Denn Seit Mehr Als 1000 Jahren-Rock Your Baby by H. W. Casey/R. Finch and Denn Seit Mehr Als 1000 Jahren by Vaclav Blaha for Salon Orchestra. XL parts for the following instruments:C instrument (chord symbols and text); Guitar; Drums; 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text)

Par AHO KALEVI. Aho transformera 60 ans le 9 mars. Sa 14e symphonie comporte des teintes arabe et chinois et rythmes hypnotiques avec un vaste rôle pour les percussions (darbouka, djembé, gongs). Le travail a été inspiré par les oeuvres vidéo de l'artiste iranienne Shirin Neshat./ Répertoire / Orchestre

Par AHO KALEVI. Détails de la formation instrumentale: 3233-6431/timp./2perc./str. - Durée: 45' -/ Répertoire / Orchestre

Par AHO KALEVI. Détails de la formation instrumentale: 3343/6431/timp./2perc/Strings - Durée: 22' -/ Répertoire / Orchestre

Based on the Critical Edition- Orchestra material on hire. Par MAHLER GUSTAV. The large-scale form of 'Symphony No. 9' is unusual in a number of ways. It reminds in no way of the ninth symphonies of famous predecessors. Two slow movements, an Andante comodo at the beginning and an Adagio at the end, form the frame for two of the most parodistic and embittered inner movements that Mahler ever wrote - a ländler-waltz combination, and the 'Rondo-Burleske', a bitter, ironic movement that is derisively dedicated 'to my brothers in Apollo'. The most extraordinary part of Mahler's last completed symphony must certainly be the slow finale - a 20-minute long intensively singing movement laden with conflict that includes references to earlier works by Mahler, in slow motion as it were ('Urlicht',' Ablösung im Sommer', the 'Scherzo of Symphony No. 3', 'Der Abschied' from 'Das Lied von der Erde', and 'Oft denk' ich, sie sind nur ausgegangen' from the 'Kindertotenlieder'); it indeed seems that a circle is being closed. (Reinhold Kubik) Universal Edition continues its new study score standard. These completely redesigned scores offer an unparalleled insight into the music of the last hundred years. Great care has been taken to select the best available content for this journey through music history, and every score has been edited according to the latest quality standards./ Répertoire / Orchestre

Eine Tondichtung In Symphonieform In Zwei Teilen und Fünf Sätzen. Par MAHLER GUSTAV. “Titan”, the early five-movement version of the “Symphony No. 1”, has never been published before. Universal Edition is proud to make this score available for the first time in connection with the Complete New Critical Edition. Mahler composed the work at the beginning of 1888 in Leipzig. In 1889 it was subsequently premiered as a “symphonic poem” in Budapest. Our first edition of “Titan” contains the history of its genesis, reviews of the performances in Hamburg and Weimar, a discussion of the programmes and the underlying ideas behind the work, colour prints of important sources, and an extensive critical commentary that describes the variants, problematic passages and all editorial interpolations. At this point, we would like to refer to a statement by the International Gustav Mahler Society (IGMG), which is very concerned about Mahler editions that are not up to date with musicological research and thus cannot do justice to the composer's intentions. To the statement (click in the top right corner to read in English)/ Répertoire / Orchestre

Gustav Mahler septième rangs symphoniques parmi les oeuvres les plus populaires et accessibles du compositeur. Ne possédant ni un 'programme', ni un thème folk-song, il s'agit d'une composition purement instrumentale, à la fois plein d'espoir et romantique de l'humeur, avec une structure harmonique et stylistique qui évoque le voyage tous les jours de l'aube au crépuscule.Ce score est reproduit en miniature d'une édition officielle, compléter avec des mouvements numérotés pour en faciliter la consultation. Abordable et compact, il est idéal pour une utilisation en salle de classe, à la maison ou dans la salle de concert.Réimpression de Siebente Sinfonie von Gustav Mahler: Orchester-Partition, Ed. Bote and Bock G., Berlin, 1909. / Orchestre

In this great work first published in 1912 Mahler experimented with the four-movement symphonic form producing a masterpiece of musical innovation satiric writing and poetic drama expressed in purely instrumental terms. Now the full orchestral score of the Ninth Symphony is available in this inexpensive high-quality edition reprinted from an authoritative Viennese score. Music lovers and admirers of Mahler's work will find in these pages abundant evidence of the fresh and formidable thinking the composer brought to this monumental composition.One of the last composers of the great Romantic tradition Mahler possessed a strong sense ofthe dramatic in life. He chose to record that drama in nine magnificent symphonies all works of vivid orchestration innovative symphonic structure and rich emotional expression.

Mendelssohn’s oratorio “Elijah” numbers among the most important choral works of the 19th Century and should feature in anyone’s collection of sheet music. With the new critical edition prepared in collaboration with Carus publishers this work is also available as a first-class edition in the Eulenburg pocket score series. Appropriate orchestral parts can be obtained from Carus publishers.

All of Mahler's symphonies are now available in the Eulenburg catalogue.Mahler 2 – written between 1888 and 1894 and known as 'Resurrection Symphony'. Mahler came up with the idea for the final movement 'Resurrection' at the funeral ceremony for Hans von Bülow. Mahler 3 – the middle of the three symphonies which sets texts from the poetry collection 'Des Knaben Wunderhorn' to music and is often described in the history of reception as peak of Mahler's monumentality. Mahler 9 – the last finished symphony; composed in a creative frenzy as a farewell of a great superstitious composer; often regarded in the history of receptionas work of the highest compositional value and as transition to a new musical epoch. For Mahler 10 realised by Yoel Gamzou see ED 21849 (published by Schott Music) and WER 51222

Faced with the daunting legacy of Beethoven's symphonic works Brahms took twenty years to shape his first symphony- a masterpiece that premiered in 1876 to great critical acclaim. The expansive Symphony No.1 perfectly displays Brahm's ability to organise a variety of moods into a coherent whole. Published in full score ideal for study purpose.

The Austrian late-Romantic composer Gustav Mahler (1860-1911) is nowadays recognised as one of the greatest composers of his time. A successful conductor during his lifetime it was only after Mahler's death that his own compositions began to enjoy widespread popularity. Composed between 1887-1888 Mahler's celebrated First Symphony received high critical acclaim as a groundbreaking work which took the imagination and narrative of a symphonic poem and gave this the cohesion of earlier structures from the genre. Mark Goddard's innovative Mahler One Inspiration By The Ton! takes the First Symphony and condensesand abbreviates the movements into four delightful miniatures for flexible String Ensemble. Suitable for String groups at an intermediate level this enjoyable arrangement is highly playable and enormous fun. Mahler One Inspiration By The Ton! is also available for Flexible Wind Ensemble and Flexible Brass Ensemble . These three instrumental packs can all be used together.

Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre