L'année Mozart, Thomas Zehetmair et Ruth Kilius a demandé à Heinz Holliger po...(+)
L'année Mozart, Thomas Zehetmair et Ruth Kilius a demandé à Heinz Holliger pour une pièce encore frappante de la Sinfonia concertante de Mozart qui n'avait souvent été effectuée sous sa direction par eux. Le résultat, cependant, est un cycle de trois volets indépendant composé de pièces très différentes. Le premier a été tissé exclusivement de flottant harmoniques, la deuxième est une danse tourbillonnante sauvage, tandis que la troisième se condense dans un choral de six parties dans lequel chaque joueur a chanter une troisième voix en plus de jouer le double s'arrête sur son instrument à cordes. / Violon Et Alto
Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Fare...(+)
Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin and Fiddle Styles presents 23 styles and is chock full of right- and left-hand techniques, exercises, and advice designed to help violinists, violists and cellists step into inclusive, 21st century skills as well as repertoire. This jam-packed book includes tips from an incredible array of multi-genre and roots-specific players including: Jay Ungar, Bruce Molsky, Darol Anger, Mark Wood, Aly Bain, Roby Lakatos, Don Roy, Calvin Vollrath, Paul Anastasio, and more. Styles include old-time, bluegrass, Cajun, Franco-American, western swing, blues, swing, pop/rock, Irish, Scottish, Shetland Islands, Cape Breton, Hungarian, Ukrainian, Klezmer, Roma, Calentano, Galician, Afro-Cuban, tango, Swedish, Bollywood, Quebecois, and Metis. Online audio includes playing examples of all the fiddle tunes in the book, followed by background music so you can continue to play on your own. Videos include expert instruction on fiddle techniques like bowing, slurs, slides, vibrato, and ornamentation.
Six Sonatas for Violin and Viola Hob. VI:1?6-The title ?Solo per il Violino? whi...(+)
Six Sonatas for Violin and Viola Hob. VI:1?6-The title ?Solo per il Violino? which Haydn gave these sonatas in his ?Entwurf-Katalog? (the handwritten catalogue he maintained of his own works) already gives us an indication: it is only the Violinwhich is treated as a solo instrument in these six sonatas the Viola has an accompanying role. Haydn might have written these ?soli? for himself; but they also might have been for Luigi Tomasini the ?first violinist? atEsterházy?s court. Today these duos enjoy great popularity particularly for teaching purposes. We are now proud to present the definitive Henle edition following the text in the Complete Edition of Haydn?s Works withthe addition of specially composed cadenzas.
Wedding Music for Violin and Viola includes 14 favorites for weddings recitals ...(+)
Wedding Music for Violin and Viola includes 14 favorites for weddings recitals parties and receptions. New adaptations of these arrangements allow each musician to share melodic harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings fingerings articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola.
Voici une partition musicale pour Violon et plus spécialement pour Violon Et Al...(+)
Voici une partition musicale pour Violon et plus spécialement pour Violon Et Alto que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Pédagogie, cette partition a pour titre L'INDISPENSABLE MUSICAL / Violon & Alto. C'est l'éditeur De Haske Publications sous la référence 1023223-401 qui a les droits pour éditer cette partition. / Violon Et Alto / Partition
In late 1779 Mozart penned this delectable classic which stands as the only re...(+)
In late 1779 Mozart penned this delectable classic which stands as the only remaining Mozart composition in this form incorporating both symphonic and concerto styles. It features wonderful parts for both of the soloinstruments against Mozart's incomparably brilliant writing and orchestration. We have also included two wonderful Mozart bon-bons The E-major Adagio KV364; and the C-major Rondo KV373. A magical and exciting experienceto perform this alongside virtuoso Jürgen Klos at the viola and Les Orpheistes Chamber Orchestra under the baton of Joel Mathias Jenny. A classic not to be missed by any violinist! Includes slow-tempo practice accompanimentsof the faster outer movements.
Around 1800 Beethoven seems to have completely distanced himself from chamber mu...(+)
Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore he did not write any new works for wind ensembles.By contrast he ennobled his Trio op. 87 originally for two oboes and cor anglais by making an additional version for two violins and viola. This charming work ispublished following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.
Après son déménagement à Vienne (1781) Mozart ne retourna qu?une seule fois...(+)
Après son déménagement à Vienne (1781) Mozart ne retourna qu?une seule fois à Salzbourg sa ville natale en l?occurrence en compagnie de sa jeune épouse Constanze de la fin juillet jusqu?à la fin octobre 1783. Ce séjour a laissé peu de traces et il semble que Mozart n?ait guère composé. Seuls deux délicieux duos pour violon et alto ont vu le jour au cours de ces quelques mois et semble-t-il uniquement par amitié pour le compositeur salzbourgeois Michael Haydn (frère cadet du grand Joseph Haydn) qui pour des raisons aiguës de santé ne pouvait répondre à une commande qui lui avait été faite. L?édition Urtext de Henle repose sur des autographes soigneusement copiés. Lapremière édition ? dont la valeur documentaire est contestée ? ne parut qu?en 1792 peu de temps après la mort de Mozart. En sus d?une partition complète de cette admirable page de musique de chambre intime la présente édition est assortie pour le confort des exécutants de parties séparées dépliables.
A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Tri...(+)
A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Trio in F sharp major for violin and viola - the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome - is, together with his Sonata a violino e viola (M.S. 108), one of the rare pieces the Genoese composer wrote for this particular ensemble. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2022-04-26/ Répertoire / Violon et Alto
The Duo for violin and viola was written in Rio in 1946.Villa-Lobos wrote relati...(+)
The Duo for violin and viola was written in Rio in 1946.Villa-Lobos wrote relatively little in the early years of the Second World War. However in the happier years from 1944 to 1946 he wrote this duo a string trio and three quartets not to mention two symphonies an opera a piano concerto and a host of less foraml works of every kind. The duo was given its first performance in New York during February 1948 by Lillian and Joseph Fuchs.
In Classic Hits For Violin And Viola well-known melodies from the Baroque Clas...(+)
In Classic Hits For Violin And Viola well-known melodies from the Baroque Classical and Romantic period are arranged by Vladimir Bodunov for Violin and Viola. Both players are of equal standing the role of soloist and accompanist changing constantly. The arrangements stand out for their fidelity to the original works.The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist in orchestras and particularly in duo with his wife Marta Danilkovich.
Viola-Violn-Many selections in this volume are unique and until now have been in...(+)
Viola-Violn-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads are available for use with this title.
To see the summer sky for Violin and Viola falls into four movements. The first ...(+)
To see the summer sky for Violin and Viola falls into four movements. The first movement opens with the two instruments sounding almost as one playing very high glassy harmonics. Gradually an expressive viola solo emerges withboth instruments descending to their lower ranges. A livelier quasi scherzando solo for violin accompanied by viola pedal notes leads to a chorale like passage the violin at the top of its range whilst the viola is at itslowest. The movement ends with the two instruments coming together once again on a unison Bb and fades away almost as it has begun but this time in the husky lower registers.The second movement is much faster and openswith a downward flurry for both instruments. A continuous pizzicato line for viola is interrupted by more violent passages in the violin. The two instruments come together in a dance-like passage before the roles are reversed.Finally an ecstatic melody surfaces in the viola and is later continued in the violin before the movement closes with the spiky figures of its opening the two instruments ending in unison.The third movement encompasses isthe most delicate and still music of the piece. After a very tranquil opening an expressive violin melody is accompanied by a gentle rocking figure in the viola. Tentative at first intensity and speed gather until the violinreaches stratospheric heights. Both of the instruments play at the extremes of their registers before moving to common ground for a more lively textural passage. This is followed by a passionate reminder of the movement’s opening gradually fading away to nothing.The piece ends with a Moto Perpetuo. The instruments begin by dovetailing a single line which develops into two strands before a more violent section appears punctuated by strident doublestops. Both instruments have slightly manic solo episodes before the movement quickly dies away in the single line of its opening