textures ofFauré's most famous work. Gabriel Faure: Requiem is scored for Violin Cello Harp Organ and SATB voices (for SATB separate parts not included). In order to perform the work choir members would require NOV072304. 'Here is a visionary publication that will solve many problems. Most important this edition will work with existing versions even down to rehearsal marks.' - Andrew Fletcher Organists' Review
Svyati - 'O Holy One' for choir and solo cello. Text in church Slavonic. Quoting...(+)
Svyati - 'O Holy One' for choir and solo cello. Text in church Slavonic. Quoting Tavener: 'I began to write Svyati in early 1995: while sketching it I learned that John Williams father of Jane my dear friend andpublisher was dying. I could not refrain from dedicating it to Jane and to the memory of her father. The text is in Church Slavonic and it is used at almost every Russian Orthodox service perhaps most poignantly afterthe congregation have kissed the body in an open coffin at an Orthodox funeral. The choir sings as the coffin is closed and borne out of the church followed by the mourners with lighted candles. The cello represents the Priest orIkon of Christ and should play at a distance from the choir perhaps at the opposite end of the building. As is Greek drama choir and priest are in dialogue with each other. Since the cello represents the Ikon of Christ it mustbe played without any sentiment of a Western character but should derive from the chanting of the Eastern Orthodox Church.
POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and th...(+)
POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine
For SATB choir with Piano accompaniment.'In 2000 the poet Tony Harrison to che...(+)
For SATB choir with Piano accompaniment.'In 2000 the poet Tony Harrison to cheer me up during a troubled period of my life sent me a copy of Goethe?s poem. I began to sketch music for it then and finished it in 2003. It is set for mixed chorus and strings. A winding forlorn cello figure like a lost soul leads to a softer tender violin theme that evokes the healing power of music to the troubled spirit. The hushed chorus enters a cappella and the forlorn cello figure is developed as they describe the illusory nature of the ?splendid? world. The ?healing? theme returns now elaborated by the sopranos and the whole chorus joins them building a sustainedmessage of hope and thanks for the regenerative power of music and love.This short piece is fondly dedicated to my friends Jane and David Fanshawe. It was commissioned by the Bournemouth Symphony Chorus and first performed by them in Poole on 17 April 2004.'????????????????????????????????- Richard Blackford
Craig Hella Johnson Choral Series-Michael Ippolito's Rain Song for SATB choir wi...(+)
Craig Hella Johnson Choral Series-Michael Ippolito's Rain Song for SATB choir with Viola or Cello. With long sections of aleatoric sounds a Viola scordatura and a text filled with duality of imagery this is an anthem for theadvanced and adventurous choir. The Viola (or Cello) is not an accompaniment instrument but rather a “full musical partner” and will require a fine player.
John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and Stri...(+)
John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and String Orchestra. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful Cello solo the Vocal lines are rich and flowing and the Organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children. The Cello part is published separately and an accompaniment for strings is available on sale and on hire.
Emily Dickinson (1830-1886)-A multi-movement work for Choir Piano and Cello fro...(+)
Emily Dickinson (1830-1886)-A multi-movement work for Choir Piano and Cello from Alice Parker using several Emily Dickinson poems. The work features expertly crafted Vocals that are both complex and singable. The Piano is supportive and yet exists as its own entity. The Cello soars above as a heavenly voice. A fantastic selection for high school university and community choirs. Separate Cello part available.
Paperback-Sarah Quartel's God Will Give Orders/Sweet Child for SATB Piano Djem...(+)
Paperback-Sarah Quartel's God Will Give Orders/Sweet Child for SATB Piano Djembe and Cello. This evocative anthem from the larger work Snow Angel is a piece of two halves. Opening with a haunting Cello line the first section ('God Will Give Orders') is mystical and ethereal until a vibrant figure from the Djembe lifts the music into the second section ('Sweet Child') which is uplifting and bold in character with a distinctly African feel and an effective a cappella ending. The instrumental parts are included in the vocal score and a version for upper voices (SSAA) is also available.
An unusual setting of the Magnificat And Nunc Dimittis by Tarik O'Regan written...(+)
An unusual setting of the Magnificat And Nunc Dimittis by Tarik O'Regan written for a double chorus with Cello or Soprano Saxophone. The works were commissioned separately by Timothy Brown for the Choir of Clare College Cambridge. The Magnificat was premièred at the 2000 Spitalfields Winter Festival while the Nunc Dimittis was composed for a BBC broadcast in 2001. The full work is a large-scale setting designed to stand as a concert work in it's own right and feature an adaptation of the Renaissance technique of alternating between chant and polyphony.Separate parts for Cello and Soprano Saxophone are available from this site using item codes NOV200310-01 andNOV200310-02 respectively.
Dale Warland Choral Series-Dale Warland's To Sail The World for SATB choir with ...(+)
Dale Warland Choral Series-Dale Warland's To Sail The World for SATB choir with Cello and Piano accompaniment. The spirit of exuberance should be the guiding inspiration for the choir and theinstrumentalists when performing this excerpt from Whitman's famous “A Song of Joys”. Here the Cello expresses Whitman's exuberant optimism in dialogue with the choir while the Piano highlights andenhances the entire mix with its sparkling octaves and spare punctuating jabs.
Sarah Quartel's Snow Angel for SATB solo Cello Djembe and Piano. Already a fir...(+)
Sarah Quartel's Snow Angel for SATB solo Cello Djembe and Piano. Already a firm favourite with choirs across the world Snow Angel is an evocative five-movement choral work that explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them yearning to make a difference to their lives. The work may be performed with narration in which three angels present their perspectives on their earthly charges. Sarah Quartel weaves a haunting and poignant Cello line throughout the work and a vibrant part for Djembe in movement four 'Sweet child' carriesthe listener from the ethereal and mystical realm the work predominantly inhabits into an emphatic anthem with a distinctly African feel. The musical language is emotive and pictorial allowing performers to play an active role in the storytelling.Snow Angel is also available in a version for SSAA.
From the composer of Festival of Carols and The Winter Rose comes a cantata that...(+)
From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score & Parts for Flute 1 & 2 alto recorder Oboe/English Horn Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Acoustic Guitar Banjo Harp Piano Synth Solo fiddle Violin 1 & 2 Viola Cello Double Bass) Printed Full Orchestration Appalachian Consort Orchestration (Score & parts for Flute Violin Cello Mandolin Guitar Percussion and Piano) StudioTrax CD (accompanimentonly) SplitTrax CD Listening CD 10-Pack Listening CDs Preview Pack (Book/CD combo) RehearsalTrax CDs (part predominant reproducible) Digital Resource Kit (PowerPoint Choir Devotionals Poster Program Flyers Children'sProgram PDFs). Duration: approx. 40 min.
This major work for chorus soloists and piano quartet (piano violin clarinet ...(+)
This major work for chorus soloists and piano quartet (piano violin clarinet cello) or full orchestra is based on the Psalms used in the Passover Seder dinner from the Old Testament times to the present. Psalms 113 to 118 areset in four movements and unite the Judeo-Christian community in song as mentioned in the New Testament (Matthew 26:30 and Mark 14:26). These Psalms may have been the last songs Jesus sang with His disciples at the Last Supperbefore His death. Includes: To the God of Glory and Mercy (Psalm 113); Passover Hymn (Psalm 114); The One True God (Psalm 115); Thanksgiving (Psalm 116); Summons to Praise (Psalm 117);Processional Hymn (Psalm 118) – based on HAD GADYA an ancient Aramaic song used at the conclusion of the Passover Seder. Available separately: SATB/Piano Score Piano Quartet (parts for Violin Clarinet and Cello) Orchestra score and parts (pic fl 1-2 ob 1-2 ehn cl 1-2 bcl bn 1-2 hn 1-2-3-4 tpt 1-2-3 tbn 1-2 btbn tba timp perc 1-2-3 hp cel vn 1-2 va vc db). Duration: ca. 23:00.
A Service of Lessons and Carols-From majestically triumphant to quietly worshipf...(+)
A Service of Lessons and Carols-From majestically triumphant to quietly worshipful Gloria Deo weaves rich carol arrangements with scripture lessons for a moving Christmas worship experience. This appealing and accessible work will heighten your churchand community's celebration of the Incarnation with a blend of classic Christmas favorites and new textsAvailable separately: SATB Instrumental Pak-Full Orchestra (score and parts for Flute Oboe Trumpet 1 & 2 Horn Trombone Tuba Violin 1 & 2 Viola Cello String Bass and Percussion) Instrumental Pak-Chamber Orchestra (score and parts for Flute Oboe Violin 1 & 2 Viola Cello String Bass and Percussion) Preview CD ChoirTrax CD CD10-Pak and Preview Pak. Performance Length: Approx. 40 minutes
At the start of Belgian composer Rudi Tas' haunting setting of the Miserere a s...(+)
At the start of Belgian composer Rudi Tas' haunting setting of the Miserere a solo cello rises out of a vocal cluster. The music gradually becomes more intense; the voices plead for mercy. The work ends with a fading vocalcluster that reveals the solo cello's high E.
Uses: Holy Week Good Friday Scripture: Isaiah 53:5; Philippians 3:9-11 This ant...(+)
Uses: Holy Week Good Friday Scripture: Isaiah 53:5; Philippians 3:9-11 This anthem creatively combines two beloved hymns and represents a touching tribute to the Savior's redeeming work on the cross. The scene is set with the haunting sounds of What Wondrous Love Is This while the vocal lines concentrate on the Passion Chorale. Truly an extraordinary offering for Holy Week! Cello part available as a digital download.
Commissioned by the Phoenix Chorale Joan Szymko's Remembering features cello an...(+)
Commissioned by the Phoenix Chorale Joan Szymko's Remembering features cello and oboe accompaniment. At its heart is a prayerful meditation on listening deeply to the still small voice within that guides the outer life. Amanda Quist Choral Series.
The Wounds was expertly composed by British composer James Whitbourn for SATB c...(+)
The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This selection include Cello Organ and Violin parts.James' international reputation as a composer began very early on as a programme maker at the BBC.?The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - orclose to - Passiontide. Each section continues from the previous one without pause to create a seamless whole.? James Whitbourn
