The 1st Recital Series presents high quality solo/recital literature appropriate...(+)
The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Timbales / 56 pages / niveau : Facile - Elémentaire / Partition
Internationally acclaimed by today's leading teachers Primary Handbook For Timp...(+)
Internationally acclaimed by today's leading teachers Primary Handbook For Timpani is designed for the beginner at any age. This method provides a complete introduction to timpani playing for private lesson or classroom use. The play-along CD also makes this the ideal self-instruction method.Play-along this CD features recordings for every exercise.Systematic approach designed for the very beginning student.Adopted by today's leading timpani performer/educators.Tuning studies.Solos studies suitable for contest recital and audition.Comprehensive information on timpani fundamentals.Technical studies to develop: Rolls Staccato Muffling Cross-sticking
This book/CD package teaches Timbales as played by the master percussionist Chan...(+)
This book/CD package teaches Timbales as played by the master percussionist Changuito. Topics include setup tuning the clave fills independence exercises listening recommendations and a glossary of terms. Various styles are studied such as Danzon Abanico Chachacha Mambo Pilon Mozambique Merensongo Conga 6/8 Rhythms Timba Songo Laye and Afro-Cuban. Examples on the CD are performed by Changuito.
Features the complete timpani parts to 18 symphonies by Schubert Mendelssohn S...(+)
Features the complete timpani parts to 18 symphonies by Schubert Mendelssohn Schumann Brahms Dvorak and Tchaikovsky. Includes Schubert's No. 7 in C and 8 in B minor ('Unfinished'); Mendelssohn's No. 3 in A minor 4 in A ('Italian') and 5 in D ('Reformation'); Schumann's No. 2 in C 3 in Eb and 4 in D minor; Brahms' No. 1 in C minor 2 in D 3 in F and 4 in E minor; Dvorak's No. 2 in D minor 4 in G and 5 in E minor ('From the New World'); and Tchaikovsky's No. 4 in F minor 5 in E minor and 6 in B minor ('Symphonie Pathétique').
Grades 6 - 8. Par LCM. The second of the two books covering the timpani grade ex...(+)
Grades 6 - 8. Par LCM. The second of the two books covering the timpani grade examinations for the popular London College of Music and Media percussion syllabus adds piano accompaniments to a number of the pieces, which represent a wide selection of exciting composers currently writing in this field. Three timpani are required for Grades 7 and 8. Details of tuning requirements, specimen sight-reading and aural tests, plus guidance for the viva voce, are included, along with a separate piano part supplied with the volume./ Recueil / Timbales
Features the complete Timpani parts to 26 standard orchestral overtures by Beeth...(+)
Features the complete Timpani parts to 26 standard orchestral overtures by Beethoven Berlioz Brahms Dvorak Liszt Mendelssohn Mozart Rossini Schubert Tchaikovsky Wagner and Weber. Includes Prometheus Overture Roman Carnival Overture Academic Festival Overture Carnival Overture Les Preludes A Midsummer Night's Dream Overture Cosi Fan Tutte Overture Don Giovanni Overture The Magic Flute Overture Wilhelm Tell Overture The Flying Dutchman Overture Oberon Overture and many others.
Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly diffic...(+)
Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly difficult to write a solo or concertante work for an instrument that a person is very familiar with. Whenever I encounter this situation, I always feel a certain reserve or prudence, or even apprehension about leaning toward facility, in terms of gestures. Lack of objectivity can result in the imagination being more instrumental than purely musical. However, when Benoît Cambreling came to me proposing that I write a concerto for timpani, I did not hesitate for an instant because this instrument possesses extraordinary and often under exploited musical potential. This percussion instrument often provides a type of harmonic and rhythmic base in the orchestra, but can also assume the role of a soloist. I began by writing an etude for solo timpani making use of glissandi, rhythmic inflections, as well as the melodic potential. Once this first step was completed, I began to 'orchestrate' the etude, or rather to extend the instrumental material into the orchestra by creating illusions of resonance, doublings, and echoes. Sometimes, the timpani also become a reservoir of ideas for the orchestra capable of triggering textures (as in instrumental electronic music). Here however, the instrument is above all treated in a melodic manner, reinforced, or not, by orchestral instruments that create a backdrop and the illusion of extension./ Répertoire / Timbales
Twenty Studies for Timpani by Jacques Delécluse (born 1933) is a set of twenty ...(+)
Twenty Studies for Timpani by Jacques Delécluse (born 1933) is a set of twenty studies written for 2-5 Timpani and inspired by symphonic repertoire. Written for intermediate-level they require some technical knowledge. Twenty Studies for Timpani features some meter and multiple pitch changes and the studies are written with increasing difficulty. This set will definitely help to master a good technique on Timpani The author Jacques Delécluse is a soloist at the Paris Orchestra and a professor at the Conservatoire National de Musique de Paris. He has conceived a keyboard-percussioninstruments that held his name and is also the author of a series of seven books “À la manière de” for Drums and Piano.
With few study books exisiting for the Timpani Jacques Delécluse ensures that ...(+)
With few study books exisiting for the Timpani Jacques Delécluse ensures that this gap is filled with his excellent Thirty Studies for Timpani. French percussionist and composer Delécluse studied at the Paris Conservatoire in the mid-1900s winning many prizes. The exercises in the first volume of Thirty Studies for Timpani are built on technical examples and problems intended for students who have just started learning the technicalities of the instrument. Rhythms are developed to ensure continuous progression. For all aspiring Timpani players Delécluse's ThirtyStudies is essential having been compiled by a master of the instrument himself.
Written by Jacques Delécluse this book of Cinquante Exercices Journaliers is...(+)
Written by Jacques Delécluse this book of Cinquante Exercices Journaliers is a really helpful set of exercises for Timpani. It features many advices and indications in French English German and Spanish to gain in speed and agility. Some special aspects such as Sforzandi and trills are highlighted and the tempo is also indicated but it is advised to start slower to master the technique first. This method is recognised to acquire a great technique of the instrument: it is a must-have for those willing to develop their skills. The author Jacques Delécluse is a soloist at the ParisOrchestra and a professor at the Conservatoire National de Musique de Paris. He has conceived a keyboard-percussion instruments that held his name and is also the author of a series of seven books “À la manière de” for Drums and Piano.
An Intermediate Method for Individual or Group Instruction. Par BLACK DAVE / BER...(+)
An Intermediate Method for Individual or Group Instruction. Par BLACK DAVE / BERNOTAS CHRIS. Part of the Sound Innovations family, Sound Percussion fills the need for a comprehensive percussion method that provides a clear progressions of notes, rhythms, and skills that can be used for group or individual lessons. Sound Percussion has a clear and flexible approach with plenty of reinforcement. Books are available: Teacher's Score - Snare Drum and Bass Drum - Mallet Percussion - Timpani - Accessory Instruments. Sound Percussion contains seven sections covering everything from setting up the instruments to percussion ensemble performance. Sections include: Sound Preparation - Sound Rhythm - Sound Meter - Sound Rudiments - Sound Rolls - Sound Effects - Sound Performance.Directors can work through the book(s) progressively, or jump from sectiontosection in order to address the specific educational needs of their students. The mallet book, however is more sequential by nature of note introduction. Skills are introduced with a backwardbydesign approach. Learning goals are first identified, and then exercises are logically designed with obtainable steps that lead you toward achieving that goal. This is particularly helpful for mallet note recognition and snare drum rolls. Sound Percussion is a comprehensive resource that's perfect for teaching your students the fundamentals necessary to becoming wellrounded percussionists. / Niveau : Intermédiaire / Méthode / Méthode / Timbales
With few study books exisiting for the Timpani Jacques Delécluse ensures that ...(+)
With few study books exisiting for the Timpani Jacques Delécluse ensures that this gap is filled with his excellent Thirty Studies for Timpani. French percussionist and composer Delécluse studied at the Paris Conservatoire in the mid-1900s winning many prizes. The exercises in the second volume of Thirty Studies for Timpani are built on technical examples and problems. New rhythms are developed to ensure progression to a high level. For all aspiring Timpani players Delécluse's Thirty Studies is essential having been compiled by a master of the instrumenthimself.
Solos for Beginning through Early Intermediate level musicians 1st Recital ...(+)
Solos for Beginning through Early Intermediate level musicians 1st Recital Series rassemble 12 solos de styles variés qui permettent aux instrumentistes de niveau débutant à élémentaire de travailler des compositions originales et des arrangements d??uvres accordant une large place à l?expression et à la musicalité. Sur le compact disc, chaque morceau est joué à titre de démonstration. L?instrument soliste peut ensuite interpréter les pièces avec l?accompagnement seul. Et pour jouer en direct lors d?un concert, il est également possible d?acquérir les accompagnements de piano rassemblés dans des recueils vendus séparément. Sommaire: Kaitlin´s music box - Lindsay, Ann The koi pod - Alan, Craig Just as I am - Elliot, C. / Hannickel, Mike The Can-Can - Offenbach, Jacques / Alan, Craig Grandfather\'s clock - Work, Henry Clay / Hannickel, Mike The Entertainer - Joplin, Scott / Lindsay, Ann Arioso - Bach, Johann Sebastian / Alan, Craig Along Came a Spider - Hannickel, Mike Pizzicati from Sylvia - Delibes, Léo / Lindsay, Ann Funeral March of a Marionette - Gounod, Charles François / Lindsay, Ann Theme from String Quartet #2 Nocturne - Borodin, Alexander Porfirewitsj / Curnow, James Rondeau - Nouret, Jean Joseph / Curnow, James / Partitions classique / Cuivres et percussions / Percussion / CURNOW
Mahler Symphonies 1-3-Herbert has provided a comprehensive performance analysis ...(+)
Mahler Symphonies 1-3-Herbert has provided a comprehensive performance analysis for the timpani parts of Mahler's three symphonies. Includes complete parts for practice and performance.
The Nine Beethoven Symphonies-The Nine Beethoven Symphonies. Carlyss has provide...(+)
The Nine Beethoven Symphonies-The Nine Beethoven Symphonies. Carlyss has provided a comprehensive performance analysis for the timpani parts of Beethoven's nine symphonies. His easy-to-understand explanations are based on countless performances under many of the world's finest conductors. Includes complete parts for practice and performance.
Sonata for Timpani is composed in three movements Mysteriously Jazz-Like and ...(+)
Sonata for Timpani is composed in three movements Mysteriously Jazz-Like and Fast and includes unusual techniques like striking the bowl of the timpani rolling between two drums striking the timpani with fingers and playingin the centre of the head. The work is now a standard in the solo timpani repertoire.American composer Percussionist conductor and educator John Beck is now Professor Emeritus of Percussion at the Eastman School of Music inRochester New York after nearly fifty years on the faculty. In addition to his long performing recording and teaching career he has also published the Encyclopedia of Percussion.
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