2 Sonate BWV 1021 e BWV 1023 Volume 2 Sonate BWV 1021 e BWV 1023] per violino e b.c. La pubblicazione include in appendice la sonata in do minore precedentemente attribuita a J.S.Bach con il numero di catalogo BWV 1024, e recentemente attribuita a J.G.Pisendel. Organico: violino e basso continuo

Sechs Sonaten für Violine (Flöte, Oboe, Viola, Alt-Viola da gamba) und Basso continuo Sonaten D-dur, c-moll, e-moll. Für das Solo-Instrument Stimmen im Violin- und Viola-Schlüssel

Nach dem Erstdruck 'Sei Suonatine per Violino e Cambalo' von 1718-The edition is part of the Trinity syllabus 2007 (grade 4 & 6)

Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.

Barenreiter Urtext Edition of Bach's Six Sonatas for Violin and obbliagato Harpsichord Vol.II BWV 1017 - 1019. Contains full score and parts for Violin Harpsichord or Piano and Viola da gamba or Cello.

’Gallant’ and ‘sensitive’ by no means implies boring and old-fashioned. Proof of this is given by Franz (František) Benda the Bohemian Paganini of the 18th Century. Not only was his life extremely colourful andsuccessful but so were his musical compositions that were primarily for the Violin. They are great examples of his compositional ability and mastery of the Violin. Our highly praised Urtext edition with six selected sonatas fromthe master’s different creative periods including four first publications will provide a rich experience for all those violinists who are prepared to step off the usual beaten track. Your efforts will be rewarded!