Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice

SKU: PR.31241902A

From Terra Nostra. Composed by Stacy Garrop. Set of Score and Parts. Duration 3:15. Theodore Presser Company #312-41902A. Published by Theodore Presser Company (PR.31241902A).

UPC: 680160690510. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Fanfare Band - Grade 2.5

SKU: BT.AMP-127-020

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 127-020. Published by Anglo Music Press (BT.AMP-127-020).

9x12 inches. English-German-French-Dut ch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Choral (Cd 10-Pak)

SKU: HL.226459

A Ceremony of Song. Arranged by John Leavitt. Brookfield Choral Series. Cantata, Collection, General Worship, Hymns, Sacred, Thanksgiving. CD. Published by Brookfield Press (HL.226459).

ISBN 9781495091643. UPC: 888680674816. 5.0x5.0x0.933 inches.

This thoughtful and needful work is a stellar collection of hymn classics appropriate for every time of year. Touching the heart with expressive harmonies and masterfully arranged for success, your choir will sound their very best as they explore this essential sacred repertoire. When used with the inspiring narration, this gathering of beloved hymns becomes a festival of song with a timeless message for both singers and listeners. An excellent choice for Thanksgiving, as well! Songs include: This Is My Father's World; Speak, O Lord, Your Servant Listens; The King of Love My Shepherd Is; My Faith Looks Up to Thee; Beautiful Savior; When Peace Like a River. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

Choral (ChoirTrax CD)

SKU: HL.226455

A Ceremony of Song. Arranged by John Leavitt. Brookfield Choral Series. Cantata, Collection, General Worship, Hymns, Sacred, Thanksgiving. CD. Published by Brookfield Press (HL.226455).

ISBN 9781495091612. UPC: 888680674786. 5.0x5.0x0.15 inches.

This thoughtful and needful work is a stellar collection of hymn classics appropriate for every time of year. Touching the heart with expressive harmonies and masterfully arranged for success, your choir will sound their very best as they explore this essential sacred repertoire. When used with the inspiring narration, this gathering of beloved hymns becomes a festival of song with a timeless message for both singers and listeners. An excellent choice for Thanksgiving, as well! Songs include: This Is My Father's World; Speak, O Lord, Your Servant Listens; The King of Love My Shepherd Is; My Faith Looks Up to Thee; Beautiful Savior; When Peace Like a River. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

Choral (Preview CD)

SKU: HL.226457

A Ceremony of Song. Arranged by John Leavitt. Brookfield Choral Series. Cantata, Collection, General Worship, Hymns, Sacred, Thanksgiving. CD. Published by Brookfield Press (HL.226457).

ISBN 9781495091636. UPC: 888680674809. 5.0x5.0x0.078 inches.

This thoughtful and needful work is a stellar collection of hymn classics appropriate for every time of year. Touching the heart with expressive harmonies and masterfully arranged for success, your choir will sound their very best as they explore this essential sacred repertoire. When used with the inspiring narration, this gathering of beloved hymns becomes a festival of song with a timeless message for both singers and listeners. An excellent choice for Thanksgiving, as well! Songs include: This Is My Father's World; Speak, O Lord, Your Servant Listens; The King of Love My Shepherd Is; My Faith Looks Up to Thee; Beautiful Savior; When Peace Like a River. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

Choral SATB choir, piano

SKU: PR.312419280

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280).

ISBN 9781491137925. UPC: 680160692613.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choral, Saxophone, Trombone, Alto Saxophone, Trumpet 1 & 2 (Score & Parts)

SKU: HL.35023872

Composed by Glenn W. Calcote. Arranged by Greg Gilpin. Shawnee Press. Concert, Inspirational. Shawnee Press #LB0421. Published by Shawnee Press (HL.35023872).

UPC: 747510059431. 8.5x11 inches.

Music is the universal language! This inspirational song of hope is a call for the entire world to share peace and love through music. “Together, Hand in Hand” will make a great closing number for a concert, or theme song for your choral organization. AVAILABLE: SATB; SAB; 2-Part; 2 Tpts, A.Sax, & Tbn; A/P CD.

By Carol Lynn Mizell. For SATB choir. Level 3. Sheet Music. Published by Chorister's Guild

(Cello, Flute)

SKU: HP.C5592C

Composed by Vicki Tucker Courtney. Piano with Optional Flute, Harp & Cello. Christmas, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5592C. Published by Hope Publishing Company (HP.C5592C).

UPC: 763628955922. Herb Frombach. Luke 2:6-7.

Christmas ballad This new Christmas ballad by Vicki Tucker Courtney and Herb Frombach captures the essence of the manger scene, as Mary sings a gentle cradlesong to the newborn Child. For SATB voices, this charming lullaby is ideal for Christmas Eve. The optional flute part is included in the score, and cello and harp parts are available separately, adding to its elegant beauty. The reproducible flute part is included in the anthem. The Instrumental packet contains a Conductor's Score and parts for Flute, Harp and Cello.

(Imagine / Happy Xmas (War Is Over) (For Mallet Ensemble, Bass Guitar and Drumset) (For 8 Players)). Composed by John Lennon and Yoko Ono. Arranged by Jeff Moore. For Multi Percussion Ensemble. Part(s); Percussion - Ensemble; Score. Alfred's Pop Mallet Ensemble Series. Form: Medley. Christmas; Winter. 22 pages. Published by Alfred Music

Choral (ChoirTrax CD)

SKU: HL.301728

Arranged by John Leavitt. Sacred Choral. General Worship, Sacred, Spiritual. CD. Duration 240 seconds. Published by Hal Leonard (HL.301728).

UPC: 888680966041. 5.0x5.0x0.184 inches. Isaiah 35:8, Psalm 119:19, Psalm 56:8.

From the Bound for Glory collection, this highly recognized spiritual carries in its essence the longing for peace and rest. The bittersweet spirit is front and center in an arrangement replete with lyrical keyboard and thoughtful part writing. As the song of the sojourner rises and falls with the crescendo of the words, one imagines a homecoming just over the hill with each hopeful verse. Sensitive writing! Score and Parts (pno, perc 1-2, vn 1-2, va, vc, db) available as a digital download.

SKU: HP.9131

Musicals for Adults. Advent, Christmas. Choral score. 80 pages. Hope Publishing Company #9131. Published by Hope Publishing Company (HP.9131).

UPC: 763628191313. Joel Raney.

AVAILABLE NOW! This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. An original composition, Love Is Born is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion filled climax. In between, the Christmas story is told through scriptural narration and familiar carols set in a variety of styles ranging from jazz to gospel to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.

Choral (Studiotrax CD)

SKU: HL.334951

Composed by Heather Sorenson. Shawnee Sacred. General Worship, Sacred. CD. Duration 310 seconds. Published by Shawnee Press (HL.334951).

UPC: 840126910728. 5.0x5.0x0.151 inches. Colossians 1:27, I Peter 5:10, Jeremiah 29:11.

Speaking timeless truths to troubled times, this new sacred song envelops the listener in the promise of security and hope. An impressive ballad-styled melody and accompaniment are only the beginning with this piece. Shimmering chords punctuate the solo writing and add a level of beauty rarely seen in this style. The challenge to embrace a hopeful world and work together to bring about the peaceable kingdom is a challenge that every church needs to hear. Ministry and artistry! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, perc 1-2, timp, pno, vn 1-2, va, vc, db) available as a digital download.

Brass Band - Grade 2.5

SKU: BT.AMP-127-030

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 127-030. Published by Anglo Music Press (BT.AMP-127-030).

9x12 inches. English-German-French-Dut ch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging, are augmented with exquisite solo figures for cornet and flugel horn. Once you have played this you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezicht te geven.Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van Philip Sparkeprachtig naar voren.

Jeanie with the Light Brown Hair stammt von Stephen Foster, der im 19. Jahrhundert in Amerika lebte und zahlreiche heute noch bekannte Lieder komponierte. Viele seiner Lieder handeln von der Befreiung der Sklaven, dieses Lied widmete er jedoch seiner Frau während einer langen, unfreiwilligen Trennung von Ihr. Mit Philip Sparkes sensibler Bearbeitung für Brass Band springt der Funke des romantischen Liedes garantiert auf Musiker und Publikum über!

There is a popular misconception that Stephen Collins Foster (1826—1864) found success as a song-writer writing many of his songs aiming to ‘humanise’ the black American slaves. He was a meticulous worker and sometimes spent months perfecting the lyrics of a song. His first success was Oh! Susanna (1848) and as his popularity grew he moved with his young family to New York to be near his publishers. This was not a success and Jane, his wife and Marion, his daughter, moved back to Pittsburgh in 1854. Foster wrote Jeanie with the Light Brown Hair as a result of her continued absence. Philip Sparke’s arrangement of this beautiful song will make an excellent slowinterlude in any concert.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice

SKU: PR.31241902S

From Terra Nostra. Composed by Stacy Garrop. Full score. Duration 3:15. Theodore Presser Company #312-41902S. Published by Theodore Presser Company (PR.31241902S).

UPC: 680160690589. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Parts Chamber Group, Oboe, Bassoon, French Horn, Violin, Cello

SKU: HL.14030986

For Oboe, Bassoon, Horn, Violin, and Cello Parts. Composed by Bent Sorensen. Music Sales America. Classical. Set of Parts. 64 pages. Edition Wilhelm Hansen #KP00198. Published by Edition Wilhelm Hansen (HL.14030986).

ISBN 9788759873663.

Work for Oboe, Bassoon, Horn, Violin and Cello. Score available: KP00197 The composer writes: 'The Quintet TROTTO was composed in the spring 1983 to the Western Jutland Chamber Ensemble, who premiered the work in June the same year. A quiet and pastoral music with calling horns and folk musical fragments of melodies are through the three movements of the piece met by a manic and stressed music among others created by mecanical sound repetitions and breathless musical oscillations. The two characters overshadow eachother and incessantly the peace is infiltrated with mania so that the resting points of the music disappear. 'Trotto' is the name of an old Italian dance, which rhythm is apparent as an enervating violin rhythm in the middle of the first movement'.

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choir

SKU: HP.C6135R

Composed by Mary McDonald. General Worship, Trust & Unity, Sacred. Rhythm Parts. Hope Publishing Company #C6135R. Published by Hope Publishing Company (HP.C6135R).

UPC: 763628261351. Shirley Erena Murray.

Original gospel song This popular text, which has found its way into many modern day hymnals, recognizes our role as creator of justice and joy, compassion and peace. Paired with an original gospel melody, this is a catchy re-imagining of a modern hymn.

Rhythm Parts: Conductor's Score, Piano, Synthesizer (B3 Organ Patch), Capo Electric Guitar, Electric Bass, Percussion and Drums.

Choir

SKU: HP.C6135C

Composed by Mary McDonald. General Worship, Trust & Unity, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6135C. Published by Hope Publishing Company (HP.C6135C).

UPC: 763628961350. Shirley Erena Murray.

Original gospel song This popular text, which has found its way into many modern day hymnals, recognizes our role as creator of justice and joy, compassion and peace. Paired with an original gospel melody, this is a catchy re-imagining of a modern hymn.

Rhythm Parts: Conductor's Score, Piano, Synthesizer (B3 Organ Patch), Capo Electric Guitar, Electric Bass, Percussion and Drums.