When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs alongs them to do just that! It includes 50 contemporary favorites, including: Believer · Don't Stop Believin' · Happy · High Hopes · Let's Get It Started · Ocean Eyes · Perfect · Rewrite the Stars · A Thousand Miles · You Will Be Found · and more./ Répertoire / Violoncelle

15 awesome solos from ABBA to Aladdin. This volume features 15 songs in a range of styles from pop and classical to film and musical theatre. The pieces have been carefully selected and arranged to provide the perfect light relief from exam practice. The songs in this collection appear in order of difficulty, for students at Grade 1 level. Each song is presented with teaching notes to help you improve your performance. The price includes fully orchestrated backing and demo tracks, available to download or stream online, and rich, playable piano accompaniments, which can be downloaded as A4-size PDFs. To help you practice, the audio tracks can be sped up, slowed down and looped using Playback .

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Cello. Par . A baker's dozen of hot hits are included in this collection perfect for new instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! / Date parution : 2022-02-10/ Recueil / Violoncelle

Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident. Andrew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time./ Répertoire / Violoncelle

The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty. The studies originally come from the appendix to Kummer's Celloschule für den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced. Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil. Friedrich August Kummer (1797'1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty. The studies originally come from the appendix to Kummer's Celloschule für den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced. Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil. Friedrich August Kummer (1797'1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

This fascinating introduction to the world of Baroque style and technique is perfect for players both young and adult who are learning on the modern Cello. Play Baroque! contains Twenty-six masterpieces from the Baroque period arranged and edited for Cello with teaching notes and Piano accompaniments. Angela East provides lively insights into bowing fingering vibrato and other aspects of baroque performance practice that are sure to enhance the study of this repertoire for all teachers. This book will also appeal to those who wish to study a historical style to enhance their experience of learning the instrument.Suitable for performers of a wide range of abilities from beginners to confident performances at an intermediate level this practical accessible guide is of invaluable benefit to any cellist who wants to learn about the Baroque style.   

15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) ? Can Can (from Orpheus in the Underworld) (Offenbach) ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Morning Mood (from Peer Gynt) (Grieg) ? Ode to Joy (from Symphony No. 9) (Beethoven) ? William Tell Overture (Rossini) ? and more.

Boccherini one of the greatest violoncellists of the 18th century left numerous concertos for his favourite instrument. In the very first of these works the personal style of the composer is unmistakable. Transparency and classical sense of form easily remembered melody in which the tendency of Boccherini towards brilliant form is at once recognizable as well as the masterly perfect compositional technique are some of the most important features of his art.The edition is part of the ABRSM syllabus (grade 8)

This pupil's book provides a lively and comprehensive introduction to the very first steps of playing the cello.All the titles in the Abracadabra series work in conjunction with each other making them ideal for ensemble group and whole class tuition. Used alone they remain perfect for individual lessons. The book contains activities games and pieces that teach the fundamentals of playing the cello: good posture (with and without the instrument) bow hold finger position and pitch awareness as well as developing rhythm and notation reading. The CD also aids pitch development with performances of the pieces and backing tracks to motivate pupils topractise pieces and activities outside of their lessons. The basics are constantly reinforced and revisited with the pupils building up to 'performance pieces' that combine and showcase all of the skills they have developed.

Instrumental Play-Along-Solo arrangements for 13 iconic themes from popular TV shows and movies are featured in this collection perfect for budding instrumentalists.It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound and then to play-along and sound like a pro!Includes themes from The Avengers ? Doctor Who XI ? Downton Abbey ? Game of Thrones ? Guardians of the Galaxy ? Hawaii Five-O ? Rey's Theme (from Star Wars: The Force Awakens) ? The X-Files and more.

for solo cello-Orbit is a work composed by acclaimed minimalist composer Philip Glass for Solo Cello. Orbit was commissioned by Damian Woetzel and premiered on the 2nd of April 2013 in a performance bycellist Yo-Yo Ma and dancer Lil Buck at Le Poisson Rouge in New York. The performance was a celebration of the collaboration between an incredible young dancer an unbelievable cellist and one of the mostaccomplished composers of the modern day. This Philip Glass sheet music however is all about the music. With a softly-evolving melody that begins as a basic pattern before turning back on itself and transforming Orbitis the perfect soundtrack to a marriage of virtuoso musicianship expressive dance and achingly tender solo instrumental composition. Check out Yo-Yo Ma check out Lil Buck but most importantly of all be sure to lookinto our Orbit sheet music by Philip Glass.