Le but de ce texte est de fournir au timbalier de l'élève intermédiaire avec une collection d'études musicales basé sur la littérature de plus en plus pour Timpani.Cette étude a été écrit pour être utilisé à la fois l'école secondaire et du collégial. Il est divisé en trois sections: pages 3-17, exercices pour deux tambours, pages 18-32, exercices pour trois tambours, et les pages 33-47, exercices pour quatre tambours. Depuis ce livre a été conçu principalement comme une source de matériel de lecture et non comme une méthode progressive, l'étudiant peut passer d'une section à l', travaillant sur les études les plus pertinentes pour eux.Peut-être l'aspect le plus important de ce travail est l'abondance des éléments musicaux contenus dans chaque étude. Les fréquents changements dynamiques, glissandi, des expressions musicales, des changements de réglage, des rythmes artificiels, les changements de compteurs et les accords de deux à quatre notes caractérisent le style des compositeurs du XVIIIe au XXe siècle. / Timbales

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Timbales / 16 pages / niveau : Facile - Elémentaire / Partition + Cd

A vos chaudrons ! Référence : A260 001 P Instruments : Percussion / Méthodes and initiation Percussion : Timbales / Timbales solo Collections : Timpani Spirit Compositeurs : SCHMITT Pierre-Olivier

Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly difficult to write a solo or concertante work for an instrument that a person is very familiar with. Whenever I encounter this situation, I always feel a certain reserve or prudence, or even apprehension about leaning toward facility, in terms of gestures. Lack of objectivity can result in the imagination being more instrumental than purely musical. However, when Benoît Cambreling came to me proposing that I write a concerto for timpani, I did not hesitate for an instant because this instrument possesses extraordinary and often under exploited musical potential. This percussion instrument often provides a type of harmonic and rhythmic base in the orchestra, but can also assume the role of a soloist. I began by writing an etude for solo timpani making use of glissandi, rhythmic inflections, as well as the melodic potential. Once this first step was completed, I began to 'orchestrate' the etude, or rather to extend the instrumental material into the orchestra by creating illusions of resonance, doublings, and echoes. Sometimes, the timpani also become a reservoir of ideas for the orchestra capable of triggering textures (as in instrumental electronic music). Here however, the instrument is above all treated in a melodic manner, reinforced, or not, by orchestral instruments that create a backdrop and the illusion of extension./ Répertoire / Timbales

An Intermediate Method for Individual or Group Instruction. Par BLACK DAVE / BERNOTAS CHRIS. Part of the Sound Innovations family, Sound Percussion fills the need for a comprehensive percussion method that provides a clear progressions of notes, rhythms, and skills that can be used for group or individual lessons. Sound Percussion has a clear and flexible approach with plenty of reinforcement. Books are available: Teacher's Score - Snare Drum and Bass Drum - Mallet Percussion - Timpani - Accessory Instruments. Sound Percussion contains seven sections covering everything from setting up the instruments to percussion ensemble performance. Sections include: Sound Preparation - Sound Rhythm - Sound Meter - Sound Rudiments - Sound Rolls - Sound Effects - Sound Performance.Directors can work through the book(s) progressively, or jump from sectiontosection in order to address the specific educational needs of their students. The mallet book, however is more sequential by nature of note introduction. Skills are introduced with a backwardbydesign approach. Learning goals are first identified, and then exercises are logically designed with obtainable steps that lead you toward achieving that goal. This is particularly helpful for mallet note recognition and snare drum rolls. Sound Percussion is a comprehensive resource that's perfect for teaching your students the fundamentals necessary to becoming wellrounded percussionists. / Niveau : Intermédiaire / Méthode / Méthode / Timbales

The Nine Beethoven Symphonies-The Nine Beethoven Symphonies. Carlyss has provided a comprehensive performance analysis for the timpani parts of Beethoven's nine symphonies. His easy-to-understand explanations are based on countless performances under many of the world's finest conductors. Includes complete parts for practice and performance.

Grades 7-8-Exercises pieces and sight reading examples for the ABRSM Timpani exams Grades 7-8 composed and devised by Ian Wright.