Piano, Vocal and Guitar

SKU: HL.14047750

Composed by From Selection. CARISCH - MUSIC SALES. TV-Film-Musical-Show. General Merchandise. Hal Leonard #ML98753. Published by Hal Leonard (HL.14047750).

ISBN 9788850719907.

Sele ction from Camp Rock for Piano, Vocal, Guitar.

Solo guitar

SKU: PE.EP68585

5 Pieces. Composed by John Cage. Arranged by Aaron Larget-Caplan. Guitar/Plucked Instruments (solo). Edition Peters. 20th Century. Score. 24 pages. Edition Peters #98-EP68585. Published by Edition Peters (PE.EP68585).

ISBN 9790300759852. 232 x 303mm inches.

Pian o Music Arranged for Guitar features five early and mid-career compositions by John Cage, dating from 1933 through 1948, all arranged for solo guitar by Aaron Larget-Caplan. The compositions required little adjustment from the originals, mainly in the form of register modifications, and fit very well on the guitar. All phrase and dynamic markings follow the published originals. Very few left and right hand fingerings are included in the publication to allow the performers their own realizations. All of the works retain their original keys and are presented in chronological order:

 

Three Easy Pieces (Round, Duo, Infinite Cannon)

A Room

Chess Pieces

Dream

In A Landscape

 

Cage’s exploration of contrapuntal music and simple forms are found early on in works for two voices and the use of unusual phrases lengths. The later works explore modes, resonance, and begin to show influences of Far East aesthetics in their spaciousness and dealings with time.

The collection is only the second work in the Cage Oeuvre to be published featuring the guitar, the first being Larget-Caplan’s arrangement of ‘Six Melodies’ for violin & guitar issued in 2015.

 

A recording dedicated to John Cage on guitar will be released in 2018 on Stone Records Limited (UK).

Guitar

SKU: HL.48187006

Composed by Georges Delerue. Leduc. Softcover. Alphonse Leduc #HA09311. Published by Alphonse Leduc (HL.48187006).

UPC: 888680886875. 9.0x11.0x0.471 inches.

Delerue Concerto 4 Guitares Orch 4 Guitars & Piano Book.

Piano, Vocal and Guitar

SKU: HL.14047756

Composed by Bourne. CARISCH - MUSIC SALES. Pop & Rock. General Merchandise. Hal Leonard #ML98941. Published by Hal Leonard (HL.14047756).

ISBN 9788850725045.

Guitar (Guitar)

SKU: HL.48184525

Composed by Henri Tomasi. Leduc. Classical. Softcover. Alphonse Leduc #AL27604. Published by Alphonse Leduc (HL.48184525).

UPC: 888680954857.

Henri Tomasi: Concerto (Guitar & Piano).

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar solo - Intermediate

SKU: DZ.DZ-4313

Composed by Michel Dalle Ave. Score. Les Productions d'OZ #DZ 4313. Published by Les Productions d'OZ (DZ.DZ-4313).

ISBN 9782898522307.

Lake s Road is a piece for solo guitar.
Composed in a style very popular with many guitarists of the 70s: Finger-picking. This is distinguished by an often joyful melody built on alternating bass, thus creating a sustained and dynamic rhythm.
This composition is in line with this style,
reminiscent of Ragtime, a musical genre originating
from Louisiana originally written for piano.

«Lak es Road» est une pièce pour guitare seule.
Composée dans un style très prisé par de nombreux guitaristes des années 70 : Le Finger-picking. Celui-ci se distingue par une mélodie souvent joyeuse construite sur des basses
alternée s, créant ainsi un rythme soutenu et dynamique.
Cette composition s'inscrit dans la lignée de ce style,
rappelant le Ragtime, un genre musical originaire
de la Louisiane initialement écrit pour piano.

Composed by Ludwig van Beethoven (1770-1827), arranged by Leon Block. Guitar solo book (no tablature) for guitar. With standard guitar notation. 16 pages. Published by Marks.

(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Hegel. For Guitar (Guitar). Guitar. Softcover. Schott Music #ED21856. Published by Schott Music

By Jean-Pierre Billet. For guitar. Method / Etudes. Grade 1. Score. 83 pages. Published by Editions Henry Lemoine

Guitar

SKU: RM.SL10424

Composed by Jean Courtioux. Guitare. Instrumental music. Editions Robert Martin #SL10424. Published by Editions Robert Martin (RM.SL10424).

ISBN 9790231094244.

Guitar

SKU: PE.EP6470A

Arranged for Guitar. Composed by Alan Hovhaness. Arranged by Aaron Larget-Caplan. Guitar Solo; Solo. Edition Peters. Contemporary. 8 pages. Edition Peters #98-EP6470A. Published by Edition Peters (PE.EP6470A).

ISBN 9790300763903.

A sweet miniature composed for solo piano in 1937, Mystic Flute consists of two voices: a simple melody in the harmonic minor scale balanced by an ostinato accompaniment in 7/8 meter that gives the work a hypnotic and ceremonial spirit. The melodic line begins in the top voice, before moving to the bass voice, and returning to the top voice with small ornamentation. No notes were removed from the piano score in this guitar arrangement by Aaron Larget-Caplan, and all dynamic and phrase markings follow the original score as well. This arrangement was premiered on July 29, 2018 at the Coaster Theater in Cannon Beach, Oregon.

By Wolfgang Amadeus Mozart. Guitar Book. Size 9x12 inches. 16 pages. Published by Hal Leonard

Composed by Tommy Flint. Saddle-stitched. You Can Teach Yourself. Solos/Studies, Classics. Book. 28 pages. Published by Mel Bay Publications, Inc

Composed by John Kiefer. Collection. 136 pages. Published by Mel Bay Publications, Inc

Chamber Music guitar

SKU: PR.UE037209

Fur zwei Gitarren. Composed by Bela Bartok. Arranged by Siegfried Steinkogler. Part. With Standard notation. Universal Edition #UE037209. Published by Universal Edition (PR.UE037209).

ISBN 9783702475185. UPC: 803452072294.

Barto k, a self-made expert in regional folk music, had composed For Children for piano and it became a seminal publication in piano pedagogy. Arranger Siegfried Steinkogler was exposed to a guitar transcription early in his own studies, but thought that its inherent difficulty removed it from its intended use as repertoire for young students. His arrangement for two guitars addresses that issue, and makes For Children once again accessible to young players.

(Light Classics Arrangements for Guitar). Composed by Wolfgang Amadeus Mozart (1756- 1791). For Guitar. Book; Classical Guitar Folio; Masterworks. Light Classics. Form: Transcription. Acoustic; Classical; Masterwork; Masterwork Arrangement. 32 pages. Published by Alfred Music

Stylistic Method. Classical Instruction, Classical. Softcover Audio Online. 56 pages. Published by Hal Leonard

10 Pieces for Solo Guitar. Composed by Maria Linnemann. Guitar. Classical, Contemporary. Softcover. Ricordi #SY7008. Published by Ricordi

By Domenico Scarlatti (1685-1757). Arranged by Gérard Abiton. For Guitar. Editions Durand. Softcover. 22 pages. Editions Durand #DF01593800. Published by Editions Durand

Piano Reduction. By Abel Carlevaro. (Guitar). Boosey and Hawkes Chamber Music. 34 pages. Published by Boosey and Hawkes.

Guitar or Lute (Guitar)

SKU: HL.50579499

Composed by Louis-Noel Belaubre. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME8123. Published by Hal Leonard (HL.50579499).

Guitar

SKU: BT.HITPCGUIRAMATAB1A

Composed by P. Guillem. Collection Rama. Book with CD. Composed 2001. Hit Diffusion #HITPCGUIRAMATAB1A. Published by Hit Diffusion (BT.HITPCGUIRAMATAB1A).

Du répertoire tous styles en tablatures pour guitare permettant de passer du jazz la variété, de la variété au classique, en passant par les airs traditionnels du monde entier ou la musique de film. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. Autres volumes disponibles dans la collection : 2A, 1A. Existe aussi pour le saxophone, la clarinette, le piano, la fl te traversière, le violon et l'accordéon.

Guitar

SKU: BT.HITPCGUIRAMA2A

Composed by P. Guillem. Collection Rama. Book with CD. Composed 2003. Hit Diffusion #HITPCGUIRAMA2A. Published by Hit Diffusion (BT.HITPCGUIRAMA2A).

Du répertoire tous styles pour guitare, permettant de passer du jazz la variété, de la variété au classique, en passant par les airs traditionnels du monde entier ou la musique de film. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. Autres volumes disponibles dans la collection : 1A, 1A tablatures. Existe aussi pour le saxophone, la clarinette, le piano, la fl te traversière, le violon et l'accordéon.

30 Transcriptions. Composed by Robert Schumann. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music. Guitar. Classical. Softcover. 22882. 48 pages. Schott Music #ED 22882. Published by Schott Music

by Mel Bay and Castle Joseph. For Guitar (Classical). solos. Classic. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.