Magnificat & Nunc Dimittis-Nico Muhly's Second Service (Magnificat & Nunc Dimittis) sheet music arranged for SATB (Soprano/Alto/Tenor/Bass) Chorus and Organ accompaniment. This piece was originally commissioned by the Choir of Christ Church Christiana Hundred from Delaware USA and was first performed on 19th October 2014 by them. After its various premieres internationally the Second Service was met with resounding warm reviews praising its percussive qualities beautiful melodies and dynamic rhythms. The work is a pleasure to sing especially when beneficial acoustics complement the warmth of the vocalharmonies. Nico Muhly is a composer of many talents lending his skills to a number of diverse genres including Orchestra Choral and even Film Music. This work is arranged for SATB Chorus and Organ accompaniment and lasts around 14 minutes. With this composition Muhly has set the traditional Magnificat also known as the 'Song of Mary' joining the long list of composers who have set this work such as Mozart Tchaikovsky and Schubert. Next comes the Nunc Dimittis similarly a canticle found in the gospel of Luke. The Second Service (Magnificat & Nunc Dimittis) is presented here in an accurate transcription for SATB Chorus and Organ. Audiences will love this innovative and contemporary setting of such traditional words. 

Memento Creatoris an anthem for SATB choir was comissioned by the BBC Transcription Service for the Aldeburgh Festival in 1967.

Herbert Howells's Magnificat & Nunc Dimittis for the Gloucester service is one of his most popular choral settings. This sheet music is arranged for SATB Choir and Organ.   Herbert Howells  was a renowned English composer of church music in the Anglican evensong tradition best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: with its famoustreble duet opening the work it calmly progresses to an affirmation of the glory of heaven through distinctive Lydian harmony and soaring highs. Each individual voice has its own part to play in this piece with melodies that rise to uplifting highs and fall to booming lows the combination of voices blends and binds to create a gliding and soaring unity of harmony.    This Magnificat & Nunc Dimittis sheet music is the most accurate transcription available of an awe-inspiring piece that is acclaimed by fans of choral music for its beautiful composition and wondrous voicing.     

This ethereal transcription as recorded by Bobby McFerrin provides a new and different setting for this cherished Psalm. The very free almost chant-like rhythms and repetitive harmonies of this a cappella piece coupled with an original paraphrase of the text produce a very contemporary perspective on the well-known words of assurance. Especially useful for Good Shepherd Sunday. Available: SATB a cappella.

?De sancto Pelagio et sancto Theodolo? is a transcription of a composition originally conceived for choir and large orchestra.The texts which stem from the liturgical chants ?Cantionale? by Thomas Kress serve as a medieval sacred counterpart to the texts of Carl Orff?s ?Carmina Burana?.The composition tries to capture the same archaic feel as ?Carmina Burana? but with a more solemn sacral atmosphere.

The sheet music of Nico Muhly's work Recordare Domine for unaccompanied SATB (Soprano/Alto/Tenor/Bass) Chorus. Originally commissioned by The Tallis Scholars from the Lincoln Center of the Performing Arts and Lafayette College the composition had its world premiere on the 15th November 2013. The piece is a unique setting of a Bible verse from Lamentations and is as haunting as it is beautiful. Nico Muhly is a world-renowned contemporary composer who works in a dizzying number of genres. He has composed works for popular cinema Piano small ensemble Orchestra andChorus. This piece is for an unaccompanied four-part chorus consisting of a Soprano Alto Tenor and Bass and lasts about 5 minutes. Our Recordare Domine sheet music is the most accurate transcription available of this contemporary choral piece by versatile and virtuouso composer Nico Muhly.

Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: “First of all I had to eliminate all those parts of the source material that had strictly instrumental designs, reducing the work – to quote Wolfgang Rihm – to its singable remnant. What was so surprising, however, was that such a reduction did not lead to a meaningless sequence of fragments, but that the fragments turned out to be – with regard to harmony and motifs – so closely related to each other that the result proved an impressive ‘work within a work’. The reduction uncovered something that could be called the ‘essence’ of the work. In order to make the singable remnant singable, I used fragments from Bruno Wille’s poem Im Sommerwind, which Webern had used as a basis for his composition.”/ Répertoire / Choeur Mixte SATB

Pianist/Conductor's score featuring the transcription of Ola Gjeilo's Piano improvisation over his Ubi Caritas (SATB version/08501631) as performed by the composer and the Central Washington University Chamber Choir in their popular 2011 YouTube video.

Based on Elgar's own piano transcription of his Enigma Variations the rich harmonies and depth of expression of this setting with sacred text may be performed by a variety of choirs.

A selection from the musical play 'Carousel'. Transcription for mixed voices by Clay Warnick.

Par WOLF HUGO. The sophisticated choral arrangements by Clytus Gottwald have found a place in concert life throughout the world. He has made four Lieder by Hugo Wolf available for the choral repertoire: His transcriptions for 7–16 voices under the title “Vier Lieder” include the opening Lied from the Italienisches Liederbuch [“Und willst du deinen Liebsten sehen“] as well as three settings of Mörike poems [“Das verlassene Mägdelein, “ “Auf ein altes Bild“ and “Der Gärtner”]./ Répertoire / Choeur Mixte