| JumpStart First Concert for Strings - Cello Orchestre à Cordes [Partition] - Débutant Heritage Music Press
By Robert Woods. String Orchestra. For Cello. Grade 1. Book. Published by Herita...(+)
By Robert Woods. String
Orchestra. For Cello.
Grade 1. Book. Published
by Heritage Music Press
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| JumpStart First Concert for Strings - Score with CD Orchestre à Cordes [CD|Score] - Débutant Heritage Music Press
By Robert Woods. String Orchestra. Grade 1. Score with CD. Published by Heritage...(+)
By Robert Woods. String
Orchestra. Grade 1. Score
with CD. Published by
Heritage Music Press
$19.95 - Voir plus => Acheter | | |
| Bellingrath Gardens Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Ralph Ford. By Ralph Ford. For Full Orchestra. Full Orchestra. Belwin Interme...(+)
By Ralph Ford. By Ralph
Ford. For Full Orchestra.
Full Orchestra. Belwin
Intermediate Full/String
Orchestra. Level: Easy to
Medium Easy (grade
II-III). Conductor Score,
Parts & CD. Duration
2:37. Published by Alfred
Publishing
(1)$63.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Into the Stars Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; ...(+)
A Galactic Journey.
Composed
by Anthony Granata.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Belwin
Intermediate String
Orchestra. Part(s);
Score.
Alfred Music #00-49031.
Published by Alfred Music
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Nutcracker ... In About Three Minutes Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mark Weston, scored by Doug...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Mark Weston,
scored by Douglas E.
Wagner. Orchestra. For
strings w/ vln 3.
Masterworks; Part(s);
Score; String Orchestra.
Belwin Beginning String
Orchestra. Christmas;
Light Concert; Masterwork
Arrangement; Novelty;
Romantic; Winter. Grade
2.5. 144 pages. Published
by Belwin Publishing
$49.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Winter Palace Orchestre à Cordes - Intermédiaire Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Part(s); Score;
SmartMusic; String
Orchestra. Pop Concert
String Orchestra. Light
Concert; Pop/Rock;
Winter. Grade 3.5. 140
pages. Published by
Alfred Music
$63.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Winter Palace Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Score; SmartMusic; String
Orchestra. Pop Concert
String Orchestra. Light
Concert; Pop/Rock;
Winter. Grade 3.5. 28
pages. Published by
Alfred Music
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Album for the Young Orchestre à Cordes - Facile FJH
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6496 Composed by Peter I...(+)
Orchestra String
Orchestra - Grade 2.5
SKU: FJ.ST6496
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score and Part(s).
Duration 6:30. The FJH
Music Company Inc
#98-ST6496. Published by
The FJH Music Company Inc
(FJ.ST6496). UPC:
241444413760.
English. This
spectacular arrangement
features four movements
from Tchaikovsky's famous
Album for the Young.
Opening with the
endearing Morning Prayer,
the piece then moves into
the lighthearted waltz,
The Hurdy-Gurdy Man. The
beautiful Sweet Dream
sets the stage for the
delightful last movement,
March of the Wooden
Soldiers. Remarkably
faithful to the original
while also quite
accessible to younger
students! (6:30).
About FJH
Developing
Strings Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5 $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Album for the Young Orchestre à Cordes - Facile FJH
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6496S Score Only....(+)
Orchestra String
Orchestra - Grade 2.5
SKU: FJ.ST6496S
Score Only.
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score. The FJH Music
Company Inc #98-ST6496S.
Published by The FJH
Music Company Inc
(FJ.ST6496S).
English. This
spectacular arrangement
features four movements
from Tchaikovsky's famous
Album for the Young.
Opening with the
endearing Morning Prayer,
the piece then moves into
the lighthearted waltz,
The Hurdy-Gurdy Man. The
beautiful Sweet Dream
sets the stage for the
delightful last movement,
March of the Wooden
Soldiers. Remarkably
faithful to the original
while also quite
accessible to younger
students!
About FJH
Developing
Strings Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5 $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scenes from the Old West Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Bob Cerulli. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. C...(+)
By Bob Cerulli.
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Contemporary;
Light Concert. Grade 3.
Conductor Score and
Parts. 240 pages
$63.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shifting Sands Orchestre - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.48075 The Shifting Song. Composed by...(+)
Orchestra - Grade 2.5
SKU: AP.48075
The Shifting Song.
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Programmatic.
Score and Part(s). 140
pages. Duration 3:10.
Alfred Music #00-48075.
Published by Alfred Music
(AP.48075). UPC:
038081557083.
English. Teach
shifting with this
beautiful melody by Bob
Phillips. Shifting Sands
is also perfectly suited
for the concert stage.
The moderate, lyric tempo
provides students in the
early stages of
practicing shifts the
time they need to make
the shifts successfully.
Musically, this piece is
very accessible so
students can focus on the
shifts. Violins will
practice 3rd position on
the D, A, and E strings.
Violas will practice 3rd
position on the D and A
strings. Cellos will
practice 3rd and 4th
positions on the D and A
strings. Basses will
practice 3rd, 4th, and
5th positions on the D
and G strings. Shifts for
all instruments are
introduced by moving the
first finger in a sliding
(portamento) motion from
1st position up to 3rd
position and back again,
then progresses to
shifting. Correlated to
Sound Innovations for
String Orchestra, Book 2,
Level 3. (3:10) This
title is available in
MakeMusic Cloud. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shifting Sands Orchestre - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.48075S The Shifting Song. Composed b...(+)
Orchestra - Grade 2.5
SKU: AP.48075S
The Shifting Song.
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. 16
pages. Duration 3:10.
Alfred Music #00-48075S.
Published by Alfred Music
(AP.48075S). UPC:
038081557090.
English. Teach
shifting with this
beautiful melody by Bob
Phillips. Shifting Sands
is also perfectly suited
for the concert stage.
The moderate, lyric tempo
provides students in the
early stages of
practicing shifts the
time they need to make
the shifts successfully.
Musically, this piece is
very accessible so
students can focus on the
shifts. Violins will
practice 3rd position on
the D, A, and E strings.
Violas will practice 3rd
position on the D and A
strings. Cellos will
practice 3rd and 4th
positions on the D and A
strings. Basses will
practice 3rd, 4th, and
5th positions on the D
and G strings. Shifts for
all instruments are
introduced by moving the
first finger in a sliding
(portamento) motion from
1st position up to 3rd
position and back again,
then progresses to
shifting. Correlated to
Sound Innovations for
String Orchestra, Book 2,
Level 3. (3:10) This
title available in
MakeMusic Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flying Theme (from E.T. the Extra-Terrestrial) Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Hal Leonard
Score and Parts String Orchestra (Score and Parts) - Grade 1 SKU: HL.4493045<...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 1 SKU:
HL.4493045 Composed
by John Williams.
Arranged by Robert
Longfield. Easy Music For
Strings. Movies.
Softcover. Published by
Hal Leonard (HL.4493045).
UPC:
196288156482. Eleva
te your orchestra's
performance to new
heights with the
â??Flying Theme from
E.T.â? by John
Williams, brilliantly
arranged for string
orchestra by Robert
Longfield. Let the
enchanting melody and
soaring strings take your
audience through the
skies, capturing the
magic and wonder of this
iconic Spielberg
masterpiece. Perfect for
young orchestras seeking
to create a memorable
musical experience. Bring
the magic of E.T. to your
stage with this exquisite
arrangement, where the
music truly takes
flight! $40.00 - Voir plus => Acheter | | |
| Primal Strings Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.47480S Composed by Gary Fagan. Performance Mu...(+)
Orchestra - Grade 3
SKU: AP.47480S
Composed by Gary Fagan.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Highland/Etling
#00-47480S. Published by
Highland/Etling
(AP.47480S). UPC:
038081544892.
English. The word
primal is defined as
relating to an early
stage in development or
basic, fundamental,
essential, elemental.
Imagine this tune
challenging your players
who fit that definition.
Many young and
developing musicians
experience difficulty
with mastering rhythmic
accuracy with confidence.
Yet, rhythm is essential
to music performance.
Student proficiency in
reading rhythmic figures
and being able to move
comfortably from one
meter to another should
be a goal of the
orchestra director. This
work provides rhythmic
challenges and uses
multiple meter changes to
create interesting,
appealing, and unique
rhythmic textures. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Primal Strings Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.47480 Composed by Gary Fagan. Performance Mus...(+)
Orchestra - Grade 3
SKU: AP.47480
Composed by Gary Fagan.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 124 pages.
Highland/Etling
#00-47480. Published by
Highland/Etling
(AP.47480). UPC:
038081544885.
English. The word
primal is defined as
relating to an early
stage in development or
basic, fundamental,
essential, elemental.
Imagine this tune
challenging your players
who fit that definition.
Many young and
developing musicians
experience difficulty
with mastering rhythmic
accuracy with confidence.
Yet, rhythm is essential
to music performance.
Student proficiency in
reading rhythmic figures
and being able to move
comfortably from one
meter to another should
be a goal of the
orchestra director. This
work provides rhythmic
challenges and uses
multiple meter changes to
create interesting,
appealing, and unique
rhythmic textures. $49.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto - Piano And Orchestra - Solo Part Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra -
difficult SKU:
HL.49046544 For
piano and orchestra.
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
1985-1988. Duration 24'.
Schott Music #ED23178.
Published by Schott Music
(HL.49046544). ISBN
9781705122655. UPC:
842819108726.
9.0x12.0x0.224
inches. I composed
the Piano Concerto in two
stages: the first three
movements during the
years 1985-86, the next
two in 1987, the final
autograph of the last
movement was ready by
January, 1988. The
concerto is dedicated to
the American conductor
Mario di Bonaventura. The
markings of the movements
are the following: 1.
Vivace molto ritmico e
preciso 2. Lento e
deserto 3. Vivace
cantabile 4. Allegro
risoluto 5. Presto
luminoso.The first
performance of the
three-movement Concerto
was on October 23rd, 1986
in Graz. Mario di
Bonaventura conducted
while his brother,
Anthony di Bonaventura,
was the soloist. Two days
later the performance was
repeated in the Vienna
Konzerthaus. After
hearing the work twice, I
came to the conclusion
that the third movement
is not an adequate
finale; my feeling of
form demanded
continuation, a
supplement. That led to
the composing of the next
two movements. The
premiere of the whole
cycle took place on
February 29th, 1988, in
the Vienna Konzerthaus
with the same conductor
and the same pianist. The
orchestra consisted of
the following: flute,
oboe, clarinet, bassoon,
horn, trumpet, tenor
trombone, percussion and
strings. The flautist
also plays the piccoIo,
the clarinetist, the alto
ocarina. The percussion
is made up of diverse
instruments, which one
musician-virtuoso can
play. It is more
practical, however, if
two or three musicians
share the instruments.
Besides traditional
instruments the
percussion part calls
also for two simple wind
instruments: the swanee
whistle and the
harmonica. The string
instrument parts (two
violins, viola, cello and
doubles bass) can be
performed soloistic since
they do not contain
divisi. For balance,
however, the ensemble
playing is recommended,
for example 6-8 first
violins, 6-8 second, 4-6
violas, 4-6 cellos, 3-4
double basses. In the
Piano Concerto I realized
new concepts of harmony
and rhythm. The first
movement is entirely
written in bimetry:
simultaneously 12/8 and
4/4 (8/8). This relates
to the known triplet on a
doule relation and in
itself is nothing new.
Because, however, I
articulate 12 triola and
8 duola pulses, an
entangled, up till now
unheard kind of polymetry
is created. The rhythm is
additionally complicated
because of asymmetric
groupings inside two
speed layers, which means
accents are
asymmetrically
distributed. These
groups, as in the talea
technique, have a fixed,
continuously repeating
rhythmic structures of
varying lengths in speed
layers of 12/8 and 4/4.
This means that the
repeating pattern in the
12/8 level and the
pattern in the 4/4 level
do not coincide and
continuously give a
kaleidoscope of renewing
combinations. In our
perception we quickly
resign from following
particular rhythmical
successions and that what
is going on in time
appears for us as
something static,
resting. This music, if
it is played properly, in
the right tempo and with
the right accents inside
particular layers, after
a certain time 'rises, as
it were, as a plane after
taking off: the rhythmic
action, too complex to be
able to follow in detail,
begins flying. This
diffusion of individual
structures into a
different global
structure is one of my
basic compositional
concepts: from the end of
the fifties, from the
orchestral works
Apparitions and
Atmospheres I
continuously have been
looking for new ways of
resolving this basic
question. The harmony of
the first movement is
based on mixtures, hence
on the parallel leading
of voices. This technique
is used here in a rather
simple form; later in the
fourth movement it will
be considerably
developed. The second
movement (the only slow
one amongst five
movements) also has a
talea type of structure,
it is however much
simpler rhythmically,
because it contains only
one speed layer. The
melody is consisted in
the development of a
rigorous interval mode in
which two minor seconds
and one major second
alternate therefore nine
notes inside an octave.
This mode is transposed
into different degrees
and it also determines
the harmony of the
movement; however, in
closing episode in the
piano part there is a
combination of diatonics
(white keys) and
pentatonics (black keys)
led in brilliant,
sparkling quasimixtures,
while the orchestra
continues to play in the
nine tone mode. In this
movement I used isolated
sounds and extreme
registers (piccolo in a
very low register,
bassoon in a very high
register, canons played
by the swanee whistle,
the alto ocarina and
brass with a harmon-mute'
damper, cutting sound
combinations of the
piccolo, clarinet and
oboe in an extremely high
register, also
alternating of a
whistle-siren and
xylophone). The third
movement also has one
speed layer and because
of this it appears as
simpler than the first,
but actually the rhythm
is very complicated in a
different way here. Above
the uninterrupted, fast
and regular basic pulse,
thanks to the asymmetric
distribution of accents,
different types of
hemiolas and inherent
melodical patterns appear
(the term was coined by
Gerhard Kubik in relation
to central African
music). If this movement
is played with the
adequate speed and with
very clear accentuation,
illusory
rhythmic-melodical
figures appear. These
figures are not played
directly; they do not
appear in the score, but
exist only in our
perception as a result of
co-operation of different
voices. Already earlier I
had experimented with
illusory rhythmics,
namely in Poeme
symphonique for 100
metronomes (1962), in
Continuum for harpsichord
(1968), in Monument for
two pianos (1976), and
especially in the first
and sixth piano etude
Desordre and Automne a
Varsovie (1985). The
third movement of the
Piano Concerto is up to
now the clearest example
of illusory rhythmics and
illusory melody. In
intervallic and chordal
structure this movement
is based on alternation,
and also inter-relation
of various modal and
quasi-equidistant harmony
spaces. The tempered
twelve-part division of
the octave allows for
diatonical and other
modal interval
successions, which are
not equidistant, but are
based on the alternation
of major and minor
seconds in different
groups. The tempered
system also allows for
the use of the
anhemitonic pentatonic
scale (the black keys of
the piano). From
equidistant scales,
therefore interval
formations which are
based on the division of
an octave in equal
distances, the
twelve-tone tempered
system allows only
chromatics (only minor
seconds) and the six-tone
scale (the whole-tone:
only major seconds).
Moreover, the division of
the octave into four
parts only minor thirds)
and three parts (three
major thirds) is
possible. In several
music cultures different
equidistant divisions of
an octave are accepted,
for example, in the
Javanese slendro into
five parts, in Melanesia
into seven parts, popular
also in southeastern
Asia, and apart from
this, in southern Africa.
This does not mean an
exact equidistance: there
is a certain tolerance
for the inaccurateness of
the interval tuning.
These exotic for us,
Europeans, harmony and
melody have attracted me
for several years.
However I did not want to
re-tune the piano
(microtone deviations
appear in the concerto
only in a few places in
the horn and trombone
parts led in natural
tones). After the period
of experimenting, I got
to pseudo- or
quasiequidistant
intervals, which is
neither whole-tone nor
chromatic: in the
twelve-tone system, two
whole-tone scales are
possible, shifted a minor
second apart from each
other. Therefore, I
connect these two scales
(or sound resources), and
for example, places occur
where the melodies and
figurations in the piano
part are created from
both whole tone scales;
in one band one six-tone
sound resource is
utilized, and in the
other hand, the
complementary. In this
way whole-tonality and
chromaticism mutually
reduce themselves: a type
of deformed
equidistancism is formed,
strangely brilliant and
at the same time
slanting; illusory
harmony, indeed being
created inside the
tempered twelve-tone
system, but in sound
quality not belonging to
it anymore. The
appearance of such
slantedequidistant
harmony fields
alternating with modal
fields and based on
chords built on fifths
(mainly in the piano
part), complemented with
mixtures built on fifths
in the orchestra, gives
this movement an
individual, soft-metallic
colour (a metallic sound
resulting from
harmonics). The fourth
movement was meant to be
the central movement of
the Concerto. Its
melodc-rhythmic elements
(embryos or fragments of
motives) in themselves
are simple. The movement
also begins simply, with
a succession of
overlapping of these
elements in the mixture
type structures. Also
here a kaleidoscope is
created, due to a limited
number of these elements
- of these pebbles in the
kaleidoscope - which
continuously return in
augmentations and
diminutions. Step by
step, however, so that in
the beginning we cannot
hear it, a compiled
rhythmic organization of
the talea type gradually
comes into daylight,
based on the simultaneity
of two mutually shifted
to each other speed
layers (also triplet and
duoles, however, with
different asymmetric
structures than in the
first movement). While
longer rests are
gradually filled in with
motive fragments, we
slowly come to the
conclusion that we have
found ourselves inside a
rhythmic-melodical whirl:
without change in tempo,
only through increasing
the density of the
musical events, a
rotation is created in
the stream of successive
and compiled, augmented
and diminished motive
fragments, and increasing
the density suggests
acceleration. Thanks to
the periodical structure
of the composition,
always new but however of
the same (all the motivic
cells are similar to
earlier ones but none of
them are exactly
repeated; the general
structure is therefore
self-similar), an
impression is created of
a gigantic, indissoluble
network. Also, rhythmic
structures at first
hidden gradually begin to
emerge, two independent
speed layers with their
various internal
accentuations. This
great, self-similar whirl
in a very indirect way
relates to musical
associations, which came
to my mind while watching
the graphic projection of
the mathematical sets of
Julia and of Mandelbrot
made with the help of a
computer. I saw these
wonderful pictures of
fractal creations, made
by scientists from Brema,
Peitgen and Richter, for
the first time in 1984.
From that time they have
played a great role in my
musical concepts. This
does not mean, however,
that composing the fourth
movement I used
mathematical methods or
iterative calculus;
indeed, I did use
constructions which,
however, are not based on
mathematical thinking,
but are rather craftman's
constructions (in this
respect, my attitude
towards mathematics is
similar to that of the
graphic artist Maurits
Escher). I am concerned
rather with intuitional,
poetic, synesthetic
correspondence, not on
the scientific, but on
the poetic level of
thinking. The fifth, very
short Presto movement is
harmonically very simple,
but all the more
complicated in its
rhythmic structure: it is
based on the further
development of ''inherent
patterns of the third
movement. The
quasi-equidistance system
dominates harmonically
and melodically in this
movement, as in the
third, alternating with
harmonic fields, which
are based on the division
of the chromatic whole
into diatonics and
anhemitonic pentatonics.
Polyrhythms and harmonic
mixtures reach their
greatest density, and at
the same time this
movement is strikingly
light, enlightened with
very bright colours: at
first it seems chaotic,
but after listening to it
for a few times it is
easy to grasp its
content: many autonomous
but self-similar figures
which crossing
themselves. I present my
artistic credo in the
Piano Concerto: I
demonstrate my
independence from
criteria of the
traditional avantgarde,
as well as the
fashionable
postmodernism. Musical
illusions which I
consider to be also so
important are not a goal
in itself for me, but a
foundation for my
aesthetical attitude. I
prefer musical forms
which have a more
object-like than
processual character.
Music as frozen time, as
an object in imaginary
space evoked by music in
our imagination, as a
creation which really
develops in time, but in
imagination it exists
simultaneously in all its
moments. The spell of
time, the enduring its
passing by, closing it in
a moment of the present
is my main intention as a
composer. (Gyorgy
Ligeti). $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Into the Stars Orchestre - Facile Belwin
Orchestra - Grade 2 SKU: AP.49031S A Galactic Journey. Composed by...(+)
Orchestra - Grade 2
SKU: AP.49031S
A Galactic
Journey. Composed by
Anthony Granata.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Score. 12
pages. Duration 1:45.
Belwin Music #00-49031S.
Published by Belwin Music
(AP.49031S). ISBN
9781470645472. UPC:
038081564012.
English. Written by
Anthony Granata, Into the
Stars: A Galactic Journey
is an exciting
space-themed adventure
piece that will captivate
your developing
orchestras and have them
feeling and playing
confidently in 6/8 time.
With an epic and
memorable sounding main
theme, your students will
be transported into a
world of simple and
compound meters as they
dig into their strings
for this fun programmatic
piece of music. Students
will feel as though they
have stepped into the
sound stage for a film
score of a Hollywood
science fiction movie.
(1:45). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Procession of the Heroes Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Belwin
By George Frideric Handel (1685-1759). Arranged by Douglas E. Wagner. Orchestra....(+)
By George Frideric Handel
(1685-1759). Arranged by
Douglas E. Wagner.
Orchestra. Masterworks;
Part(s); Score; String
Orchestra. Belwin
Beginning String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 1.5. 72 pages.
Published by Belwin
Publishing
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heavy Lifting Orchestre - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.49926S Cello and String Bass Feature. ...(+)
Orchestra - Grade 2
SKU: AP.49926S
Cello and String Bass
Feature. Composed by
Chris M. Bernotas.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Light Concert;
Rock. Score. Duration
3:00. Alfred Music
#00-49926S. Published by
Alfred Music (AP.49926S).
ISBN 9781470657918.
UPC: 038081575773.
English. Your cello
and string bass sections
take center stage in this
rockin' piece by Chris M.
Bernotas. Heavy Lifting
is a driving, hard-rock
selection that gives
everyone in the orchestra
the opportunity to shine
while highlighting the
low strings. With FLEX
parts available as a free
download, this cello and
string bass feature can
highlight any instrument
or group of instruments
in the string orchestra.
Perfect for your
second-year players!
Correlated to Sound
Innovations for String
Orchestra, Book 2, Level
2. (3:00). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heavy Lifting Orchestre - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.49926 Cello and String Bass Feature. C...(+)
Orchestra - Grade 2
SKU: AP.49926
Cello and String Bass
Feature. Composed by
Chris M. Bernotas.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Light Concert;
Rock. Score and Part(s).
Alfred Music #00-49926.
Published by Alfred Music
(AP.49926). ISBN
9781470657901. UPC:
038081575766.
English. Your cello
and string bass sections
take center stage in this
rockin' piece by Chris M.
Bernotas. Heavy Lifting
is a driving, hard-rock
selection that gives
everyone in the orchestra
the opportunity to shine
while highlighting the
low strings. With FLEX
parts available as a free
download, this cello and
string bass feature can
highlight any instrument
or group of instruments
in the string orchestra.
Perfect for your
second-year players!
(3:00) Correlates to
Sound Innovations, Book
2, Level 2. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Holst Christmas Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: In the Bleak Midwinter / Lullay My Liking / excerpts from Christmas...(+)
(Featuring: In the Bleak
Midwinter / Lullay My
Liking / excerpts from
Christmas Day ). By
Gustav Holst (1874-1934).
Arranged by Douglas E.
Wagner. Orchestra. Full
Orchestra; Part(s);
Score. Belwin
Intermediate Full
Orchestra. Form: Medley.
20th Century; Christmas;
Masterwork Arrangement;
Romantic; Winter. Grade
3. 224 pages. Published
by Alfred Music
Publishing
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Troilus and Cressida Orchestre [Conducteur] Oxford University Press
By William Walton (1902-1983). Arranged by Stuart Hutchinson. For Opera ([3.2(1 ...(+)
By William Walton
(1902-1983). Arranged by
Stuart Hutchinson. For
Opera ([3.2(1 cor
anglais).2( bass
clarinet).2(
contra)-4.3.3.1],
timpani, 4 percussion, 2
harp, celeste, strings
(off-stage=1 horn, 4
trumpets, tenor drum
side drum)). This
edition: WE1. Scores.
William Walton Edition.
Walton Edition. Full
score [1995 version
(William Walton
Edition)]. 704 pages.
Duration 120'
$507.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beautiful Music for Two String Instruments, Book IV 2 Violoncelles (duo) [Partition] Alfred Publishing
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 ...(+)
By Samuel Applebaum. For
2 Cellos. String
Orchestra
Method/Supplement. Book.
32 pages. Published by
Alfred Publishing.
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beautiful Music for Two String Instruments, Book III 2 Altos (duo) [Partition] Alfred Publishing
By Samuel Applebaum. For 2 Violas. String Orchestra Method/Supplement. Book. 32 ...(+)
By Samuel Applebaum. For
2 Violas. String
Orchestra
Method/Supplement. Book.
32 pages. Published by
Alfred Publishing.
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beautiful Music For Two String Instruments (two Cellos) V.3
2 Violoncelles (duo) [Partition] Alfred Publishing
2 Cellos. Composed by Samuel Applebaum. Duet or Duo; Solo Small Ensembles; Strin...(+)
2 Cellos. Composed by
Samuel Applebaum. Duet or
Duo; Solo Small
Ensembles; String
Orchestra
Method/Supplement. Book.
32 pages. Alfred Music
#00-EL02224. Published by
Alfred Music
(1)$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beautiful Music For Two String Instruments (two Violins) V.2
2 Violons (duo) [Partition] Alfred Publishing
2 Violins. Composed by Samuel Applebaum. Duet or Duo; Solo Small Ensembles; Stri...(+)
2 Violins. Composed by
Samuel Applebaum. Duet or
Duo; Solo Small
Ensembles; String
Orchestra
Method/Supplement. Book.
32 pages. Alfred Music
#00-EL01324. Published by
Alfred Music
(1)$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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