Zephyr Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(Fast Train to Chicago). Composed by Michael Ryan. Concert Band; Part(s);...(+)
(Fast Train to
Chicago). Composed by
Michael Ryan. Concert
Band; Part(s); Score.
Belwin Beginning Band.
134 pages. Published by
Belwin Music (AP.44892).
By Fred Fisher. Arranged by Jerry Nowak. Concert Band. For Concert Band. Carl Fi...(+)
By Fred Fisher. Arranged
by Jerry Nowak. Concert
Band. For Concert Band.
Carl Fischer Symphonic
Performance Series. Grade
4. Score and Set of
Parts. Duration 2:48.
Published by Carl Fischer
By Fred Fisher. Arranged by Jerry Nowak. Concert Band. For Concert Band. Carl Fi...(+)
By Fred Fisher. Arranged
by Jerry Nowak. Concert
Band. For Concert Band.
Carl Fischer Symphonic
Performance Series.
Level: Grade 4. Full
Score. Duration 2:48.
Published by Carl
Fischer.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Solemnity Orchestre d'harmonie - Facile Molenaar Edition
Concert Band - Grade 3 SKU: ML.013751080 Composed by Alexandre Carlin. Fu...(+)
Concert Band - Grade 3
SKU: ML.013751080
Composed by Alexandre
Carlin. Full set.
Molenaar Edition
#013751080. Published by
Molenaar Edition
(ML.013751080).
Solemnity was
composed when the
composer came back from
his first Midwest Clinic
in Chicago. Inspired by
all the concert bands
performing there, and all
the fellow composers met
at this occasion, he
decided to write a kind
of fanfare work, leading
to a fast theme on a
driving rhythm.The piece
begins like a fanfare
with a solemn character
which gives the title of
the work, the brass here
have a nice part to play.
Then, a new theme full of
energy, using the same
rhythmic motive as the
fanfare theme, is exposed
by the high woodwinds and
finally by more
instruments. The central
part is a slow one, where
a melancolic theme is
exposed by the oboe, and
finally the rest of the
band. After a fugato
section, the energic
theme is back to lead to
a brilliant
coda.
Solemnity
werd gecomponeerd toen de
componist terugkwam van
zijn eerste Midwest
Clinic in Chicago.
Geïnspireerd door alle
concertbands die daar
optraden en alle
collega-componisten die
hij bij deze gelegenheid
ontmoette, besloot hij
een soort fanfarewerk te
schrijven, leidend naar
een snel thema op een
stuwend ritme.Het stuk
begint als een fanfare
met een plechtig karakter
dat de titel van het werk
geeft, de koperblazers
hebben hier een mooie rol
te spelen. Dan volgt een
nieuw thema vol energie,
gebruikmakend van
hetzelfde ritmische
motief als het thema van
de fanfare, belicht door
de hoge houtblazers en
tenslotte door meer
instrumenten. Het
centrale deel is
langzaam, waar een
melancholisch thema wordt
belicht door de hobo en
uiteindelijk de rest van
de band. Na een
fugatogedeelte is het
energieke thema terug om
te leiden naar een
briljante
coda.
Solemnity a
été composée lorsque
le compositeur est revenu
de sa première Midwest
Clinic à Chicago.
Inspiré par tous les
orchestres de concert qui
s'y produisaient et par
tous les collègues
compositeurs rencontrés
à cette occasion, il a
décidé d'écrire une
sorte de fanfare,
conduisant à un thème
rapide sur un rythme
entraînant.La pièce
commence comme une
fanfare avec un
caractère solennel qui
donne le titre de
l'œuvre, les cuivres ont
ici un beau rôle à
jouer. Ensuite, un
nouveau thème plein
d'énergie, utilisant le
même motif rythmique que
le thème de la fanfare,
est exposé par les bois
aigus et finalement par
d'autres instruments. La
partie centrale est une
partie lente, où un
thème mélancolique est
exposé par le hautbois,
puis par le reste de
l'orchestre. Après une
section fugato, le thème
énergique est de retour
pour mener à une
brillante
coda.
Solemnity
wurde komponiert, als der
Komponist von seiner
ersten Midwest Clinic in
Chicago zurückkam.
Inspiriert von all den
Konzertkapellen, die dort
auftraten, und all den
Komponistenkollegen, die
er bei dieser Gelegenheit
traf, beschloss er, eine
Art Fanfare zu schreiben,
die zu einem schnellen
Thema auf einem
treibenden Rhythmus
führt.Das Stück beginnt
wie eine Fanfare mit
einem feierlichen
Charakter, der dem Werk
seinen Titel gibt; die
Blechbläser haben hier
einen schönen Part zu
spielen. Dann folgt ein
neues, energiegeladenes
Thema, das dasselbe
rhythmische Motiv wie das
Fanfarenmotiv verwendet
und von den hohen
Holzbläsern und
schließlich von weiteren
Instrumenten vorgetragen
wird. Der Mittelteil ist
ein langsamer Teil, in
dem ein melancholisches
Thema von der Oboe und
schließlich vom Rest des
Orchesters vorgetragen
wird. Nach einem
Fugato-Abschnitt kehrt
das energische Thema
zurück und führt zu
einer brillanten
Coda.
Everest Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043638-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043638-140
Composed by Jacob De
Haan. Brilliant Marches.
March. Score Only.
Composed 2004. 24 pages.
De Haske Publications
#DHP 1043638-140.
Published by De Haske
Publications
(BT.DHP-1043638-140).
Everest is the
name of a restaurant on
the 40th floor of a
skyscraper in Chicago. In
2003 the composer Jacob
de Haan had dinner there
together with his
publishers and other
fellow composers. The
idea of composing a march
to honour the excellent
cuisine, the magnificent
view of the skyline and
the pleasant atmosphere
in the restaurant arose
during the visit. The
results can be heard in
this delightful and
unusual work.
Everest is de
naam van een restaurant
op de veertigste
verdieping van een
wolkenkrabber in Chicago.
Jacob de Haan liet zich
daar inspireren door de
voortreffelijke keuken,
het magnifieke uitzicht
op de skyline en de
bijzonder aangenamesfeer.
Dit werk is een prachtige
hommage aan Chicago en
aan de chef-kok van
Everest.
Everest
ist der Name eines
Restaurants im 40. Stock
eines Wolkenkratzers in
Chicago. Jacob de Haan
ließ sich dort von der
ausgezeichneten Küche,
dem wundervollen Ausblick
auf die Skyline und von
der angenehmen
Atmosphäre inspirieren
und schrieb diesen
Marsch. Eine Hommage an
die Stadt und den
Restaurantchef, wie man
sie sich passender nicht
vorstellen kann.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0981153-140 Arranged by Naohi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0981153-140
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Score Only.
Composed 1998. De Haske
Publications #DHP
0981153-140. Published by
De Haske Publications
(BT.DHP-0981153-140).
De
aanstekelijke muziek van
Benny Goodman was de
drijvende kracht achter
het swingtijdperk van de
jaren dertig. Met de
bekende hits
Let’s Dance,
Stompin' at the Savoy,
Moonglow en Sing,
Sing, Sing is deze
energieke engoed
geschreven medley een
gepast eerbetoon aan het
honderdste geboortejaar
van de ‘King of
Swing’.
An
Benny Goodman, der vor
mehr als 100 Jahren in
Chicago gebunden wurde,
knüpfen sich viele
Erinnerungen. Naohiro
Iwai widmete dem
großen
Jazzklarinettisten und
Big-Band-Leader eine
musikalische Hommage mit
einem stilgerechten
Medley für
Blasorchester aus
Memories of You,
Don’t Be that Way,
Stompin’ at the
Savoy, Flying Home, Bugle
Call Rag und Sing,
Sing, Sing.
Concert Band (Full Score) - Grade 3 SKU: HL.44012846 Full Score Only(+)
Concert Band (Full Score)
- Grade 3
SKU:
HL.44012846
Full
Score Only. Arranged
by Naohiro Iwai. De Haske
Concert Band. Original
Light Music. Softcover.
Composed 1998. De Haske
Publications #0981153140.
Published by De Haske
Publications
(HL.44012846).
UPC:
888680647711.
De
aanstekelijke muziek van
Benny Goodman was de
drijvende kracht achter
het swingtijdperk van de
jaren dertig. Met de
bekende hits Let's
Dance, Stompin' at the
Savoy, Moonglow en
Sing, Sing, Sing
is deze energieke engoed
geschreven medley een
gepast eerbetoon aan het
honderdste geboortejaar
van de 'King of
Swing'.
An Benny
Goodman, der vor mehr als
100 Jahren in Chicago
gebunden wurde, knupfen
sich viele Erinnerungen.
Naohiro Iwai widmete dem
grossen
Jazzklarinettisten und
Big-Band-Leader eine
musikalische Hommage mit
einem stilgerechten
Medley fur Blasorchester
aus Memories of You,
Don't Be that Way,
Stompin' at the Savoy,
Flying Home, Bugle Call
Rag und Sing,
Sing, Sing.
Le 30 mai 1909,
naissait a Chicago,
Benjamin David Goodman,
clarinettiste,
saxophoniste et leader de
Big Band. En 1934, Benny
Goodman fonde son premier
orchestre et lance l'ere
du swing. Il sera sacre
<< roi du swing >> au
Carnegie Hall de New York
en 1938. Il enchantera de
son style et de sa
sonorite plus de
cinquante ans d'histoire
du jazz, jusqu'a la fin
de sa vie. Interpretez
six des plus grands
succes du King of Swing :
Memories of You, Don't
Be That Way, Stompin' at
the Savoy, Flying Home,
Bugle Call Rag et Sing,
Sing, Sing.
Concert Band (Score & Parts) - Grade 3 SKU: HL.44012845 For Concert Ba...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44012845
For
Concert Band (Set of
Score and Parts).
Arranged by Naohiro Iwai.
De Haske Concert Band.
Concert Piece. Softcover.
Composed 1998. De Haske
Publications #0981153010.
Published by De Haske
Publications
(HL.44012845).
Benny
Goodman Memories
arranged by
Naohiro
Iwai for Concert
Band.
De
aanstekelijke muziek van
Benny Goodman was de
drijvende kracht achter
het swingtijdperk van de
jaren dertig. Met de
bekende hits Let's
Dance, Stompin' at the
Savoy, Moonglow en
Sing, Sing, Sing
is deze energieke engoed
geschreven medley een
gepast eerbetoon aan het
honderdste geboortejaar
van de 'King of
Swing'.
An Benny
Goodman, der vor mehr als
100 Jahren in Chicago
gebunden wurde, knupfen
sich viele Erinnerungen.
Naohiro Iwai widmete dem
grossen
Jazzklarinettisten und
Big-Band-Leader eine
musikalische Hommage mit
einem stilgerechten
Medley fur Blasorchester
aus Memories of You,
Don't Be that Way,
Stompin' at the Savoy,
Flying Home, Bugle Call
Rag und Sing,
Sing, Sing.
Le 30 mai 1909,
naissait a Chicago,
Benjamin David Goodman,
clarinettiste,
saxophoniste et leader de
Big Band. En 1934, Benny
Goodman fonde son premier
orchestre et lance l'ere
du swing. Il sera sacre
<< roi du swing >> au
Carnegie Hall de New York
en 1938. Il enchantera de
son style et de sa
sonorite plus de
cinquante ans d'histoire
du jazz, jusqu'a la fin
de sa vie. Interpretez
six des plus grands
succes du King of Swing :
Memories of You, Don't
Be That Way, Stompin' at
the Savoy, Flying Home,
Bugle Call Rag et Sing,
Sing, Sing.
House of Dance Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000222-010 Composed by John...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000222-010
Composed by John Emerson
Blackstone. Set (Score &
Parts). 54 pages. Gobelin
Music Publications #GOB
000222-010. Published by
Gobelin Music
Publications
(BT.GOB-000222-010).
In imitation of
the huge ‘House rage’
(at the end of the
eighties) John Emerson
Blackstone composed
‘House of Dance’ for
youth orchestra. It
proved to be a
success.
House
owes its name to the
place where this music
was ‘developed’, i.e.
an old night club called
‘The Warehouse’ in
Chicago. Many subcultures
followed. Whether you
like the style or not,
one thing is certain:
House music (also called
Dance music) for many
provides the basis for
hours of fun on the dance
floor.
In
navolging van de enorme
‘house-rage’ (eind
80er jaren) schreef John
Emerson Blackstone deze
‘House of Dance’ voor
jeugdorkest. Het
bleek een schot in de
roos.
House dankt
zijn naam aan de plaats
waar deze muziek
‘ontstond’,‘the
Warehouse’ in Chicago.
Er volgden vele
sub-culturen. Leuk of
niet leuk, één ding is
zeker, house-muziek (ook
wel dance-muziek) blijkt
voor velen de motor voor,
soms urenlang,
dansplezier.
House of Dance Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000222-140 Composed by John...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000222-140
Composed by John Emerson
Blackstone. Score Only.
16 pages. Gobelin Music
Publications #GOB
000222-140. Published by
Gobelin Music
Publications
(BT.GOB-000222-140).
In imitation of
the huge ‘House rage’
(at the end of the
eighties) John Emerson
Blackstone composed
‘House of Dance’ for
youth orchestra. It
proved to be a
success.
House
owes its name to the
place where this music
was ‘developed’, i.e.
an old night club called
‘The Warehouse’ in
Chicago. Many subcultures
followed. Whether you
like the style or not,
one thing is certain:
House music (also called
Dance music) for many
provides the basis for
hours of fun on the dance
floor.
In
navolging van de enorme
‘house-rage’ (eind
80er jaren) schreef John
Emerson Blackstone deze
‘House of Dance’ voor
jeugdorkest. Het
bleek een schot in de
roos.
House dankt
zijn naam aan de plaats
waar deze muziek
‘ontstond’,‘the
Warehouse’ in Chicago.
Er volgden vele
sub-culturen. Leuk of
niet leuk, één ding is
zeker, house-muziek (ook
wel dance-muziek) blijkt
voor velen de motor voor,
soms urenlang,
dansplezier.
Fantasy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165717-010 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165717-010
As performed by Earth,
Wind & Fire. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165717-010. Published by
De Haske Publications
(BT.DHP-1165717-010).
This song was
released in 1977 and is
one of the famous songs
from the legendary band
Earth, Wind and
Fire. Because of its
popularity, it was used
in movies and TV series'
and was also covered many
times throughout the
years, with the 1990
version of Black Box
being one of the most
successful covers.
Richard Johnson created
this solid arrangement
for concert band.
Dit nummer, dat
in 1977 verscheen, is een
van de bekendste songs
van de legendarische band
Earth, Wind and
Fire. Het is vaak
gebruikt voor films en
tv-series, en in de loop
der jaren is het diverse
malen door andere
artiesten opgenomen,
waarbij de versie van
Black Box uit 1990 tot de
meest succesvolle covers
behoort. Richard Johnson
creëerde dit
uitstekende arrangement
voor harmonieorkest.
Dieser Song wurde
1977 veröffentlicht
und zählt zu den
bekanntesten Liedern der
legendären Band
Earth, Wind &
Fire. Aufgrund seiner
Popularität wurde der
Song in Kinofilmen und
TV-Serien verwendet. Im
Laufe der Jahre wurden
zahlreiche Coverversionen
herausgebracht, von denen
die 1990 erschienene
Version der Band Black
Box die erfolgreichste
ist. Dieses solide
Arrangement für
Blasorchester stammt von
Richard Johnson.
Pubblicata nel
1997, Fantasy è una
delle più grandi hit
degli Earth, Wind &
Fire. Entrato
nell’immaginario
collettivo per via della
sua costante presenza in
film e serie TV, il brano
è stato riarrangiato
per orchestra di fiati da
Richard Johnson in
memoria di Maurice White,
leader recentemente
scomparso del collettivo
di Chicago.
Fantasy Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165717-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165717-140
As performed by Earth,
Wind & Fire. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Score Only.
Composed 2016. De Haske
Publications #DHP
1165717-140. Published by
De Haske Publications
(BT.DHP-1165717-140).
This song was
released in 1977 and is
one of the famous songs
from the legendary band
Earth, Wind and
Fire. Because of its
popularity, it was used
in movies and TV series'
and was also covered many
times throughout the
years, with the 1990
version of Black Box
being one of the most
successful covers.
Richard Johnson created
this solid arrangement
for concert band.
Dit nummer, dat
in 1977 verscheen, is een
van de bekendste songs
van de legendarische band
Earth, Wind and
Fire. Het is vaak
gebruikt voor films en
tv-series, en in de loop
der jaren is het diverse
malen door andere
artiesten opgenomen,
waarbij de versie van
Black Box uit 1990 tot de
meest succesvolle covers
behoort. Richard Johnson
creëerde dit
uitstekende arrangement
voor harmonieorkest.
Dieser Song wurde
1977 veröffentlicht
und zählt zu den
bekanntesten Liedern der
legendären Band
Earth, Wind &
Fire. Aufgrund seiner
Popularität wurde der
Song in Kinofilmen und
TV-Serien verwendet. Im
Laufe der Jahre wurden
zahlreiche Coverversionen
herausgebracht, von denen
die 1990 erschienene
Version der Band Black
Box die erfolgreichste
ist. Dieses solide
Arrangement für
Blasorchester stammt von
Richard Johnson.
Pubblicata nel
1997, Fantasy è una
delle più grandi hit
degli Earth, Wind &
Fire. Entrato
nell’immaginario
collettivo per via della
sua costante presenza in
film e serie TV, il brano
è stato riarrangiato
per orchestra di fiati da
Richard Johnson in
memoria di Maurice White,
leader recentemente
scomparso del collettivo
di Chicago.
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Concert Band - Grade 1 SKU: AP.44892S (Fast Train to Chicago). Com...(+)
Concert Band - Grade 1
SKU: AP.44892S
(Fast Train to
Chicago). Composed by
Michael Ryan. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Score. 16 pages. Duration
1:45. Belwin Music
#00-44892S. Published by
Belwin Music (AP.44892S).
UPC: 038081519296.
English.
Commemorat
ing the historic 1934
non-stop world record set
by Burlington Railroad's
1,015 journey from Denver
to Chicago, this
brilliant original
composition is filled
with teaching
opportunities. The
historic train ride can
be experienced throughout
the work, including the
sound of crossing bells
and the familiar crossing
horn signal. All aboard!
(1:45).
By Fred Ebb And John Kander. Arranged by Victor Lopez. Words and music by Fred E...(+)
By Fred Ebb And John
Kander. Arranged by
Victor Lopez. Words and
music by Fred Ebb and
John Kander / arr. Victor
Lopez. For Concert Band.
Concert Band. Pop Concert
Band. Broadway. Conductor
Score & Parts. 372 pages.
Duration 4:18. Published
by Alfred Publishing.
Level: 3 (Medium
Easy) (grade 3).
The Addison Red Line Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4455-01 Composed by J. Bell. Concert B...(+)
Concert band - Grade 4
SKU:
CL.012-4455-01
Composed by J. Bell.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Extra full
score. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4455-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4455-01).
The Addision
Red Line is a popular
train stop for the CTA in
Chicago. Nearby, Wrigley
Field, the home of the
Chicago Cubs, hosts games
that bring a myriad of
people out to enjoy
baseball at this historic
location. The energy of
people passing by, going
to restaurants, or
meeting with friends, all
centered around the
passion and fervor that
baseball season brings,
creates an exciting and
unique atmosphere. The
Addison Red Line is a fun
and challenging, upbeat
work that would make a
great addition for any
concert.
By Fred Ebb And John Kander. Arranged by Victor Lopez. Words and music by Fred E...(+)
By Fred Ebb And John
Kander. Arranged by
Victor Lopez. Words and
music by Fred Ebb and
John Kander / arr. Victor
Lopez. For Concert Band.
Concert Band. Pop Concert
Band. Conductor Score. 28
pages. Published by
Alfred Publishing.
Level: 3 (Medium
Easy) (grade 3).
The Addison Red Line Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4455-75 Composed by J. Bell. Concert B...(+)
Concert band - Grade 4
SKU:
CL.012-4455-75
Composed by J. Bell.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Oversized,
spiral-bound score.
Composed 2016. Duration 3
minutes, 50 seconds. Opus
III Wind Orchestra
Publications
#012-4455-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4455-75).
The Addision
Red Line is a popular
train stop for the CTA in
Chicago. Nearby, Wrigley
Field, the home of the
Chicago Cubs, hosts games
that bring a myriad of
people out to enjoy
baseball at this historic
location. The energy of
people passing by, going
to restaurants, or
meeting with friends, all
centered around the
passion and fervor that
baseball season brings,
creates an exciting and
unique atmosphere. The
Addison Red Line is a fun
and challenging, upbeat
work that would make a
great addition for any
concert.
Showcasing Mamma
Mia, La La
Land, and
Chicago
(Featuring: Dancing Queen
/ Mia and Sebastian's
Theme / Overture / And
All That Jazz).
Composed by Various.
Arranged by Justin
Williams. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Concert Band. Form:
Medley. Movie. Score. 28
pages. Duration 4:00.
Alfred Music #00-46636S.
Published by Alfred Music
(AP.46636S).
UPC:
038081538518. English.
Various.
Musicals
and movies are a match
made in heaven! Mamma
Mia, La La Land, and
Chicago are three
timeless masterpieces of
this immensely popular
genre. Incorporating
Dancing Queen, Mia and
Sebastian's Theme, and
Overture/And All That
Jazz, At the Movies---The
Musicals provides a
memorable and exciting
journey into the
wonderland of movie
musicals.
Concert Band/Harmonie - Grade 5 SKU: HL.44010957 Composed by Philip Spark...(+)
Concert Band/Harmonie -
Grade 5
SKU:
HL.44010957
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #AMP294.
Published by Hal Leonard
(HL.44010957).
As
a native Londoner,
composer Philip Sparke
has always been attracted
to the great cities of
the world, fascinated by
their varied moods and
human diversity. London,
Chicago, Tokyo, Paris,
Rome and New York all
have their own characters
but also share much in
common. This overture is
a salute to the energy
and grandeur of such
cities. A fantastic new
concert work for
moderately advanced
bands.
Als echte
Londenaar is Philip
Sparke altijd al
gefascineerd door de
metropolen van de wereld
en de verschillende
sferen en diversiteit aan
mensen die wereldsteden
eigen zijn. Deze
ouverture is een hommage
aan de energie en
prachtvan zulke grote
steden. Hun talrijke
contrasterende
eigenschappen
weerspiegelen zich in
wisselende stemmingen.
Het zijn deze stemmingen
die de bedrijvigheid, de
majestueuze architectuur
en de prettige maar ook
minder prettige
aspectenvan een leven in
de stad
belichten.
Als
Londoner war Philip
Sparke schon immer
fasziniert von den
Metropolen dieser Welt,
den diversen Stimmungen
und der Vielfaltigkeit
menschlichen Lebens.
Diese Ouvertüre ist
ein Salut an die Energie
und die Pracht solcher
Grossstadte. Ihre
kontrastierenden
Eigenschaften spiegeln
sich in wechselnden
Stimmungen wider, welche
die Betriebsamkeit der
Grossstadt, die
majestatische Architektur
sowie die eleganten und
weniger vornehmen Aspekte
des stadtischen Lebens
beleuchten.
Cette
ouverture rend hommage a
la grandeur et a
l'energie des plus
grandes villes du monde.
Philip Sparke y depeint
les contrastes de
caractere a travers des
atmospheres sans cesse
changeantes. Les couleurs
sonores et les chiff
rages de mesure
multicontrastes decrivent
les avantages et les
inconvenients de la vie
dans une metropole.
Questa ouverture
rende omaggio alla
grandezza e all'energia
delle piu grandi ed
importanti citta del
mondo. Philip Sparke
dipinge le diversita
delle citta e dei loro
abitanti attraverso
atmosfere che cambiano
per rappresentare e
descrivere al meglio le
mille diversita che
caratterizzano ogni
metropoli.
Too-Ra-Loo-Ra-Loo-Ral<
/i>. Composed by James
Royce Shannon. Arranged
by Carl Strommen. Concert
Band (CPS). Full score.
With Standard notation.
12 pages. Carl Fischer
Music #CPS215F. Published
by Carl Fischer Music
(CF.CPS215F).
ISBN
9781491153093. UPC:
680160910595.
Irish
Lullaby is based on
the song
Too-Ra-Loo-Ra-Loo-RalÂ
(That's an Irish
Lullaby). Carl
Strommen does what he
does best in creating a
beautifully orchestrated
piece with diverse
harmonies that will be
the highlight of your
next concert. It will be
a great piece to teach
phrasing and
musicianship. Too-Ra-L
oo-Ra-Loo-Ral
(“That’s An
Irish Lullaby†)
was written in 1913 by
composer James Royce
Shannon
(1881–1946) for
the Tin Pan Alley
musical, Shameen Dhu. The
original recording by
Chauncy Olcott became No.
1 on the music charts.
The song was then brought
back to prominence by
Bing Crosby’s
performance in the film
Going My Way (1944).
Crosby’s solo sold
over one million
copies.The University of
Notre Dame Band, started
in 1845, is the oldest
college band (in
continuous existence) in
the United States. The
band played as students
left to join the armies
during the Civil War,
World War 1 and 2, Korea
and Vietnam. In 1871, the
band played a benefit
concert for the victims
of the Great Chicago
Fire. The bands
performances in countless
settings and venues
include the Sydney Opera
House, Bejing Concert
Hall, Carnegie Hall, and,
in 2011, was awarded the
prestigious Sudler
Trophy, considered the
“Heisman
Trophy†of
Collegiate bands.The
Bands Director, Ken Dye,
is only the sixth
director in its long
history. Dr. Dye served
as composer/arranger for
the Sydney 2000 Olympic
band, and has produced
over 1800 works for band
and orchestra.
Too-Ra-Loo-Ra-Loo-Ral<
/i>. Composed by James
Royce Shannon. Arranged
by Carl Strommen. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
4+4+2+4+8+8+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+3+4+1+1+2+
12+2 pages. Duration 3
minutes, 37 seconds. Carl
Fischer Music #CPS215.
Published by Carl Fischer
Music (CF.CPS215).
ISBN 9781491152416.
UPC:
680160909919.
Irish
Lullaby is based on
the song
Too-Ra-Loo-Ra-Loo-RalÂ
(That's an Irish
Lullaby). Carl
Strommen does what he
does best in creating a
beautifully orchestrated
piece with diverse
harmonies that will be
the highlight of your
next concert. It will be
a great piece to teach
phrasing and
musicianship. Too-Ra-L
oo-Ra-Loo-Ral
(“That’s An
Irish Lullaby†)
was written in 1913 by
composer James Royce
Shannon
(1881–1946) for
the Tin Pan Alley
musical, Shameen Dhu. The
original recording by
Chauncy Olcott became No.
1 on the music charts.
The song was then brought
back to prominence by
Bing Crosby’s
performance in the film
Going My Way (1944).
Crosby’s solo sold
over one million
copies.The University of
Notre Dame Band, started
in 1845, is the oldest
college band (in
continuous existence) in
the United States. The
band played as students
left to join the armies
during the Civil War,
World War 1 and 2, Korea
and Vietnam. In 1871, the
band played a benefit
concert for the victims
of the Great Chicago
Fire. The bands
performances in countless
settings and venues
include the Sydney Opera
House, Bejing Concert
Hall, Carnegie Hall, and,
in 2011, was awarded the
prestigious Sudler
Trophy, considered the
“Heisman
Trophy†of
Collegiate bands.The
Bands Director, Ken Dye,
is only the sixth
director in its long
history. Dr. Dye served
as composer/arranger for
the Sydney 2000 Olympic
band, and has produced
over 1800 works for band
and orchestra.
Op. 55
Wind Orchestra, Grade 6
27:00 Study Score.
Composed by Franco
Cesarini. De Haske
Concert Band. Concert,
Fanfare, Jazz. Softcover.
Duration 1620 seconds.
Hal Leonard #EFC001-SSC.
Published by Hal Leonard
(HL.4008056).
ISBN
9781705184523. UPC:
196288115953.
Fasci
nated by the beauty of
Chicago, Franco Cesarini
has translated his
emotions into music: this
is how Symphony No. 3
“Urban
Landscapes†Op. 55,
was born, a musical
portrait of this
metropolis overlooking
Lake Michigan. The
composition is divided
into three movements: The
Wrigley Building from
Dawn to Noon, Blue
Silhouette and Cloud
Gates, which by sharing
the same thematic
material arranged in
cyclical form, strengthen
the overall cohesion of
the piece. The first
movement, preceded by a
short slow introduction
in which the main theme
is presented in an almost
dreamlike form,
metaphorically represents
the city at dawn. The
sudden change of time
symbolizes the start of
activities with all its
noises and sounds: you
can hear the bell that
announces the closing of
the subway doors, the
sound of cars speeding
by, the siren of a patrol
car. If the first
movement represents the
day, the second
introduces a nocturnal
environment: a
melancholic melody played
by the English horn
anticipates a more
animated tempo depicting
melodies coming from jazz
clubs. Powerful fanfares
that take up the second
theme of the first
movement introduce the
third movement. In this
finale, the role of the
two themes is reversed
compared to the first
movement and one takes
the place of the other in
a kind of games of
mirrors. Symphony No. 3
“Urban
Landscapes” Op. 55: a
sumptuous musical
portrait of the
“Windy City”.