Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli, SATB chorus and orchestra. This vocal score, edited by Janet Beat, includes a piano accompaniment. / Choeur Mixte (SATB) Et Piano

Let all the world in every corner sing was commissioned by the 2012 Royal School of Church Music Canterbury Area Cathedral Festival to mark 150 years since the first such event in Canterbury Cathedral, 1862. A joyful and triumphant piece for SATB divisi chorus and organ with optional church bells. / Choeur Mixte (SATB) Et Orgue

with Now Thank We All Our God-Lloyd Larson pairs an opening a cappella treatment of Now Thank We All Our God with an accompanied arrangement of a Claire Cloninger thanksgiving text based on the NETTLETON hymn tune. The main theme “Inthanksgiving let us praise Him; in thanksgiving let us sing” is heard throughout as the music builds to the final “Amen.” With optional flute and oboe.

from Tootsie. Broadway veteran David Yazbek hasn't written original music for a production that didn't go on to be nominated for Best Original Score at the Tony Awards. This astonishing 5-for-5 streak is currently capped by his work on Tootsie, a musical adaptation of the 1982 film of the same name. ?I Won't Let You Down? is an in-show audition piece, starting out lethargic, but morphing into something grandiose and memorable by the end--a showstopper!

This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano

Arrangements: Snyder Audrey And Murtha P.. Par SNYDER AUDREY / MURTHA P.. Ce medley mousseux est parfait pour des groupes de tous âges. Ajouter la bande de concerts et pièces de cordes et de fonction du département de musique ensemble! Chansons comprennent: Winter Wonderland, Let It Snow! Let It Snow! Let It Snow-! Le moment le plus merveilleux de l'année./ Répertoire / Voix Mixtes

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Vocal Score-Nico Muhly's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Vocal Score.Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello.Rebecca Tavener in the March 2015 issue of Organist's Review states that Muhly 'has done more than merely set the text...it is an intriguing fresh response.'

Let it weave throughout the tapestry of who we are. In all that life can give let music live. This is an inspirational theme for every choir and for celebrating the power of music in our lives world and throughout creation. A perfect closing number for anytime of year that will become a favorite for years to come.

Uses: General Commitment MissionsScripture: Matthew 25:35-40; James 2:14-17; I Peter 4:9-11There is deep richness in this powerful choral. The text “Let me be Your silence let me be Your shout” calls thelistener to be an extension of Gods graceful touch in the world. The music rises and falls to establish both humble devotion and confident conviction. More than a performance piece this anthem is a personal statement of faith in the living God.

Mendelssohn's setting of the 95th Psalm Come Let Us Sing for SATB with Piano accompaniment.

SATB with organ and soprano solo-Let Your Heart Not Be Troubled is a setting of text from St. John xiv: 1 27 by Oley Speaks. This is an arrangement for SATB choir with Organ accompaniment by Lucien G. Chaffin.

O Come Let Us Sing Unto The Lord by Ethan McGrath for SATB and Organ.This rhapsodic anthem sets verses from Psalm 95 and features contrasting sections changing metre and a buoyant Organ part.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli SATB chorus and orchestra.This vocal score edited by Janet Beat includes a piano accompaniment.