Par LEVENSON DAN. You asked for it and you got it! More tunes to play at festivals and jams or just sittin' at home with a friend or two. 62 more tunes with both basic and advanced standard notation lines with suggested chords as well as a 'mandolin' tablature line to get you going in the right direction and playing these old-time favorites.As in Old-Time Festival Tunes for Fiddle and Mandolin (MB21023M), you will find some of the tunes to be straightforward while others promise to be genuine finger twisters! The book revisits some of the author's old favorites and some time-tested standards.The accompanying online audio includes each tune on both fiddle and mandolin.There is also a clawhammer banjo companion to this book titled Old-Time Favorites for Clawhammer Banjo (MB30224M), which shares the same basic standard notation line in this volume. / Niveau : Intermédiaire à Avancé / Musique traditionnelle / Recueil / Fiddle et Mandoline

The best way to learn an instrument is to play it as often as you can with other musicians. Trading songs and interacting with other instrumentalists and singers will foster learning at a faster pace and promote development ofan ensemble sound. This play-along series encourages this kind of fun collaborative approach to learning an instrument. Aspiring Mandolinists can practice chords and rhythm singing and lyrics melodies solos licksand backup playing along with a real band! The online audio includes Dix Bruce on the Guitar Mandolin and Vocals Bill Evans on the Banjo and Vocals Julie Cline on Vocals and Cindy Browne onthe string Bass. The recorded songs are performed with introductions (kickoffs) Vocals and solos-just how they would be at jam sessions and performances. Solo sections in the recordings allow you to play chords and solos from thebook. Create your own improvised solos or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass old-time and gospel songs recorded at slow and regular temposfor players of any skill level. Includes Mandolin tablature chords solos backup parts and more. Great for beginning to intermediate players. We'll jam ALL night long!

Learn 12 MORE great Gypsy Swing/Hot Club standards (see song list below left) in the style of Django Reinhardt Stephane Grappelli and The Quintette of the Hot Club of France. Just like with the original set you'll playalong with a great Gypsy Swing Rhythm Section and learn chords comping and melodies then let the band back you up as you practice chords and soloing. You play all the leads while the band backs you up. Beginners can practicebasic skills while more advanced players can hone their improvisation chops each at their own individual learning pace. You'll learn moveable closed position swing/jazz chords and practice playing them with the swingmandolin comp. We've also included information on basic chord substitution along with exercises on transposing melodies and chord progressions to different keys. These are essential skills for any swing/jazz musician. You'll alsoexplore some basic chord melody passages! But we've added more: Gypsy Swing and Hot Club Rhythm II has downloadable bonus music lyrics TAB and MP3s! Book/CD set Includes standard notation tablature chord diagrams lyrics playing tips and more. Each song is presented on the CD at slow and regular speed. First you???ll hear the melody played on mandolin at a slow speed with just guitar backup then it's repeated at regular speed with theband. The back up band is a classic 'Hot Club'- style rhythm section with two acoustic rhythm guitars string bass plus a rhythm mandolin so mandolinists can hear just how the Gypsy Swing comp sounds on mandolin. On this mandolinversion of Gypsy Swing and Hot Club Rhythm II for Mandolin all the leads are played on mandolin. Finally the band plays several choruses and you play all the leads. Songs may be repeated at slow or regular speed as many times asyou wish in order to perfect phrases melodies and solos in a band context.

Alle, die mit uns auf Kaperfahrt fahrenAlle meine RockerAmsterdamAramsamsam (Kanon)Auf und abBass, Bass, Bass, BassCay HavasiCowboy Bill und WinnetouDer Mond ist aufgegangenDer Sechsachtelnoten-ZugDer Sechzehntelnoten-ZugDer Siebenachtelnoten-ZugDer UhrenkanonDicke, fete RegentropfenDie Tiroler sind lustigDrei Chinesen mit dem KontrabassDunkle Wolken zieh'n heranEin nierländisch TänzleinFahrrad fahrenFroschkanonGrün sind alle meine KleiderHänsel und GretelHart und sanftHejo, spann den Wagen an (Kanon)Heut kommt der Hans zu mir (Kanon)Hier ist Fantasie gefragtIch bin schon daIndianerKol DodiKomm zu mir, tanzen wirKönigin SimoneLeiterliedMama c' und Bay C''Mama e' und Baby e''Mama f' und Baby f''Mama h' und Papa hMein Bonnie fährt über die MeereMeine Kuh hat buntes FellOma und OpaOnkel Fritz hat ZahwehPapa a und Mama a'Papa g und Mama g'RegentropfenRock and Roll im OrientSascha liebt' nicht große WorteSchlangeSonne und StrandSpiel mir mal ein LiedStändchenStern in der NachtStille ist's im dunklen WaldSur le pont d'AvignonTausend FüßeThe Banks of SacramentoTöne klettern in C DurTöne klettern in F DurTöne klettern in G DurToreroWas müssen das für Bäume seinWechselschlag und SpeisequarkWeit ist das MeerWellenreiterWidele WedeleWolken, Wellen, Wind und MeetGrifftabelleEnsemble Kunterbunt: Spiel den BluesUhuliedGespensterschuleMarko SkaceKleine IndianerKol DodiSascha liebt_ nicht große WorteTsché Tsché KuléDer FrühlingRockstinatoDrei Chinesen mit dem KontrabassUngarescaMorgen kommt der WeihnachtsmannOde an die FreudeDer Tag fängt auf unser'm KahnAlmanya (Wirbelwind und Wolkenbrüche) / Mandoline / 84 pages / Partition

Par BRUCE DIX. Wedding Music for Mandolin includes 23 of the most popular and best-loved wedding hits for intermediate and advanced mandolinists. Traditonal wedding songs, Easy classical pieces, Two 'Ave Maria” melodies, Favorite Italian, Irish, Jewish, and English songs, The music includes standard notation, mandolin tablature, chords for mandolin and guitar, plus access to online play-along audio recordings of all the songs!/ Tablatures / Mandoline Tablatures

Medieval Mandolin Voume 2 by Allan Alexander. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces, instead there are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Often when I play the lute, they ask me if it's a mandolin. I play lute, guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense, but these are great pieces. Many have variations to make them longer. Medieval Mandolin Voume 2 by Allan Alexander. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces, instead there are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Often when I play the lute, they ask me if it's a mandolin. I play lute, guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense, but these are great pieces. Many have variations to make them longer./ Recueil / Mandoline

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in manymusical styles including; Blues Country American folk Latin-American World music including South American Eastern European and Asian Odd meters (playing in a variety of time signatures) New Age Classical Folk-Rock In short the books are an encyclopedia of virtually every musical style excluding jazz.

Vincent Beer-Demander. Par DEBUSSY CLAUDE. / Niveau : Intermédiaire / Répertoire / Mandoline et Piano

Mandolin Chords Plus is a helpful booklet compiled by Ron Middlebrook with chords scales and tuning information essential to all mandolin players. This comprehensive reference also includes a selection of 'hot licks' useful for endings intros and tunrarounds as well as two fantastic tunes to play.

Ce DVD complet et convivial introduit les débutants pour les sons et les techniques de la mandoline. Découvrez une variété d'exercices pour renforcer vos compétences. Découvrir beaucoup des grandes licks Bill Monroe qui ont reconnu comme le vocabulaire de Bluegrass pour le Banjo. Baldassari couvre également les méthodes de contrôle des choix différents, inversions de corde et postes et meilleur de toute une foule de grands du Bluegrass à jouer. / Mandoline / Dvd

Volume 1-Mel Bay's Master Anthology Of Mandolin Solos: Volume 1 is designed to enhance the repertoire of the intermediate to advanced mandolinist with a generous collection of challenging pieces. Contributorsinclude Alan Bibey Bud Orr Simon Mayor John McGann Jody Stecher Joe Carr Dan Gelo Matt Flinner Seth Austern Ray Valla Jethro Burns Rob Haines Ely Karasik Terry Pender Carlo Aonzo Eugene Hayth Butch Baldassari Robert Bancalari and many others. Standard notation and tablature are offered for most of the pieces (a few are notation only) along with a biographical sketch of the performer. Includes online audio making this an idealsourcebook for serious students and professionals alike. The audio contains performances of most of the pieces in the book.

Media Type : Book/CD Set Level : Advanced Musical Genre : Acoustic Music Number of pages : 128 The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including; * Blues * Country * American folk * Latin-American * World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures) * New Age * Classical * Folk-Rock In short, the books are an encyclopedia of virtually every musical style, excluding jazz.

Une anthologie de mélodies Celtiques présentées par Allan Alexander et Jessica Walsh et arrangées pour la Mandoline. Chaque air est annotés et placé dans son contexte historique. Les symboles d'accord de guitare sont fournis pour guider vos accompagnements. Sur le CD, vous pourrez écouter chaque morceau afin de vous aider dans le travail d'interpretation. / Mandoline

Master anthologie de Mel Bay de mandoline Solos Volume One est conçu pour améliorer le répertoire de l'intermédiaire à avancé mandoliniste avec une collection de généreux morceaux difficiles. Contributeurs sont Alan Bibé, Bud Orr, maire de Simon, John McGann, Jody Stecher, Joe Carr, Dan Gelo, Matt Flinner, Seth Austern, Ray Valla, Jethro Burns, Rob Haines, Ely Karasik, Terry Pender, Carlo Aonzo, Eugene Hayth, Butch Baldassari, Robert Bancalari et beaucoup d'autres. Tablature et notation standard sont offerts pour la plupart des pièces (quelques unes sont notation seulement), avec une Notice biographique de l'interprète. Un ensemble de 2 CD est inclus, ce qui en fait un sourcebook idéal pour les étudiants sérieux et professionnels. Les CD contiennent des représentations de la plupart des pièces dans le livre. / Niveau : Intermédiaire / Acoustic Music - Solos / Tablatures / Mandoline Tablatures