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| I'Ll Be There (GORDY
BERRY / WEST BOB / DAVIS
HAL / HUTCH WILLIE)
Chorale TTBB [Partition]
Barenreiter
For Male Choir. Par GORDY BERRY / WEST BOB / DAVIS HAL / HUTCH WILLIE. English/ ...(+)
For Male Choir. Par GORDY BERRY / WEST BOB / DAVIS HAL / HUTCH WILLIE. English/ Recueil / Choeur TTBB
Délais: Sur commande |
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| Christmas Collection -
Sing In The Barbershop
Quartet Vol.5 - Book
Chorale TTBB
TTBB A Cappella [Partition + CD]
Hal Leonard
Christmas Collection is part of the Sing In The Barbershop Quartet series - a gr...(+)
Christmas Collection is part of the Sing In The Barbershop Quartet series - a great collection that allows men to sing four-part a cappella harmony with a professionally recorded barbershop quartet. The books include TTBB parts and the CDs feature full performances. Just turn on the CD, open the book, pick your part, and sing along!Songs in this Christmas edition include: Do You Hear What I Hear - (There's No Place Like) Home for the Holidays - I'll Be Home for Christmas - It's Beginning to Look like Christmas - Let It Snow! Let It Snow! Let It Snow! - Little Saint Nick - We Need a Little Christmas - White Christmas. / Choeur TTBB
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| 'Till I Hear You Sing:
Lower Voices a Cappella:
Vocal Score
Chorale TTBB [Vocal Score]
Hal Leonard
From the musical Love Never Dies here is the sort of power ballad we have come ...(+)
From the musical Love Never Dies here is the sort of power ballad we have come to love from the pen of Andrew Lloyd Webber. Reviewed as a worthy sequel to The Music of the Night this is a beautiful concert pop arrangement full of power and emotion.
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| Rhea F. Miller George
Beverly Shea: I'd Rather
Have Jesus: TTBB: Vocal
Score
Chorale TTBB [Vocal Score]
Shawnee Press
(with Give Me Jesus)-Uses:General Invitation Stewardship Scripture: Psalm 9:10...(+)
(with Give Me Jesus)-Uses:General Invitation Stewardship Scripture: Psalm 9:10 Song of Solomon 2:1 Matthew 19:16-30 Luke 10:20 Philippians 3:8 Here is a thoughtful arrangement of one of the most enduring sacred songs of all time. Choirs of every size and ability will sound their very best with this one. The refrain Give Me Jesus adds a lovely ambiance to the work making it the perfect offering for services of commitment or stewardship. Already a bestseller for SATB voices the new TTBB voicing is a must sing for your men's ensembles. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 btbn tba timp perc 1-2 hp pno vn 1-2 va vc db) available as a digital download.
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| David Dickau E.E.
Cummings: i carry your
heart with me: TTBB:
Vocal Score
Chorale TTBB [Vocal Score]
Walton Music
Following the solid success of Dickau's SATB setting of the beautiful love poem ...(+)
Following the solid success of Dickau's SATB setting of the beautiful love poem by e.e. cummings here is his musical arrangement for men's voices. It is an impressive yet romantically intimate piece suited for festival highschool college and beyond. Also available for SATB and SSAA. Duration: ca. 4:00.
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| Stephen Schwartz: In
Whatever Time We Have:
TTBB: Vocal Score
Chorale TTBB [Vocal Score]
Hal Leonard
Exquisite lyrics and flowing vocal lines combine in this Stephen Schwartz ballad...(+)
Exquisite lyrics and flowing vocal lines combine in this Stephen Schwartz ballad taken from one of his most performed musicals Children of Eden. “There are times I've been afraid ... Then I feel your hand in mine Andthere's courage in my heart.”Available separately: SATB SSAA TTBB and ShowTrax CD. Performance Time: Approx. 3:15.
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| Morten Lauridsen: Sure On
This Shining Night: Lower
Voices a Cappella: Vocal
Chorale TTBB [Vocal Score]
Peermusic Classical
Four poems sharing a common motif of 'Night' provide the texts for my choral cyc...(+)
Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric “Sa nuit d'ete ” several melodic themes are supported by dense colorful harmonies in both the choral and piano parts leading to a climactic section where all are combined and stated simultaneously. Neruda's “Soneto de la Noche ” from his Cien Sonetos de Amor speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet serene and folk-like utilizing direct harmonies accompanying long lyrical vocal lines. Agee's wondrous “Sure on this Shining Night” is set much like a song from the American musical theater a genre for which I have held a life-long esteem. Rilke's poignant “Voici le soir” recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue quietly concluding this cycle of night songs as darkness descends.
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