Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber ...(+)
Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber en amour avec amour, n'est-il pas romantique?, la Dame est un clochard, My Funny Valentine et plus encore ! / Date parution : 2005-06-27/ Recueil / Violoncelle et Piano
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangée...(+)
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangées par enseignant de chaîne préférée du monde Sheila Nelson. Lecture de la note est introduit un doigt à la fois, construire des doigts pattern 0-1-23-4 (espace de demi-ton entre les doigts de 2ème et 3ème) - le doigt seul schéma utilisé dans ce livre. Un certain nombre de patrons de l'archet rythmiques, énoncée au début du livre peut être pratiqué sur des airs plus tôt, une fois qu'ils ont été mémorisées. Les rythmes sont assimilés par l'élève à l'aide de mots fortement rythmiques, facilement mémorables. Tous les morceaux peut être chanté sur les versets fournis, afin de développer un sentiment sécurisé du rythme et de brai. Elèves apprennent dès le début pour déplacer librement de chaîne à la chaîne, de jouer avec confiance et de prêter attention à la hauteur. / Violoncelle Et Piano
With online audio of piano accompaniments. Intermediate level arrangements for s...(+)
With online audio of piano accompaniments. Intermediate level arrangements for solo instruments and piano accompaniment, in a range flattering to each instrument. The music has been edited with added dynamics, articulations, and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / TV, Film, Comédie musicale / Date parution : 2019-05-27/ Recueil / Violoncelle et Piano
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
Cello and Piano with Online Accompaniments.This collection features intermediate...(+)
Cello and Piano with Online Accompaniments.This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classi...(+)
The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean, Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart's Lacrimosa, amongst eight other beautiful melodies.
This matching folio contains all 11 songs from the album in arrangements for solo Piano with optional Cello as performed by The Piano Guys.
Delius wrote the incidental music for Basil Dean’s 1923 production of Jame...(+)
Delius wrote the incidental music for Basil Dean’s 1923 production of James Elroy Flecker’s Hassan. This sequence incorporating Eric Fenby's 1931 version of Serenade from that production was arranged in 1991 for Cello and Piano by Christopher Palmer who the piece is published in memorial to.
Violoncelle, Piano[Conducteur et Parties séparées] - Intermédiaire Amsco Wise Publications
Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquabl...(+)
Arrangements de facile a moyen concu pour faire ressortir lesqualites remarquable du violoncelle. Ce qui comprend les chansons folk, les dances et le travails par Debussy, Chopin et Brahms. Partition de violoncelle a part. / Violoncelle Et Piano / 160 pages / Partition
Peters Edition est heureux d'annoncer la première nouvelle édition des Variati...(+)
Peters Edition est heureux d'annoncer la première nouvelle édition des Variations Rococo à paraître à l'extérieur de la Russie qui présente le travail dans sa forme originale. Cette nouvelle publication est basée sur la version originale du compositeur, qui est la séquence performante it pour de nombreux violoncellistes éminents, comme enregistré par Steven Isserlis et Raphael Wallfisch. Reflétant les intentions du compositeur origine, l'édition comprend: - les variations restaurées à leur ordre d'origine - finale de Tchaïkovski rétablie - les annexes contenant la coda de bravoure et réécrit par Wilhelm Fitzenhagen (dédicataire de le oeuvre) et la première ébauche du compositeur de la variation du quatrième / Violoncelle Et Piano
21 pieces for cello players with piano accompaniment. Par COLLEDGE HUGH / COLLED...(+)
21 pieces for cello players with piano accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey & Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d’un répertoire pour cordes destiné aux instrumentistes débutants et en cours d’apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l’apprentissage.
Chaque titre est disponible en deux versions : l’une est fournie avec un CD de démonstration et de pistes audio d’accompagnement - l’autre comprend un livret d’accompagnement au piano et l’accès à des ressources audio téléchargeables. / Niveau : Très Facile / Recueil / Violoncelle et Piano
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...(+)
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...(+)
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
Voici une partition musicale pour Violoncelle et plus spécialement pour Violonc...(+)
Voici une partition musicale pour Violoncelle et plus spécialement pour Violoncelle Et Piano que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est IMPROVISATION A DEUX a été composée par le célèbre compositeur Chaynes Charles. C'est l'éditeur Billaudot sous la référence GB6437 qui a les droits pour éditer cette partition. / Violoncelle Et Piano / Partition
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...(+)
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
Graded pieces in attractive contrasting styles. Includes traditional melodies t...(+)
Graded pieces in attractive contrasting styles. Includes traditional melodies tunes from the classical repertoire and original jazzier numbers. Content - Alastair Arbuthnot Has No Hat (Nelson)- C String March (Nelson)- Chicken-Feed (Nelson)- Christ Church Bells (arr. Nelson)- Cossack Lullaby (arr. Nelson)- Dance to Your Daddy (arr. Nelson)- Drink to me Only (arr. Nelson)- Flag Dance (Nelson)- Hungarian Folk Song (arr. Nelson)- If All the World Were Paper (arr. Nelson)- Landler (Schubert)- Li\'l Liza Jane (arr. Nelson)- Mad as a Hatter (Nelson)- Minuet and Trio(Haydn)- Octopiece (Nelson)- On the Ice (Nelson)- Over the Moon (Nelson)- Pizzicato Pie (Nelson)- Polka (Wohlfart)- Promenade (Nelson)- Rigadoon (Purcell)- Square Dance (Nelson)- The First Waltz (Nelson)- The Tadpole\'s Tale (Nelson)- Trot Along (Nelson)- Tweedledum and Tweedledee (Nelson)- Whirlpool Waltz (Nelson)
With online audio of piano accompaniments-Twenty favorite Christmas carols arran...(+)
With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This'
Fast Forward Violoncelle, Piano[Partition] Boosey and Hawkes
Avance rapide, partie de hautement considéré facile série de la Colledge de c...(+)
Avance rapide, partie de hautement considéré facile série de la Colledge de chaîne, est depuis longtemps le choix du répertoire des enseignants de la chaîne. La série de chaîne facile est une collection de pièces faciles par l'équipe de rédaction de la chaîne préférée Kathy
Stepping Stones Violoncelle, Piano[Partition] Boosey and Hawkes
26 pièces pour débutants par Kathy et Hugh Colledge. Introduit les chaînes ou...(+)
26 pièces pour débutants par Kathy et Hugh Colledge. Introduit les chaînes ouvertes et notes de premier doigt avec des rythmes simples de construire une base solide pour l'avenir d'apprentissage. La ' série de chaîne Easy ' est une collection de pièces faciles par chaîne préférée du monde / Violoncelle Et Piano / Partition
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...(+)
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
26 Pieces For Cello Players
With Piano Accompaniment. Par COLLEDGE HUGH / COLLED...(+)
26 Pieces For Cello Players
With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage.
Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables.
Ce livre Stepping Stones présente les cordes à vide et les notes du premier doigt avec des rythmes simple tandis que sa suite. / Niveau : Très Facile / Recueil / Violoncelle et Piano
Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was compo...(+)
Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends.
There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version.
The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance.
(from the foreword by the editors)/ Répertoire / Violoncelle et Piano
26 Pieces For Cello Playerswith Piano Accompaniment. Par COLLEDGE HUGH / COLLEDG...(+)
26 Pieces For Cello Playerswith Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage.
Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables.
Les 26 morceaux de Waggon Wheels constituent le deuxième volume de la série. À l'aide d'une musique simple, l'usage des troisième et quatrième doigts ainsi que du lié de l'archet seront exercés lors de l'étude de ces morceaux. / Niveau : Très Facile / Date parution : 2019-12-12/ Recueil / Violoncelle et Piano
For use in lessons or for your first concert performances - Easy Concert Pieces ...(+)
For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...(+)
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais...(+)
Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais assez bonne (d’après Kurt Tucholsky): l’Arpeggione, cette sorte d’hybride – une grande guitare frottée par un archet – n’a jamais réussi à s’imposer auprès des musiciens. Cette curiosité organologique serait certainement déjà tombée depuis longtemps dans l’oubli le plus total si précisément Franz Schubert n’avait pas composé sa sonate en La mineur pour cet instrument. Et cette oeuvre en trois mouvements est vraiment immortelle. Mais elle pose aussi un problème pour l’Urtext, car sans certaines interventions dans le texte, la partie d’arpeggione originale ne pourrait être exécutée sur l’instrument le plus proche au niveau du timbre, àsavoir l’alto ou le violoncelle. La maison d’édition G. Henle résout ainsi le dilemme: d’une part, la partie d’arpeggione originale est superposée à la partie de piano originale (partition), de l’autre, dans la partie séparée jointe à la partition les rares changements d’octaves indispensables sont clairement indiqués. Il était hors de question pour nous d’envisager une autre partie – le violon par exemple (comme dans l’édition Diabelli parue après la mort du compositeur), la flûte ou tout autre instrument mélodique à tessiture aiguë – car toutes ces alternatives s’écartent trop des représentations de timbre que pouvait avoir Schubert. Dans le meilleur des cas, on pourrait envisager – pourquoi pas? – une partie de contrebasse. / Partition brochée / Répertoire / Violoncelle et Piano