Carntat for the fourth
Sunday after Easter.
Composed by Johann
Sebastian Bach. Edited by
Ute Poetzsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Wo Gehest Du
Hin? Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Double Bass. Composed
1724. BWV 166. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.166/14. Published by
Carus Verlag
(CA.3116614).
ISBN
9790007209179. Text
language:
German/English.
The
cantata BWV 166 is among
the church works which
were performed during
Bach's first year in
office at Leipzig. It was
heard for the first time
on Sunday the 7th May
1724. Its tonal language
is plastic and fervent,
emphasized especially by
the prominent role of the
obbligato oboe and by the
decoration of the chorale
by the strings. The
present edition gives a
reading which interprets
the surviving original
material afresh. Score
and part available
separately - see item
CA.3116600.
Sacris solemniis Chorale SATB SATB A Cappella CanticaNOVA Publications
Composed by Claudio Casciolini. Arranged by Timothy Flynn. A beautiful, yet easy...(+)
Composed by Claudio
Casciolini. Arranged by
Timothy Flynn. A
beautiful, yet easy
addition to your choir's
Eucharistic repertoire,
this motet by the former
Maestro di cappella at
the church of San Lorenzo
in Damaso (Rome) features
comfortable vocal ranges
and primarily homophonic
textures with some
imitative count.
Communion, General.
Published by CanticaNOVA
Publications (C5.7085).
SATB & Organ SKU: SU.80200519 For SATB & Organ. Composed by Daniel...(+)
SATB & Organ
SKU:
SU.80200519
For
SATB & Organ.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral.
Accompanied by organ.
Choral Octavo. Subito
Music Corporation
#80200519. Published by
Subito Music Corporation
(SU.80200519).
20 page octavo
Duration: 5'44 Published
by: Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (include the
organization name with
your request). To order
quantities fewer than
8.
Music from the Original Motion Picture Soundtrack. This edition: Piano/Vocal/...(+)
Music from the Original
Motion Picture
Soundtrack.
This edition:
Piano/Vocal/Guitar.
Piano/Vocal/Chords; Shows
and
Movies; Solo. Movie; Pop.
Book. 104 pages. Alfred
Music
#00-47776. Published by
Alfred Music
Choral (SATB) SKU: HL.1194269 From Avatar: The Way of Water. ...(+)
Choral (SATB)
SKU: HL.1194269
From Avatar: The Way
of Water. By The
Weeknd. By Abel Tesfaye.
Arranged by Mark A.
Brymer. Pop Choral
Series. Disney,
Motivational, Movies,
Multicultural, Pop.
Octavo. Duration 215
seconds. Published by Hal
Leonard (HL.1194269).
UPC: 196288133513.
6.75x10.5
inches.
Avatar: The
Way of Water was released
in movie theaters 13
years after the original,
yet it proceeded to scoop
up nearly every box
office record along the
way. This introspective
song by The Weeknd makes
us ponder the importance
of family (while
including diction
opportunities in the
unique â??Na'viâ?
language)!
SATB & Piano SKU: SU.80200105 For SATB & Piano. Composed by Daniel...(+)
SATB & Piano
SKU:
SU.80200105
For
SATB & Piano.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. Choral
Octavo. Subito Music
Corporation #80200105.
Published by Subito Music
Corporation
(SU.80200105).
16 page octavo
Published by: Dunstan
House Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (Please include the
organization name with
your request). To order
quantities less than
8.
TTBB a cappella SKU: SU.80209603 For TTBB a cappella. Composed by ...(+)
TTBB a cappella
SKU:
SU.80209603
For
TTBB a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Subito Music Corporation
#80209603. Published by
Subito Music Corporation
(SU.80209603).
Men’s
version of the SATB
classic 8 page octavo
Published by: Dunstan
House Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (Please include the
organization name with
your request). To order
quantities less than
8.
SATB choir, assembly, organ accompaniment SKU: GI.G-008783 More Bright...(+)
SATB choir, assembly,
organ accompaniment
SKU: GI.G-008783
More Bright than Day /
O Wondrous Type / O
Vision Fair!.
Composed by Christopher M
Wicks. Lent, Lent 2 A,
Lent 2 B, Children.
Sacred. Octavo. 8 pages.
GIA Publications #008783.
Published by GIA
Publications
(GI.G-008783).
UPC:
641151087832. Text
Source: O Nata Lux de
Lumine, O Wondrous Type!
O Vision Fair!
From
its charming organ part
to its gradual growth of
texture in the choral
writing, this will prove
to be an ideal choice for
choirs looking for a well
written anthem in a
traditional style. The
two texts are by Laurence
Housman (O Nata Lux de
Lumine) and a
fifteenth-century office
hymn by John Neale (O
Wondrous Type! O Vision
Fair!‚).
SATB a cappella (divisi) SKU: SU.80209508 For SATB a cappella (divisi)...(+)
SATB a cappella (divisi)
SKU: SU.80209508
For SATB a cappella
(divisi). Composed by
Daniel E. Gawthrop.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Subito Music Corporation
#80209508. Published by
Subito Music Corporation
(SU.80209508).
Combines sacred
text with tune All
Through the Night 12 page
octavo Duration: 3'43
Text: R. Heber (1827), W.
Mercer (1864), R. Whately
(1787-1863) Published by:
Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (include the
organization name with
your request). To order
quantities fewer than
8.
SATB a cappella SKU: SU.80209804 For SATB a cappella. Composed by ...(+)
SATB a cappella
SKU:
SU.80209804
For
SATB a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Subito Music Corporation
#80209804. Published by
Subito Music Corporation
(SU.80209804).
A Gaelic prayer
from early Christian
traditional sources
Duration: 3'56 8 page
octavo Published by:
Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (include the
organization name with
your request). To order
quantities fewer than
8.
Beetlejuice Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
(From Tim Burton's 1988 Blockbuster Film Beetlejuice). Composed by Da...(+)
(From Tim Burton's
1988
Blockbuster Film
Beetlejuice). Composed by
Danny Elfman. Arranged by
Douglas E. Wagner.
Concert
Band. Concert Band;
Part(s);
Score. Pop Young Band.
Movie. Grade 2. 126
pages.
Published by Alfred Music
Shredder Orchestre d'harmonie - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2338-01 Composed by Sciaino. Young Concert Band. Extr...(+)
Grade 2
SKU:
CL.RWS-2338-01
Composed by Sciaino.
Young Concert Band. Extra
score. Composed 2023. RWS
Music Company
#RWS-2338-01. Published
by RWS Music Company
(CL.RWS-2338-01).
Once a reliable
and trustworthy office
machine, Shredder has
fallen from grace to seek
revenge on its sworn
enemies and
arch-nemeses… the
teachers. After a long
relationship of perceived
disrespect, this dark
lord of xerox, will stop
at nothing as it crunches
and crinkles its way
towards revenge.
Ultimately, the gut
wrenching tones of the
paper jam prevail but not
before everyone has a
blast bringing the story
to life! Hilarious sound
files are provided to
help the narrative or,
alternatively, a guest
narrator (perhaps a
school administrator) can
add a really fun element
to any concert!
SATB a cappella SKU: SU.80200208 For SATB a cappella. Composed by ...(+)
SATB a cappella
SKU:
SU.80200208
For
SATB a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Subito Music Corporation
#80200208. Published by
Subito Music Corporation
(SU.80200208).
Suitable for
memorial occasions; lush
harmonic setting Text:
adapted from scripture by
Jane Griner 12 page
octavo Published by:
Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (Please include the
organization name with
your request). To order
quantities less than
8.
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626
For Violin and
Piano. Composed by
Samuel Coleridge-Taylor.
String. Softcover. 14
pages. Schott Music
#ED14074. Published by
Schott Music
(HL.49046626).
UPC:
842819114628.
9.0x12.0x0.07
inches.
Samuel
Coleridge-Taylor was paid
three guineas for the
publishing rights to his
Suite de Pièces by
Schott & Co. London
on 24 December 1892 when
the composer was just 17
years old. In the
following year the work
was published by Schott
Music's German office in
versions for both violin
with piano and violin
with organ.
Coleridge-Taylor was born
in London and brought up
in Croydon. He learnt to
play the violin, was
recognized as a child
prodigy and at 15 was
awarded a scholarship to
study at the Royal
College of Music with
Charles Villiers
Stanford, where he was a
contemporary of Holst and
Vaughan Williams.
Coleridge-Taylor
described himself
Anglo-African and,
despite support from his
colleagues, faced racism
throughout his whole
career. In spite of this
prejudice and his
tragically early death in
1912 aged just 37, he
enjoyed great success
during his lifetime and
his music was performed
at the Proms no less than
116 times between 1898
and 1939. In contrast,
since 1940 his music has
only been heard there on
eleven occasions. Like
many works, at some point
in the past Suite de
Pièces became out of
print. Schott Music is
very proud to present
this new modern
performing edition of the
version for violin and
piano. Errors and
inconsistencies from the
first edition have now
been corrected.
Organ SKU: ST.EC65 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ
SKU: ST.EC65
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC65. Published by
Stainer and Bell Ltd.
(ST.EC65).
ISBN
9780852499719.
EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
Containing music
exclusively from Add. MS
29996, EECM65 includes
updated composer
biographies compiled by
David Mateer, and
introductory notes for
the two volumes on cantus
firmus techniques and
metrical structure,
counterpoint and musica
ficta, alternatim
practice, and an
historical account of the
early English
organ.
In addition
to numerous anonymous
titles, composers found
in these volumes include
Avery Burnett, Robert
Coxsun, William Kyrton,
Thomas Preston, John
Redford, Philip ap Rhys,
Edmund Strowger, Thomas
Tallis, John Thorne,
Robert White and Richard
Wynslate.
Choir, Organ Accompaniment (SATB Choir) SKU: HL.48021285 From Saint Ni...(+)
Choir, Organ
Accompaniment (SATB
Choir)
SKU:
HL.48021285
From
Saint Nicolas SATB and
Organ. Composed by
Benjamin Britten. Boosey
& Hawkes Sacred Choral.
Classical. Octavo. 8
pages. Boosey & Hawkes
#M051482504. Published by
Boosey & Hawkes
(HL.48021285).
ISBN
9781458471598. UPC:
884088658458. 6.75x10.5
inches.
Text: Eric
Crozier
Publisher:
Boosey &
Hawkes
Difficulty
level: 3
Saint
Nicolas (note the name
has no 'H' in it!) was
written for the centenary
of Lancing College in
Sussex, the independent
secondary boarding school
on the south coast of
England which Peter Pears
had attended in his
teens. It has a vast
chapel intended by its
founder, Revd Nathaniel
Woodard, as the cathedral
for all the schools of
his extensive foundation
known collectively as
'Woodard' schools. St.
Nicolas is famous for
many legendary miracles
and for being the
original 'Santa Claus'.
Crozier's libretto is
designed to tell the
story of his life, to
recount some of his most
celebrated acts and to
give the
audience/congregation the
opportunity of joining in
two beautiful hymns at
key moments: 'All people
that on earth do dwell'
and 'God moves in a
mysterious way his
wonders to perform'. The
narration is all done by
the choir, though the
tenor sings first-person
narratives as well in his
role as the mature
Nicolas. The young
Nicolas is sung by a boy
in movement II. There is
a dramatic moment at the
end of this movement when
the boy's voice does a
tumble and the tenor
proclaims in the voice of
Nicolas as a young man:
'God be
glorified'.
The
third movement is an
accompanied recitative in
which the soloist sings
of Nicolas devoting
himself to God through
the agonies and torment
of the many distractions
and temptations of life.
His faith wins through
and he sings a final
touching phrase: 'and
Love was satisfied'. The
sea whips up a storm in
the next movement: 'He
journeys to Palestine'.
It threatens to overturn
the ship and drown
everyone on board. There
is wailing from the
sopranos and altos of the
semi-chorus and agonised
calls from the tenors and
basses to 'man the
pumps'. Finally, Nicolas
begs God to let the storm
cease and offers thanks
for their safe delivery.
Britten creates a
palpable sense of relief
in the final
pages.
In the
fifth movement, 'Nicolas
comes to Myra and is
chosen Bishop', the choir
sings chorale-like
phrases welcoming him as
their new Bishop. They go
through his ceremonial
dressing with all the
accoutrements of his
office, the mitre,
crozier (nice pun on the
librettist's name), robe
and ring. An energetic
chorus 'Serve the faith
and spurn his enemies'
leads to the first great
hymn - a wonderfully
climactic moment.
Britten's arrangement is
suitably
uplifting.
The
final movement tells of
Nicolas' death and the
work ends with the other
great hymn: 'God moves in
a mysterious way'.
This work
demonstrates to me
Britten's generosity of
spirit and his natural
feeling for enriching the
repertoire at all levels
of attainment. What a
gift!
For
SATB, soloists &
Orchestra. Composed
by Daniel E. Gawthrop.
Vocal/Choral, Sacred
Choral, Orchestra. Choral
Octavo. Subito Music
Corporation #80200505.
Published by Subito Music
Corporation
(SU.80200505).
2,1 2 3 2;
4331; timp, perc, harp;
stgs Duration: 23'21
Text: Jane Griner 1.
Spring (5'19); 2. Summer
(5'52); 3. Autumn (3'50);
4. Winter (8'20)
Conductor's score:
available for sale
(#80200506) Set of
instrumental parts:
available for sale
(#80200507) Published by:
Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (include the
organization name with
your request). To order
quantities fewer than
8.
by Earl Gately. For electric bass. Basic Series. All styles, Rhythm Band, Inc. L...(+)
by Earl Gately. For
electric bass. Basic
Series. All styles,
Rhythm Band, Inc. Level:
Beginning. Book. Licks
and phrases. Size
8.75x11.75. 32 pages.
Published by Mel Bay
Pub., Inc
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-20. Published by
Breitkopf and Haertel
(BR.OB-32090-20).
ISBN
9790004350430. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
