Clarinet

SKU: BT.HITPCPTCLARAMA01

Composed by Emilien Véret, Adrien Boulanger. Book with CD. Composed 2017. Hit Diffusion #HITPCPTCLARAMA01. Published by Hit Diffusion (BT.HITPCPTCLARAMA01).

Le Petit Clarinettorama est un répertoire de morceaux pour clarinettistes débutants, permettant de jouer aussi bien du classique que des musiques de films ou de la variété et du traditionnel. Chaque morceau est le fruit d’un travail d’arrangement,prà ©cis, adapté l’instrument et au niveau de l’élève. Ce volume, progressif, présente un niveau de difficulté très faible et aisément accessible pour l’élève. La mise en page, en couleur et très aérée, assure une grande lisibilité.Le CD accompagnant l’ouvrage, de qualité supérieure, a été enregistré par Emilien Véret et Adrien Boulanger, clarinettistes de talent. Cet enregistrement donnera un exemple et un plaisir musical de choix tous les apprentis violoncellistes, ainsiqu’ tous les mélomanes.Avec CD, et parties piano sur cahier séparé (inclus).

Piano Accompaniment; Violin

SKU: HL.14041762

Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762).

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.

the Piano. Performed by Idil Biret and Valery Lloyd-Watts. By Frederic Chopin. For Piano. Piano Collection. Masterwork CD Editions. 0. Masterwork. Book and CD. Published by Alfred Publishing.

Composed by Juliette Marie Olga (Lili) Boulanger (1893-1918), arranged by Jean Francaix (1912-1997). Set of performance parts for piano duet. With standard notation. 18 pages. Published by Hal Leonard.

Hymn to the Sun. By Juliette Marie Olga (Lili) Boulanger. For Chorus. Secular. Octavo. Published by Earthsongs.

By Juliette Marie Olga (Lili) Boulanger. (SATB). Choral. Size 6.7x10.5 inches. 12 pages. Published by G. Schirmer.

(Original Works for Violin and Piano, Vol. 2). By Georges Boulanger (1893-1958). Score and Parts. String. Softcover. 72 pages. Sikorski #SIK1377. Published by Sikorski

Orchestra violin, piano

SKU: CF.B3470

Composed by Julia Perry. Set of Score and Parts. 26+13 pages. Duration 17 minutes. Carl Fischer Music #B3470. Published by Carl Fischer Music (CF.B3470).

ISBN 9781491159460. UPC: 680160918058.

The awardee of two Guggenheim fellowships, Julia Perry studied composition with Luigi Dallapiccola and Nadia Boulanger, and conducted her works on a tour throughout Europe with the Vienna Philharmonic and the BBC Orchestra. She would become one of the first African-American female composers to have an orchestral work performed by the New York Philharmonic. Although she had an auspicious and promising career in her early life, it was tragically cut short by a series of strokes leading to partial paralysis and eventually, her death, at age 55 in 1979.Perry’s catalog is widely varied, featuring thirteen symphonies, numerous chamber and solo works, pieces for band, choral and vocal music, and four operas. Her Violin Concerto, completed in 1968, shows the influence of Dallapiccola’s teachings: sharp harmonic dissonances organized around specific pitch centers, short repetitive patterns that establish significant musical materials, and contrapuntal textures. Her fastidious performance markings in the solo violin part indicate her profound understanding of the instrument. Angular, muscled, and sparkling by turns, this piece is a sophisticated entry to the serious violinist's concert repertoire.There is no evidence or documentation that the Violin Concerto was ever premiered or performed during her lifetime, despite the fact that the composer prepared a full score, piano reduction and orchestral parts. Regrettably, this is the case with the majority of her works composed in the final decade of her life.
What is extraordinary about Julia Perry’s musical career was the astonishing success she attained in her early years. In her youth she studied piano, voice, violin and cello. She began to compose in her teenage years, her first publication being a choral work in 1947 by Carl Fischer. Her Stabat Mater was published in 1951 and would become one of her most often performed pieces, with performances in Europe and the United States. In 1953 she was awarded a Guggenheim fellowship to study with the Italian composer Luigi Dallapiccola, first at the Berkshire Music Center in Tanglewood, later in Florence, Italy. During this time, she also pursued studies with Nadia Boulanger in Paris and was awarded a second Guggenheim fellowship. She studied conducting at this time, touring Europe in 1957 to conduct her own works with the Vienna Philharmonic and the BBC Orchestra. During her European sojourns, she learned and mastered French, German and Italian. She would become one of the first African-American female composers to have an orchestral work performed by the New York Philharmonic.Perry� �s circumstances would change dramatically once she reached forty years of age, having returned permanently to the United States. At some point in the spring of 1970, she suffered the first of two strokes that would paralyze her right side and confine her to a wheelchair for the rest of her life. Nonetheless, she continued to compose and to promote her works with publishers and conductors. A second stroke contributed to her death in 1979 at age 55. She likely endured harsh ethnic and gender discrimination in the course of her career, and her later years would witness a period of extreme civil unrest. These matters and the significance of music in her life are undoubtedly what led her to say, “Music has a great role to play in establishing the brotherhood of man.”Perry’s catalog is widely varied, featuring thirteen symphonies, numerous chamber and solo works, pieces for band, choral and vocal music, and four operas. Her Violin Concerto, completed in 1968, is indicative of the influence of Dallapiccola’s teachings: sharp harmonic dissonances organized around specific pitch centers, short repetitive patterns that establish significant musical materials, and contrapuntal textures. The work is a single movement of 392 measures organized around three alternating tempos: Slow (Œ = 60), Moderate (Œ = 84) and Fast (Œ = 120). The opening thirty-measure cadenza for the solo violin introduces most of the thematic material for the piece. The orchestration commonly features antiphonal writing between orchestral groups, for example, strings alternating with brass, or strings alternating with winds. The harp and piano generally appear as solo instruments, rather than as members of the orchestra. Her fastidious performance markings in the solo violin part indicate her profound understanding of the instrument.There is no evidence or documentation that the Violin Concerto was ever premiered or performed during her lifetime, despite the fact that the composer prepared a full score, piano reduction and orchestral parts. Regrettably, this is the case with the majority of her works composed in the final decade of her life.

By Juliette Marie Olga (Lili) Boulanger. (SATB). Choral. Published by G. Schirmer.

(Original Works for Violin and Piano, Vol. 1). By Georges Boulanger (1893-1958). String. Softcover. 36 pages. Hal Leonard #SIK1376. Published by Hal Leonard

Trumpet and Piano

SKU: IM.3946

Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Loren Stroud. Score and Parts. International Music Co. #3946. Published by International Music Co. (IM.3946).

Three songs of exquisite beauty and arresting harmonies. For B flat trumpet and piano. Contents: Elle est gravement gaie, Nous nous aimerons tant; Les lilas qui avaient fleur.

SATB Choir and Piano

SKU: HL.50562190

SATB chorus. Composed by Juliette Marie Olga (Lili) Boulanger. Editions Durand. Classical. Part. Composed 2001. 12 pages. Editions Durand #DF15290. Published by Editions Durand (HL.50562190).

UPC: 888680072667. 8.25x11.5x0.055 inches.

Choral alto 1, alto 2, solo Voices, soprano 1, soprano 2

SKU: CF.CM9768

Composed by Z. Randall Stroope. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9768. Published by Carl Fischer Music (CF.CM9768).

ISBN 9781491160343. UPC: 680160923298. Key: G major. English.

About the WorkThe text of this work is most often attributed to Ralph Waldo Emerson, although it doesn't mirror his style, and no research credits an essay, book or letter with its source. Other individuals are occasionally suggested as possible authors, but equally unsubstantiated. Even whether the textis a poem or a quote seems unclear. But there is one thing that is without question: that this beloved text has inspired countless people and contributed toward a view of the world through eyes of hope, resilience, courage, beauty, and joy. Music for this text flowed more easily than about any text I have ever set. It has an emotional connection that is mystical, and after I read it for the first time, I immediately sat down and wrote this work without stop.Rehearsal NotesIn many cases, art is more expressive and reaches a wider range of human emotions when multiple artistic fields are fused together. Such is the case with choral music: the intertwining of literature, music, and very often dance, visual arts, and more. The story in choral music is often quite specific, much like film scoring. At times, the music is the picture frame (score) around the picture (text), while at others the music is the leading dramatic/emotional impetus.In the present case (My Farewell Wish), the text is sincere, innocent, heartfelt, and earnest. By all accounts, the message is altruistic, expressing selfless desire for another's present/future happiness. Capturing this message has a strong reliance on the performers to not only carry the emotional intent of the moment (a phrase of text or a measure), but the the energy and continuance of the message throughout.The use of the [o] vowel functions almost as instrumental interludes or underpinning of strings. The conductor may use the [o] as indicated in the score, or a [u] vowel, a hum (with [o] as the vowel inside the mouth), or all three at different times for different reasons. In an acoustical performance (no mic), the soloist and the ensemble are a reflection of each other's natural sound. And, even gentle, warm solo voices should have no trouble projecting.Two final thoughts: 1) the obbligato or added voice or two on high passages (m. 66) or a single note (final chord) will be best delivered by lyrical, pure voices with demonstrated control; and 2) the metronome marking of 80 bpm (mm. 1–81) was strongly considered and should be followed.About the ComposerZ. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel Fauré). Randall is the artistic director of two international summer music festivals, is an Honorary Board Member of the NationalAssociation of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).

SKU: HL.48020985

Boosey & Hawkes Voice. Hal Leonard #M060106552. Published by Hal Leonard (HL.48020985).

Composed by Lennox Berkeley (1903-1989). Edited by Christopher D. Lewis. Music Sales America. Classical. Softcover. 16 pages. Chester Music #CH84810. Published by Chester Music (HL.14048181).

(Voice and Piano)

SKU: HL.48186485

Composed by Nadia Boulanger. Leduc. Softcover. 32 pages. Alphonse Leduc #AL30752. Published by Alphonse Leduc (HL.48186485).

UPC: 888680948559. 9.0x12.0x0.164 inches.

Nadia Boulanger: Melodies, volume 2 (AL 30 752) A student of Gabriel Faure and Louis Verne at the Paris Conservatoire, Nadia Boulanger (1887-1979) owes her aura to an exceptional teaching career spanning nearly 75 years, during which she trained the most illustrious musicians, from Copland to Glass not to forget Bernstein or Gardiner. In the past few years, her creative work, long considered negligible, has finally been escaping from oblivion thanks to the untiring work of the Centre Nadia et Lili Boulanger, directed by Alexandra Laederich.

Alto voice solo, SATB choir, Piano

SKU: CA.2110100

Composed by Juliette Marie Olga (Lili) Boulanger. Edited by Michael Alber. Sacred vocal music, Hymns. Sacred vocal music, Hymns. Full score. LB 24. Duration 5 minutes. Carus Verlag #CV 21.101/00. Published by Carus Verlag (CA.2110100).

ISBN 9790007187798. Language: French/English. Text: Delavigne, Casimir.

First critical edition. Together with Debussy, Ravel, and Dukas, Lili Boulanger was one of the most important representatives of impressionism. Despite her short life of just 24 years, she developed a distinctive personal style, and composed a huge variety of works including songs, piano music, operatic scenes, and choral music, all with great inventiveness. The Hymne au soleil (Hymn to the sun) for mixed choir, alto solo, and piano, was written in 1912 to a poem by Casimir Delavigne. In ecstatic layers of chords the sun is acclaimed; through its power it brings the colors of the earth to light anew. The edition contains both the original French text, with a singable English translation underlaid.

Tenor Voice Solo (Chorsoli), SATB Choir, Piano (Org)

SKU: CA.2110205

Composed by Juliette Marie Olga (Lili) Boulanger. Edited by Michael Alber. Sacred vocal music; use during church year: Christmas; occasions: Psalms. Sacred vocal music, Christmas, Psalms. Choral Score. LB 36. 12 pages. Duration 4 minutes. Carus Verlag #CV 21.102/05. Published by Carus Verlag (CA.2110205).

ISBN 9790007187781. Language: French/English.

Fir st critical edition. Together with Debussy, Ravel, and Dukas, Lili Boulanger was one of the most important representatives of impressionism. Despite her short life of just 24 years, she developed a distinctive personal style, and composed a wide variety of works including songs, piano music, operatic scenes, and choral music, all with huge inventiveness. In 1916, in the middle of the First World War, the composer learnt that she was ill and had only a short time to live. Her deep religiosity gave rise to works including a setting of Psaume XXIV (Psalm 24). In the version published here for mixed choir, tenor solo, and piano/ organ, this is a particularly powerful setting of the psalm and an impressive work for inclusion in an Advent church service. The edition contains both the original French text, with a singable English translation underlaid. Score available separately - see item CA.2110200.

Tenor Voice Solo (Chorsoli), SATB Choir, Piano (Org)

SKU: CA.2110200

Composed by Juliette Marie Olga (Lili) Boulanger. Edited by Michael Alber. Sacred vocal music; use during church year: Christmas; occasions: Psalms. Sacred vocal music, Christmas, Psalms. Full score. LB 36. 20 pages. Duration 4 minutes. Carus Verlag #CV 21.102/00. Published by Carus Verlag (CA.2110200).

ISBN 9790007187774. Language: French/English.

Fir st critical edition. Together with Debussy, Ravel, and Dukas, Lili Boulanger was one of the most important representatives of impressionism. Despite her short life of just 24 years, she developed a distinctive personal style, and composed a wide variety of works including songs, piano music, operatic scenes, and choral music, all with huge inventiveness. In 1916, in the middle of the First World War, the composer learnt that she was ill and had only a short time to live. Her deep religiosity gave rise to works including a setting of Psaume XXIV (Psalm 24). In the version published here for mixed choir, tenor solo, and piano/ organ, this is a particularly powerful setting of the psalm and an impressive work for inclusion in an Advent church service. The edition contains both the original French text, with a singable English translation underlaid.

By Juliette Marie Olga (Lili) Boulanger (1893-1918). For Violin and Piano. String - Violin and Piano. Faber Edition. Masterwork. Published by Faber Music

13 Pieces for Flute and Piano. By Various. This edition: ED9947. Woodwind. Book only. 112 pages. Published by Schott.