Guitar SKU: HL.14045047 Debutant. Composed by Denis Roux and Miche...(+)
Guitar
SKU:
HL.14045047
Debutant. Composed
by Denis Roux and Michel
Ghuzel. CARISCH - MUSIC
SALES. Tuition. General
Merchandise. Editions
Coup de Pouce #MF910.
Published by Editions
Coup de Pouce
(HL.14045047).
ISBN
9790707006009. UPC:
9790707006009.
French.
Le best
seller pour apprendre la
guitare acoustique!
La methode Coup de
pouce guitare volume 1
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guitare volume 1 a ete
pensee pour vous.76 pages
de cours avec de nombreux
conseils pour tenir et
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aussi lire une tablature,
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techniques de
l'accompagnement.La mise
en page est soignee et
les explications sont
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representants le manche
de la guitareet le
placement des doigts.Les
partitions des exercices
et morceaux sont ecrites
en solfege et tablatures
pour vous permettre
d'etre accompagne par des
amis musiciens. Les
principales notions de
solfege, les differents
signes et effets utilises
a la guitare sont
expliques simplement.A la
fin de la methode, le
mini dictionnaire
reprenant les accords
essentiels joues a la
guitare sera une aide
precieuse. Les 3
supports que nous
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Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: FZ.5878 Serie I - France 1600-1800. Edited by Caroline...(+)
Guitar
SKU:
FZ.5878
Serie I -
France 1600-1800.
Edited by Caroline
Delume. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5878).
ISBN
9790230658782. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Francesco ALBERTI -
Anonyme - Encyclopedie
methodique -
Guillaume-Pierre-Antoine
GATAYES - L. GUICHARD -
Jean-Benjamin de LABORDE
- Antoine Marcel LEMOINE
- Philippe MACQUER -
Joseph-Bernard MERCHI (2)
-
Charles-Francois-Alexandr
e POLLET. Table of
contents: Macquer
Philippe: Dictionnaire
raisonne - 1773. Pollet
Charles-Francois-Alexandr
e: Methode pour apprendre
- 1775. Merchi
Joseph-Bernard: Traite
des agrements de la
guitare - 1777. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Alberti Francesco:
Nouvelle methode - 1786.
Encyclopedie:
Encyclopedie methodique -
1788. Guichard L. : La
guitare rendue facile -
c. 1795. Lemoine
Antoine-Marcel: Nouvelle
methode de guitare - c.
1800. Gatayes
Guillaume-Pierre-Antoine:
Methode pour la guitare -
1800. Anonyme: Methode
pour jouer de la guitare
- s. d. n. l. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Municipal
Library of Grenoble
(France). - Nederlands
Muziek Instituut of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the guitar.
Suite No. 1 Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Advanced SKU: DZ.DZ-4262 Composed by Bryan Johanson and Jesse Mc...(+)
Guitar - Advanced
SKU:
DZ.DZ-4262
Composed
by Bryan Johanson and
Jesse McCann. Method
Book. Les Productions
d'OZ #DZ 4262. Published
by Les Productions d'OZ
(DZ.DZ-4262).
ISBN
9782898521799.
In
this ambitious series,
Bryan Johanson and Jesse
McCann seek to address
this missing element in
the study of classical
guitar. In light of the
sheer volume of guitar
music written over the
centuries, not to men-
tion early works by the
guitar’s
plucked-string relatives,
the authors’ choices
were by necessity limited
to a select group of
standards. These might be
considered among the most
popular works in the
guitar canon, admired
over the years by
performers, students, and
audiences alike for their
beauty, musical
expression, and idiomatic
sonority. There are, of
course, other pieces that
could have been included.
But by choosing works
that give a broad survey
of styles across musical
periods (Renaissance,
Baroque, Classical,
Romantic, and early 20th
century) written by some
of the guitar’s most
important composers, the
authors present a com-
prehensive cross-section
of the essential
repertoire for the
instrument. - William
Kanengiser
Composed by
Frederic Vitiello.
Classical. Score. 39
pages. Editions Henry
Lemoine #25360. Published
by Editions Henry Lemoine
(LM.25360).
ISBN
9790230953603.
ARRO
S (d') : Le Voilier - Le
Phare - BAUDOUIN :
Divertissement - Compere
qu'as-tu vu (adaptation)
- Valse lente - BAUMANN :
Rouge vif - BERNAUD :
Hexacorda - BILLET
Jean-Pierre : Lima-Hong -
Trois petits lapins dans
la lune - BOISGARD :
L'Ami harmonique - BRUN :
Dans les couleurs de
l'Arc-en-ciel - Dans le
bleu du ciel - Dans la
nuit etoilee - CASTAIN :
Paresse valse - CASTEREDE
: Simple valse - En
ecoutant tomber la pluie
- COUASNON : Chanson
retro - Pour faire sonner
la guitare - COURTIN :
Histoire ancienne -
CROUSIER : Le Pinson et
le loup - La Marche des
pingouins - DAMASE :
Chanson - DEMILLAC Y :
Promenade - Jeux -
DEMILLAC F.P. : La
Plaintive - DUMOND : 13
syllabes, 3 mots, 4
phrases et 1 impro -
FABIANI : Le Cheval de
bois - Histoire a ecouter
- FOURCHOTTE : Cancion
primera para ninos -
FRANCE : Au-dela de l'ile
- Glissades - Dabo-Abac -
FRANCERIES : Tristesse -
GRIVEL : Deux histoires
courtes - HUBERT : Deux
petites pieces pour une
guitare presque neuve -
KLEYNJANS : Le Petit
Soldat de plomb -
LAJARRIGE : Impression -
LANCEN : Aux debutants
(piece n. 1) - Aux
debutants (piece n. 2) -
LARC'HANTEC : La Valse du
kangourou - Barcarolle -
LARGE : Blues mineur -
MALDONADO : Laetitia -
Indiana - MARCHAL :
Ballade d'octobre -
MORANCON : Deux petites
arabesques - NARVAEZ :
Petit poisson - Berceuse
de la mere qui a perdu
son enfant - PIRIS : La
Chanson paresseuse -
RENAULT : M'en allant
promener - Le Vieux
Manoir - Petite valse -
VITIELLO : Danse
primitive.
Ada Guitare Guitare classique - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4316 Composed by Mehmet Refik Kaya....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4316
Composed
by Mehmet Refik Kaya.
Arranged by Celil Refik
Kaya. Score. Les
Productions d'OZ #DZ
4316. Published by Les
Productions d'OZ
(DZ.DZ-4316).
ISBN
9782898522338.
Ada
(Island) is a captivating
composition that was
originally written in
2011 for the Turkish
lute. This piece draws
its inspiration from the
tranquil and picturesque
atmosphere of
Büyükada,
one of the charming
islands in the Sea of
Marmara.
Büyükada,
with its serene
landscapes, historical
architecture, and
tranquil shores, serves
as a perfect muse for the
evocative melodies and
intricate harmonies that
characterize Ada
(Island).
Ada
(Island) was later
arranged for classical
guitar. This adaptation
allows the composition to
reach a broader audience
while retaining its
original charm and depth.
The classical guitar
arrangement highlights
the versatility of the
piece, maintaining its
delicate nuances and
evocative melodies, while
offering a new
perspective through the
guitar's distinctive
tonal
qualities.
Whether
performed on the Turkish
lute or the classical
guitar, Ada (Island)
remains a poignant
tribute to the enchanting
beauty of
Büyükada,
capturing the island's
essence and transporting
listeners to its serene
shores.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Guitar (Guitar) SKU: HL.14021531 Music Sales America. Swing. Book with CD...(+)
Guitar (Guitar)
SKU:
HL.14021531
Music
Sales America. Swing.
Book with CD. Editions
Musicales Francaises
#EMF100064. Published by
Editions Musicales
Francaises (HL.14021531).
9.0x12.0x0.154 inches.
French.
Les
caracteristiques de la
guitare sont telles qu'il
existe un nombre
quasi-illimite de
possibilites (positions,
doigtes, techniques de
liaison) pour jouer une
meme phrase melodique.
Cet ouvrage a donc pour
but de donner quelques
exemples de phrases et
d'arrangements des
Standards du Jazz issus
de repertoire Swing et
Be-Bop a l'aide d'un CD
d'accompagnement. Vous
trouverez dans cette
methode deux types de
themes et d'arrangements:
* Les themes Be-Bop: Ils
sont arranges pour deux
guitares, une basse et
une batterie. * Les
themes Swing: Ils sont
arranges pour guitare,
basse et batterie. La
guitare joue les accords
et la melodie
simultanement. The guitar
idioms give an endless
comnbination of
fingerings, neck
positions and legato
techniques to play one
single musical line. The
purpose of this book is
to provide examples of
phrasing and arranging of
swing and be-bop
standards. You will find
two types of tunes *
Be-Bop tunes: These tunes
are arranged for two
guitars, a bass and
drums. * Swing tunes:
These are arranged for
guitar, bass and drums.
The theme and chords are
played by one guitar
only.
Integrale des compositions pour guitare (2 CDs included) by Francisco Tarrega; M...(+)
Integrale des
compositions pour guitare
(2 CDs included) by
Francisco Tarrega; Michel
Beauchamp. For guitar
solo. 148 pages.
Published by Les
Productions d'OZ
Guitar SKU: HL.50496720 Pratique Et Technique. Composed by Begon D...(+)
Guitar
SKU:
HL.50496720
Pratique Et
Technique. Composed
by Begon D. MGB. Method.
Book Only. Composed 2002.
Editions Salabert
#SLB2774. Published by
Editions Salabert
(HL.50496720).
French.
La
Guitare Volume 2 Pratique
et technique : cet
ouvrage regroupe les
premieres bases
techniques preparant au
2e cycle. En effet, si la
decouverte de
l'instrument, de la
codification et de la
sensibilite musicale sont
l'enjeu d'une premiere
methode, l'acces au
repertoire vaste et
seduisant de la guitare
sera celui de ce deuxieme
volume.
Women Composers Guitare Guitare classique - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4265 Guitar Works by Caroline V....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4265
Guitar
Works by Caroline V.
Hayden. Composed by
C.V. Hayden. Arranged by
Annette Kruisbrink.
Score. Les Productions
d'OZ #DZ 4265. Published
by Les Productions d'OZ
(DZ.DZ-4265).
Guitar - Beginner SKU: AP.40673 Beginning Acoustic Blues Guitar (Frenc...(+)
Guitar - Beginner
SKU:
AP.40673
Beginning
Acoustic Blues Guitar
(French Language
Edition). Composed by
Lou Manzi. This edition:
French. Guitar Method or
Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method.
Acoustic; Blues. Book and
CD. Alfred Music
#00-40673. Published by
Alfred Music (AP.40673).
Guitar - Advanced SKU: DY.DO-1551 Composed by Yorgos Nousis. Score. Les E...(+)
Guitar - Advanced
SKU:
DY.DO-1551
Composed
by Yorgos Nousis. Score.
Les Editions
Doberman-Yppan #DO 1551.
Published by Les Editions
Doberman-Yppan
(DY.DO-1551).
ISBN
9782897963316.
PULS
O DE LA VIDA was composed
as part of my dear friend
Kostas Tosidis' doctoral
thesis with the title
Bowing technique on the
guitar. The character
of the piece changes from
simple and meditative to
rhythmic and
tension-filled,
reflecting different
stages of our
lives. Using a C, G, D
tuning for the bass
strings, the guitar
utilizes resonance to
create sustained,
cello-sounding melodies
on the fourth string,
complemented by harmonies
on the fifth and sixth
strings. The bowing
technique is introduced
with a continuous tremolo
accompanied by an
extended form of the
first theme. The more
dancelike and rhythmical
part of the piece uses a
19/16 measure that allows
us to experience a sense
of disparity.
Finally, the
simplicity combined with
a sense of completeness,
but also of abandonment
of the beautiful gift of
life, leaves us in a
state of stillness for
any kind of
introspection.
Guitar SKU: HL.14044742 Composed by Eric Lemaire. CARISCH - MUSIC SALES. ...(+)
Guitar
SKU:
HL.14044742
Composed
by Eric Lemaire. CARISCH
- MUSIC SALES. Tuition.
General Merchandise. Play
Music France #MF2325.
Published by Play Music
France (HL.14044742).
French.
Les
gammes pentatoniques sont
a la guitare ce que
l'alphabet est a notre
langue : une base
indispensable, un passage
oblige ! Et c'est donc a
ce titre que la presente
methode constitue en
quelque sorte votre
passeport pour la six
cordes ! Au programme de
cet ouvrage : la gamme
pentatonique mineure
(indispensable), la gamme
pentatonique majeure
(essentielle), ainsi que
d'autres gammes de 5
notes (plus anecdotiques)
que nous qualifierons de
pentatoniques hybrides.
N'allez surtout pas vous
imaginer que, sous
pretexte que ce livre est
dedie aux gammes, il
pourrait etre ennuyeux...
il y sera evidemment
question d'un minimum de
theorie et de technique,
pour votre plus grand
bien, mais aussi et avant
tout de pratique, avec de
tres nombreux exemples
musicaux a la clef,
repartis entre riffs et
solos. Le CD MP3 joint a
la methode vous permettra
d'entendre tous les
exemples techniques et
musicaux (riffs et autres
solos), afin de lever le
voile sur d'eventuelles
difficultes
d'interpretation. Il vous
donnera egalement la
possibilite de jouer sur
les tres nombreux
playbacks proposes, dans
differentes tonalites et
a differentes vitesses,
sur les grilles de
quelques grands tubes de
la guitare, librement ou
selon les informations
fournies. Soit 7 heures
de musique en tout !
Di
scover Un Jour de Mars, a
haunting musical ballad
for solo guitar that
captures the hope and
sweetness of the arrival
of spring. Let yourself
be transported by this
evocative melody which is
interpreted like a
prelude...