This unaccompanied SSATB choral arrangement of The Beatles classic With A Little Help From My Friends by Carsten Gerlitz includes 10 vocal scores to allow mixed choirs to sing this paean to friendship.One of The Beatles' most popular compositions, it was composed for Ringo Starr to sing, and therefore needed to have just five notes in the melody to accommodate his limited vocal range. The song inspired a number of famous cover versions, most notably Joe Cocker's at Woodstock. / Choeur Mixte (SSATB)

Upbeat and uptempo, this joyous anthem could be used in both worship and concert. Its accessible Vocal writing alternates between unison and harmonic passages and a straightforward Piano part further supports the choir, making this a perfect choice for church or school mixed choirs. / Choeur SSAA Et Piano

This SSAA arrangement by Ryan Brandau of Triptych , based closely on the original SATB version by Tarik O'Regan, was specially commissioned by Dr. Amanda Quist and the Westminster Choir College Symphonic Choir Women. / Choeur SSAA

Walt Whitman's unabashed optimism, exuberance and unwavering confidence in our deeper humanity is beautifully portrayed through music in Gjeilo's setting of excerpts of the 'Song of the Universal? poem. For string orchestra, piano and choir, this work will be a grand addition to your women's choir repertoire. Duration: ca. 11:30 / Choeur SSAA

Arrangeur : Kirchner, Shawn / No. 3 from Heavenly Home: Three American Songs / mixed choir (SSATBB) a cappella

Now available for SSAA, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130: 'Out of my depths I have cried to thee, O Lord.? Recording provided by the Virginia District XV High School Women's Honor Choir, directed by Russell Robinson, RonArt Associates Recordings. Optional rental orchestration available at alfred.com/rental. / Choeur SSAA

An earnest soloist is accompanied by the soulful 'oo?s of an a cappella choir during the expressive introduction to this spirited original. Soon we take a turn as the piece bursts into an exciting, rhythmic, and polyphonic tour de force. Thrilling in all voicings! / Choeur SSAA A Cappella

It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella

This work is a celebration of the journey towards womanhood with its joys, mysteries and possibilities. Spirited ascending melodies, dance-like rhythms and vocal percussive sounds unfold into a structured improvisation wherein the members of the choir whisper their aspirations for the future, together forming a sea of sonic dreams. / Choeur SSAA Et Piano

Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella

Since Brahms' 'Guten Abend, gut Nacht', lullabies have been a popular element in many a concert progamme. Heinrich Poos set to music three traditional lullabies for women's choir which are perfect for evening concerts or serenades at events on a smaller scale. / Choer SSAA

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Arrangement: Burton Ken. Par BURTON KEN. Following the outstanding success of Feel the Spirit! , this second Ken Burton collection will doubtless prove another sensation. Good News! is a superb introduction for all upper-voice choirs to the Gospel genre. / Niveau : Assez Facile / Date parution : 2000-01-20/ Recueil / SSAA

A series of outstanding songs, taken from the bestselling Close Harmony Ladies' Barbershop Songbook , selected for their appropriateness for female singers, arranged for close-harmony quartets or women's choirs. Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal. / Choeur SSAA