Afro, Latin and Modern Grooves for Percussion Ensemble. Composed by Herwig ...(+)
Afro, Latin and Modern
Grooves for Percussion
Ensemble. Composed by
Herwig
Stieger. Music Styles
&
Regions, Latin American,
Percussion: Hand
Percussion
and Bodhran, Method.
Book/CD
Set. 140 pages. Published
by
Mel Bay Publications, Inc
Afro, Latin and Modern Grooves for Percussion Ensemble. Composed by Herwig St...(+)
Afro, Latin and Modern
Grooves for Percussion
Ensemble. Composed by
Herwig
Stieger. Music Styles and
Regions, Latin American,
Percussion: Hand
Percussion
and Bodhran, Method.
Book/CD
Set. 80 pages. Published
by
Mel Bay Publications, Inc
German/French/English. Composed by Fritz Emonts. This edition: Paperback/Soft Co...(+)
German/French/English.
Composed by Fritz Emonts.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Following the
very successful piano
method published in two
volumes between 1958 and
1962, the three-volume
European Piano Method
represents a new textbook
which takes into account
the development of modern
piano pedagogy.
Educational,
Contemporary, Classical.
88 pages. Schott Music
#ED7931. Published by
Schott Music
Viola, piano (2 violas) (Viola, Piano (Violas (2))) - Level 2 SKU: BA.BA08991...(+)
Viola, piano (2 violas)
(Viola, Piano (Violas
(2))) - Level 2
SKU:
BA.BA08991
9
Recital Pieces in First
Position for Viola an
Piano or Two Violas.
Edited by Christoph
Sassmannshaus, Kurt
Sassmannshaus, and
Melissa Lusk. Stapled.
Barenreiter's
Sassmannshaus.
Performance score, Part.
12/14/9 pages.
Baerenreiter Verlag
#BA08991_00. Published by
Baerenreiter Verlag
(BA.BA08991).
ISBN
9790006565665. 30 x 23 cm
inches.
The nine
pieces in this second
volume of the
“Viola Recital
Album†augment
those appearing in volume
2 of the viola tutor.
There the pieces are
integrated in ascending
order of difficulty,
whereas the additional
pieces in the
“Recital
Album†can be
handled more freely and
inserted at any point for
the sake of
variety.
The
volume contains such
pieces as Carrie Williams
Krogmann's
“Rotkehlchens
Nachtgesangâ€
(“Robin's
nocturneâ€) or
Wilhelm Fitzenhagen's
“Russisches Lied
ohne Worteâ€
(“Russian song
without
wordsâ€).
Eac
h piece is accompanied by
duo version in which the
teacher or an advanced
learner can play the
second part. There is
also a piano part that
can be played by the
teacher or
parents.
All the
pieces in the four
“Viola Recital
Albums†represent
welcome additions to the
already varied repertoire
of Egon Sassmannhaus's
viola tutor “Early
Start on the
Violaâ€.
Kurt
Sassmannshaus is the
editor of many string
editions in the
Bärenreiter catalogue.
He continues in the
tradition of “Early
Start on String
Instrumentsâ€
founded by his father,
Egon Sassmannshaus. The
new editions mentioned
here were developed by
Kurt Sassmannshaus in
conjunction with his wife
Melissa Lusk and his son
Christoph
Sassmannshaus.
About
Baerenreiter's
Sassmannshaus
Children playfully
learn reliable technique
at the earliest age. For
more than three decades
the Sassmannshaus
Tradition has been the
household name for
excellence in beginner
methods in
German-speaking
countries. More than half
a million students have
successfully learned to
play using this
publication.
Thi
s tried and tested German
method is now available
in English! The
best-selling method that
gave generations of
European musicians their
foundation is now
available in English,
with content and songs
newly adapted for today's
English speaking
children.
What makes this method
so
special?
The child-friendly and
age-appropriate text
underlying the music
enables children to
perceive melodies as a
whole and to understand
their singable
qualities.
Songs
and scales in different
positions are easily
explained and mastered
within the first year.
This is an important
advantage over methods
that confine children to
the first position for
many years.
Note
reading is emphasized
from the first lesson -
children are brought up
to become proficient
sight-readers and play in
chamber music ensembles
as early as
possible.
In
contrast to other
beginner methods, The
Sassmannshaus Tradition
progresses swiftly by
introducing advanced
techniques in rudimentary
form, such as shifting
and varied bow
strokes.
Ensemble
playing is encouraged
from the very
beginning.
The
method is suitable for
single instruction as
well as for group and
class
lessons.
The
large print notes and
text as well as many
colorful illustrations
are particularly
child-friendly and very
attractive to pre-school
children and school
children
alike.
The
substantial volumes
contain comprehensive
material and carefully
calibrated learning
curves. They keep
children curious and
interested for many
months and
years.
Oboe(s) solo SKU: BR.EB-9240 For Solo Oboe. Composed by Jorg Birke...(+)
Oboe(s) solo
SKU:
BR.EB-9240
For
Solo Oboe. Composed
by Jorg Birkenkotter.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Music post-1945; New
music (post-2000). Score.
Composed 2013/14. 16
pages. Duration 13'30.
Breitkopf and Haertel #EB
9240. Published by
Breitkopf and Haertel
(BR.EB-9240).
ISBN
9790004185407. 9 x 12
inches.
Belcanto is
a term for the Italian
art of singing which took
its development from the
richly ornamented solo
vocalism of the early
17th century (nobile
maniera di cantare) and
dominated European
operatic singing until
the first half of the
19th century. Complete
control over the voice
meant not only legato and
messa di voce, but also
appoggiatura and
portamento, as well as
virtuoso ornamentation by
means of coloratura
(canto fiorito). This
development towards
utmost virtuosity,
emulating instrumental
playing techniques, led
to a mannered, artificial
style on the one hand,
but on the other also
emphasized the physical
aspects of interpretation
(castrati were considered
the ideal belcanto
singers). And today? In
his essay The Grain of
the Voice, Roland Barthes
writes: The grain is the
body in the voice as it
sings, the hand as it
writes and the limb as it
performs. Initially, he
refers to the friction
between language and
voice in singing, but
then transfers his
thoughts to the
physicality of
instrumental music. In
this spirit, I went in
search of beautiful
singing, a beauty which
perhaps results in the
very place where the
grain, the roughness,
meaning also physical
resistance, are not
smoothed over. The oboe
seemed very suitable to
me for singing with such
a physical expressivity,
as a very unruly
instrument! The backbone
of my piece is one
single, quasi endless
melodic line, consisting
of intervals that are
constantly pulled apart
and contracted again
(breathing). Many
different actions attach
themselves to these
notes: coloratura,
trills, chords
(multiphonics), double
flageolets. However,
there are not only sound
types, but also impulses,
repetitions, rhythmic
figures and other
elements: composed
elements of belcanto. In
the opera tradition
described above, these
were improvised ornaments
or additions; here they
become composed figures
which originate with the
notes of the melody, but
also pull on them, bend
them, and charge them
with physicality. (Jorg
Birkenkotter).
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Piano SKU: HL.50600972 (Spiele, Jatekok 9). Composed by Gyorgy Kur...(+)
Piano
SKU:
HL.50600972
(Spiele, Jatekok
9). Composed by
Gyorgy Kurtag. EMB. IX.
Instruction, Technique.
Softcover. Composed 2017.
44 pages. Editio Musica
Budapest #Z14784.
Published by Editio
Musica Budapest
(HL.50600972).
The piano
series entitled Games,
written from 1973
onwards, was conceived
originally as a piano
method. Its early volumes
introduced children to
the basic elements in
piano-playing and musical
thinking, and, more
importantly still, taught
them to play music
without inhibitions. As
the years went by, the
view of the series lost
its didactic character.
It came to be seen as a
document from Kurtág's
workshop, offering a key
to his grander symphonic,
chamber and vocal works
as well. This change is
exemplified in the
subtitle Diary entries,
personal messages added
from the fifth volume
onwards. The pieces in
the ninth volume date
from 1989-2009, except
the youthful Apple
blossom, written in 1947.
The movements, often
aphorismic in their
briefness, conceal
associations with various
aspects of European music
history. Many of them are
hommage or in memoriam
pieces, or subjective
personal messages to
friends, colleagues,
beloved family members or
students, and thereby to
all music-loving
people.
Piano SKU: BT.EMBZ14784 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14784
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 2017. 44
pages. Editio Musica
Budapest #EMBZ14784.
Published by Editio
Musica Budapest
(BT.EMBZ14784).
English-German-Hungari
an.
The piano
series entitled Games,
written from 1973
onwards, was conceived
originally as a piano
method. Its early volumes
introduced children to
the basic elements in
piano-playing and musical
thinking, and, more
importantly still, taught
them to play music
without inhibitions. As
the years went by, the
view of the series lost
its didactic character.
It came to be seen as a
document from Kurtág's
workshop, offering a key
to his grander symphonic,
chamber and vocal works
as well. This change is
exemplified in the
subtitle Diary entries,
personal messages added
from the fifth volume
onwards. The pieces in
the ninth volume date
from 1989-2009, except
the youthful
Appleblossom, written in
1947. The movements,
often aphorismic in their
briefness, conceal
associations with various
aspects of European music
history. Many of them are
hommage or in memoriam
pieces, or subjective
personal messages to
friends, colleagues,
beloved family members or
students, and thereby to
all music-loving
people.Tünde Szitha
Der ab 1973
für Klavier
entstandene Zyklus Spiele
war ursprünglich als
Klavierschule konzipiert,
in deren ersten Bänden
Kurtág den Kindern die
Grundelemente des
Klavierspiels und des
musikalischen Denkens,
und, was vielleicht noch
viel wichtiger ist, des
ungezwungenen Musizierens
nahebrachte. Im Zuge der
vergangenen Jahrzehnte
verlor der Zyklus jedoch
seinen didaktischen
Charakter und wurde eher
zu einem Dokument über
die Komponistenwerkstatt
Kurtágs, was uns auch
einen Schlüssel zu
seinen großformatigen
symphonischen, Kammer-
und Vokalwerken in die
Hand gibt. Diese
Veränderung wird
dadurch angezeigt, dass
der Zyklus Spiele ab dem
fünften Heft den
Untertitel
Tagebuchnotizen,persön
liche Botschaften
trägt.
Piano (Piano Solo) SKU: HL.50603819 Diary Entries, Personal Messages f...(+)
Piano (Piano Solo)
SKU: HL.50603819
Diary Entries,
Personal Messages for
Piano Solo. Composed
by Gyorgy Kurtag. EMB.
Classical. Softcover. 72
pages. Editio Musica
Budapest #Z15150.
Published by Editio
Musica Budapest
(HL.50603819).
ISBN
9781705148723. UPC:
196288023814.
9.0x12.0x0.236
inches.
The piano
series entitled Games,
written from 1973
onwards, was conceived as
a piano method. As the
years went by, the series
lost its didactic
character, and it came to
be seen as a document
from Kurtág's
workshop, offering a key
to his grander symphonic,
chamber and vocal works
as well. Tenth volume is
divided into two parts:
In the first half,
earlier, hitherto
unpublished pieces line
up from Suite, written in
1943, to the 1980s,
providing insight into
the development of
Kurtág's musical
language. The second half
includes pieces composed
between 2002 and 2011.
The movements, often
aphorismic in their
briefness, hide
associations with various
aspects of European music
history. Many of them are
hommage or in memoriam
pieces, or subjective
personal messages to
friends, colleagues, and
beloved family members -
and thereby to all
music-loving people.This
publication is printed on
high quality, durable
paper made from renewable
raw materials in an
environmentally friendly
way.
Composed by Herwig Stieger. Music Styles and Regions, Latin American, Percussion...(+)
Composed by Herwig
Stieger. Music Styles and
Regions, Latin American,
Percussion: Hand
Percussion and Bodhran,
Method. Book/CD Set. 143
pages. Published by Mel
Bay Publications, Inc
(MB.610477).
Composed by John Mcgann. Perfect binding. European. Book and online audio. 1...(+)
Composed by John Mcgann.
Perfect binding.
European.
Book and online audio.
160
pages. Mel Bay
Publications,
Inc #99540M. Published by
Mel Bay Publications, Inc
For a man who achieved so much in his own field, Bliss's wide-ranging, undogmati...(+)
For a man who achieved so
much in his own field,
Bliss's wide-ranging,
undogmatic appetite for
the whole arts scene was
extraordinary. While he
had a profound knowledge
and understanding of
American and European
writing, dance, graphics,
poetry, sculpture,
painting and design, both
contemporary and
classical, for theatre he
had a special sympathy
and rapport. Its
qualities of timing,
drama, economy and pace
are everywhere to be
found in his work, with
his own flair for colour
and the understanding
that theatre is a means
and medium of expression,
not the message itself,
that gesture, like logic,
is a tool, not a truth.
What gives his music
durability is the
appreciation of classical
values - proportion,
design, restraint,
integrity and growth.
Nowhere will you find a
better demonstration than
Things to Come of this
synthesis of vision,
intellect, technique and
panache
Includes Video Instruction and Audio Play-Alongs!. Guitar Educational. Instruc...(+)
Includes Video
Instruction and
Audio Play-Alongs!.
Guitar
Educational. Instruction,
Method. Softcover Media
Online. 104 pages.
Published
by Hal Leonard
European Journey Orchestre d'harmonie [Conducteur et Parties séparées] - Facile EMB (Editio Musica Budapest)
Concert Band - Grade 2 SKU: BT.EMBZ14769SET EMB Concert Band Series. Conc...(+)
Concert Band - Grade 2
SKU:
BT.EMBZ14769SET
EMB
Concert Band Series.
Concert Piece. Set (Score
& Parts). Composed 2012.
416 pages. Editio Musica
Budapest #EMBZ14769SET.
Published by Editio
Musica Budapest
(BT.EMBZ14769SET).
Festliche Weihnachtsmusik Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Concert Band/Harmonie - beginner SKU: BT.DHP-1104922-013 A Festive Chr...(+)
Concert Band/Harmonie -
beginner
SKU:
BT.DHP-1104922-013
A Festive Christmas
Celebration. Composed
by Erasmus Widmann,
George Frideric Handel,
and Robert van Beringen.
Essential Elements
European Band Series. Set
(Score & Parts) with CD.
Composed 2010. De Haske
Publications #DHP
1104922-013. Published by
De Haske Publications
(BT.DHP-1104922-013).
9x12 inches.
English-German.
De
serie Essential
Elements European Band
Series bevat
muziekstukken voor
blaasmuziekleerlingen en
jeugdorkesten. Ze kunnen
deze serie parallel naast
(maar ook los van) de
lesmethode voor
blaasorkest Essential
Elementsspelen. Het
bijzondere en nieuwe aan
deze serie is dat het om
oorspronkelijk Europese
muziekstukken gaat. Uw
jonge muzikanten kennen
deze stukken en medleys
van liederen en songs
zeer zeker. Wat dat
betekent? Betere
motivatie enmeer
speelplezier! Alle sets
voor blaasorkest bevatten
een cd waarop een
blaasorkest de titels een
voor een voorspeelt.A
Festive Christmas
Celebration•
arr. Robert van
BeringenDeze goed
klinkende kerstmedley
begint met
eenWeihnachts-Fanfare<
/I> van Robert van
Beringen. Dan volgen de
liederen Macht hoch
die Tür, Kling
Glöckchen en
Tochter
Zion.
Diese
Sammlung festlicher
Arrangements für
BläserKlassen beginnt
mit einer
Weihnachts-Fanfare
von Robert van Beringen;
dann folgen die Lieder
Macht hoch die
Tür, Kling,
Glöckchen,
klingelingeling und
Tochter Zion.
Concert Band - beginner SKU: BT.DHP-1104922-143 A Festive Christmas Ce...(+)
Concert Band - beginner
SKU:
BT.DHP-1104922-143
A Festive Christmas
Celebration. Composed
by Erasmus Widmann,
George Frideric Handel,
and Robert van Beringen.
Essential Elements
European Band Series.
Score with CD. Composed
2010. 16 pages. De Haske
Publications #DHP
1104922-143. Published by
De Haske Publications
(BT.DHP-1104922-143).
9x12 inches.
English-German.
De
serie Essential
Elements European Band
Series bevat
muziekstukken voor
blaasmuziekleerlingen en
jeugdorkesten. Ze kunnen
deze serie parallel naast
(maar ook los van) de
lesmethode voor
blaasorkest Essential
Elementsspelen. Het
bijzondere en nieuwe aan
deze serie is dat het om
oorspronkelijk Europese
muziekstukken gaat. Uw
jonge muzikanten kennen
deze stukken en medleys
van liederen en songs
zeer zeker. Wat dat
betekent? Betere
motivatie enmeer
speelplezier! Alle sets
voor blaasorkest bevatten
een cd waarop een
blaasorkest de titels een
voor een voorspeelt.A
Festive Christmas
Celebration•
arr. Robert van
BeringenDeze goed
klinkende kerstmedley
begint met
eenWeihnachts-Fanfare<
/I> van Robert van
Beringen. Dan volgen de
liederen Macht hoch
die Tür, Kling
Glöckchen en
Tochter
Zion.
Diese
Sammlung festlicher
Arrangements für
BläserKlassen beginnt
mit einer
Weihnachts-Fanfare
von Robert van Beringen;
dann folgen die Lieder
Macht hoch die
Tür, Kling,
Glöckchen,
klingelingeling und
Tochter Zion.
Goin' Home Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-5031-00 Largo from the New World Symphony. Com...(+)
Grade 3
SKU:
CL.012-5031-00
Largo from the New
World Symphony.
Composed by Antonin
Dvorak. Arranged by
Romeyn. Concert Band.
Score and set of parts.
Composed 2023. Opus III
Wind Orchestra
Publications
#012-5031-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-5031-00).
Antonin Dvorak
first premiered his New
World Symphony at
Carnegie Hall in December
of 1893 with the goal to
bring American musical
sensibility to European
classical music. The
second movement, labeled
Largo, contained the
melody that would later
be identified as
Goin’ Home. This
well-crafted adaptation
of that beautiful melody
for concert band contains
all the elements of the
original orchestral
version that has moved
orchestral concert
patrons for over a
century. Expert scoring
and careful orchestration
techniques will ensure
success with all
ensembles. We think this
outstanding arrangement
will become a concert
band classic for many
years to come. Our
highest
recommendation!
Goin' Home Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-5031-01 Largo from the New World Symphony. Com...(+)
Grade 3
SKU:
CL.012-5031-01
Largo from the New
World Symphony.
Composed by Antonin
Dvorak. Arranged by
Romeyn. Concert Band.
Extra score. Composed
2023. Opus III Wind
Orchestra Publications
#012-5031-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-5031-01).
Antonin Dvorak
first premiered his New
World Symphony at
Carnegie Hall in December
of 1893 with the goal to
bring American musical
sensibility to European
classical music. The
second movement, labeled
Largo, contained the
melody that would later
be identified as
Goin’ Home. This
well-crafted adaptation
of that beautiful melody
for concert band contains
all the elements of the
original orchestral
version that has moved
orchestral concert
patrons for over a
century. Expert scoring
and careful orchestration
techniques will ensure
success with all
ensembles. We think this
outstanding arrangement
will become a concert
band classic for many
years to come. Our
highest
recommendation!
Caribbean Cocktail Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135398-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135398-215
Composed by Roland
Kernen. De Haske Easy
Band Series. Original
Light Music. Score Only.
Composed 2012. 44 pages.
De Haske Publications
#DHP 1135398-215.
Published by De Haske
Publications
(BT.DHP-1135398-215).
9x12 inches.
English-German-French-Dut
ch.
The hot
tropical climate of the
Caribbean makes these
islands a wonderful place
to be. The population is
of largely African
ancestry, together with
people of European and
Amerindian origin. The
community is proud of the
local Creole culture that
gave rise to a musical
style characteristic of
these wonderful
islands.This small
Caribbean Cocktail
includes three different
dances:- A traditional
calypso with vibrant
rhythms driving a
typically Caribbean
melody;- A quieter
beguine, featuring warmer
and tranquil sounds;- A
merengue with a strong
sense of exuberance and
joie de vivre is easy to
hear.This popular
composition captures in
music the feelings of a
communitywhere
life’s joys are
all-important.
Caribbean Cocktail
is a light-hearted piece
that is ideally suited to
youth bancs and ensembles
with an incomplete or
imbalanced
instrumentation.
Op de eilanden in
het Caribisch gebied
heerst een aangenaam
warm, tropisch klimaat.
De meeste bewoners zijn
er van Afrikaanse
afkomst, maar er wonen
ook mensen van Europese
en indiaanse origine. De
gemeenschap is trots op
haar creoolse cultuur,
waaruit een muziekstijl
is voortgekomen die
typerend is voor deze
prachtige
eilanden.Caribbean
Cocktail omvat drie
verschillende dansen:-
een traditionele calypso
met levendige ritmes en
een typisch Caribische
melodie;- een rustige
beguine waarin warmere en
serenere klanken naar
voren komen;- een
merengue in een
uitbundige sfeer en met
een grote joi de
vivre.Deze
temperamentvolle
compositie weerspiegelt
het muzikale gevoelvan
een gemeenschap waarin
men veel belang hecht aan
een vreugdevol,
ongecompliceerd leven.
Caribbean Cocktail
is een luchthartig werk
dat ideaal is voor
jeugdorkesten en
-ensembles met een
onvolledige of
onevenwichtige bezetting.
Die Karibik ist
eine vom heißen
Tropenklima verwöhnte
Inselkette. Die Einwohner
sind schwarzafrikanischer
Herkunft, mehr oder
weniger gemischt mit
Europäern und
amerikanischen
Ureinwohnern. Diese
Gemeinschaft ist stolz
auf ihre kreolische
Kultur, aus der ein
charakteristischer und
auf diesen wunderbaren
Inseln einzigartiger
Musikstil entstanden
ist.Dieser kleine
Karibische
Cocktail“ umfasst
drei unterschiedliche
Tänze:- einen
traditionellen Calypso
mit pulsierenden
Rhythmen, die eine
typisch karibische
Melodie vorantreiben;-
eine ruhigere Beguine mit
wärmeren, ruhigeren
Klängen;- ein
Merengue, in dem eine
überschwängliche
Atmosphäre und
Lebensfreude
vorherrschen.Dieseunterha
ltsame Komposition bringt
musikalisch die
Gefühle einer
Gemeinschaft zum
Ausdruck, in der
Lebensfreude und
Gelassenheit ganz hoch
angesiedelt sind.
Caribbean Cocktail
ist ein unbeschwertes
Stück, das sich ideal
für
Jugendblasorchester und
Ensembles mit
unvollständiger oder
unausgewogener Besetzung
eignet.
Caribbean Cocktail Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135398-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135398-015
Composed by Roland
Kernen. De Haske Easy
Band Series. Original
Light Music. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1135398-015. Published by
De Haske Publications
(BT.DHP-1135398-015).
9x12 inches.
English-German-French-Dut
ch.
The hot
tropical climate of the
Caribbean makes these
islands a wonderful place
to be. The population is
of largely African
ancestry, together with
people of European and
Amerindian origin. The
community is proud of the
local Creole culture that
gave rise to a musical
style characteristic of
these wonderful
islands.This small
Caribbean Cocktail
includes three different
dances:- A traditional
calypso with vibrant
rhythms driving a
typically Caribbean
melody;- A quieter
beguine, featuring warmer
and tranquil sounds;- A
merengue with a strong
sense of exuberance and
joie de vivre is easy to
hear.This popular
composition captures in
music the feelings of a
communitywhere
life’s joys are
all-important.
Caribbean Cocktail
is a light-hearted piece
that is ideally suited to
youth bancs and ensembles
with an incomplete or
imbalanced
instrumentation.
Op de eilanden in
het Caribisch gebied
heerst een aangenaam
warm, tropisch klimaat.
De meeste bewoners zijn
er van Afrikaanse
afkomst, maar er wonen
ook mensen van Europese
en indiaanse origine. De
gemeenschap is trots op
haar creoolse cultuur,
waaruit een muziekstijl
is voortgekomen die
typerend is voor deze
prachtige
eilanden.Caribbean
Cocktail omvat drie
verschillende dansen:-
een traditionele calypso
met levendige ritmes en
een typisch Caribische
melodie;- een rustige
beguine waarin warmere en
serenere klanken naar
voren komen;- een
merengue in een
uitbundige sfeer en met
een grote joi de
vivre.Deze
temperamentvolle
compositie weerspiegelt
het muzikale gevoelvan
een gemeenschap waarin
men veel belang hecht aan
een vreugdevol,
ongecompliceerd leven.
Caribbean Cocktail
is een luchthartig werk
dat ideaal is voor
jeugdorkesten en
-ensembles met een
onvolledige of
onevenwichtige bezetting.
Die Karibik ist
eine vom heißen
Tropenklima verwöhnte
Inselkette. Die Einwohner
sind schwarzafrikanischer
Herkunft, mehr oder
weniger gemischt mit
Europäern und
amerikanischen
Ureinwohnern. Diese
Gemeinschaft ist stolz
auf ihre kreolische
Kultur, aus der ein
charakteristischer und
auf diesen wunderbaren
Inseln einzigartiger
Musikstil entstanden
ist.Dieser kleine
Karibische
Cocktail“ umfasst
drei unterschiedliche
Tänze:- einen
traditionellen Calypso
mit pulsierenden
Rhythmen, die eine
typisch karibische
Melodie vorantreiben;-
eine ruhigere Beguine mit
wärmeren, ruhigeren
Klängen;- ein
Merengue, in dem eine
überschwängliche
Atmosphäre und
Lebensfreude
vorherrschen.Dieseunterha
ltsame Komposition bringt
musikalisch die
Gefühle einer
Gemeinschaft zum
Ausdruck, in der
Lebensfreude und
Gelassenheit ganz hoch
angesiedelt sind.
Caribbean Cocktail
ist ein unbeschwertes
Stück, das sich ideal
für
Jugendblasorchester und
Ensembles mit
unvollständiger oder
unausgewogener Besetzung
eignet.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin 2. Warb E
14. 4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/12. Published by
Carus Verlag
(CA.3810412).
ISBN
9790007215088. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Choral
Score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/05.
Published by Carus Verlag
(CA.3810405).
ISBN
9790007215057. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.