English Christmas song. Par OWEN EDWARDS JOHN. A delightful Christmas sequence of three traditional English carols (Sussex Carol, Lute Book Lullaby and Gloucestershire Wassail, for choir and harp (or piano) accompaniment. An ideal accompaniment piece to Britten's A Ceremony of Carols for choral societies, school and church choirs./ Recueil / Choeur Mixte (SATB) et Harpe ou Piano

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away, come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains/ Répertoire / SATB

Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear. The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass. Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike. A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece. Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. A Summer Sonnet [Olson, Kevin] Be Not Afeard [Joubert, John] Blow, Blow, Thou Winter Wind [Arne, Thomas] Daffodils [Wertsch, Nancy] Fear No More [Sondheim, Stephen] Fear No More [Tavener, John] Four Rounds To Shakespeare Texts [Gardner, John] Full Fathom Five [Wood, Charles] How Sweet The Moonlight Sleeps [Leslie, Henry] Hymn For Shakespeare's Birthday [Berkeley, Lennox] If We Shadows Have Offended [Hughed, Bernard] It Was A Lover And His Lass [Harris, Matthew] Light Thickens [Sisson, Richard] Lo, Here, The Gentle Lark [Carpenter, Gary] Look In Thy Glass [Tavener, John] O Mistress Mine [Wertsch, Nancy] O, How Much More [Crabtree, Paul] Ophelia's Lament [Mealor, Paul] Orpheus [Weir, Judith] Orpheus With His Lute [Schuman, William] Rosemary [Helldén, Daniel] Shall I Compare Thee To A Summer's Day? [Larsen, Libby] Sigh No More, Ladies [Moeran, Ernest] Tell Me Where Is Fancy Bred [Harris, Matthew] Weary With Toil, I Haste Me To My Bed [Lukaszewski, Pawel] Who Is Silvia? [Harris, Matthew]

An original, flowing ballad with a text about life, 'moving forward like a river running free'. Simple part writing in all voicings. The haunting opening and closing may be sung by a soloist or soloists of any voice part. Add two flutes (included in the publication) for a sensitive accompaniment. Great melody...lovely to sing for any age choir. / Choeur Mixte (SATB)

Par SCHULTZ DONNA GARTMAN. Donna Gartman Schultz's Reeds Of Innocence for SATB choir, with flute and piano accompaniment./ Feuillet / Choeur Mixte (SATB), Flûte Traversière et Piano

Full score for Messe De Minuit (Julenatsmesse/Mass On Christmas Night) by the French composer Marc-Antoine Charpentier.This piece is for SATB, Flute (x2) and Violin (x2). / Choeur Mixte (SATB), Flûte Et Violon

Klavierauszug nach dem Urtext der Haydn-Gesamtausgabe

Edition : Piano Reduction/Vocal Score
Editor : Thomas, Günter
Binding : paperbound
Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Flute, 2 Oboe, 2 Clarinet (b flat), Bassoon, 2 Horn, 3 Trumpet, Kettledrum, Strings, Basso continuo

Warm and inviting, this communion anthem is filled with hope. The words and music are perfectly matched. Add the optional flute obbligato for a nice touch. 'So come, feast, be not afraid...come taste and see where peace is made.' / Choeur Mixte (SATB)

Create a moving worship experience for your church and community with The Final Hours. Three moving anthems are woven together with the spoken word, focusing on Christ's final earthly hours. Perfect for a Good Friday service (or performed as separate anthems during Holy Week), this suite is easily prepared and presented, yet highly effective. Add the optional flute and cello obbligatos to enhance the overall presentation. / Choeur Mixte (SATB)

Par FORBES JOANNA / L'ESTRANGE A.. An Irish Blessing is a choral setting for upper voices and piano or organ of the traditional Gaelic prayer which begins 'May the road rise to meet you'. Its gentle melody unfolds slowly, beginning in unison and building to a fuller choral texture with a descant in the third verse. The optional flute part adds a folk-like quality and, in addition to the wide dynamic range indicated, further textural variety can be achieved with opportunities for a soloist or small group of singers. Perfect for school choirs, weddings, church services, any leaving celebration or a concert programme. The Faber Choral Signature Series introduces a wealth of new or recently writtenchoral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Feuillet / Chant

Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xaver Sussmayr, in its traditional form. Mozart's final work, the Requiem K. 626, was left incomplete and it is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22. 5 x 16. 5cm (TP152) available for sale - Facsimile edition BVK2346/ Répertoire / Orchestre

Two beloved Christmas songs captured in one dramatic setting! Flowing quite naturally from 'Silent Night, Holy Night' to 'O Holy Night,' then pairing the two, this ingenious setting is beautifully done! In 3 voicings for treble and mixed choirs, and singers of all ages! Optional flute part included. / Choeur Mixte (SATB)

An outstanding arrangement combines the French carol Pat-A-Pan with the Spanish carol Fum, Fum, Fum, and new texts by arranger Philip Kern. The joyous yuletide feel is infectious. Optional flute and percussion (finger cymbals and snare drum) are included in the publication. The arrengement begins simply and builds as the two melodies join to a full-sounding finish. A joy to sing. / Choeur Mixte (SATB)

Zakpartituur. Par MOZART WOLFGANG AMADEUS. The Magic Flute remains Mozart's most popular opera worldwide to this day. Schikaneder’s Freihaustheater auf der Wieden was a theatre in the suburbs of Vienna. It was a kind of people’s theatre with a corresponding repertoire and its attraction for the public was due not least to the use of spectacular stage effects. The concept ‘machine-comedy’ refers to the theatrical genre to which “The Magic Flute” owes its origins, and to which the work originally belonged. The premiere was given on 30 September 1791, conducted by Mozart. Urtext of the New Mozart Edition Full score (BA4553-01), vocal score (BA4553-90) and study score format22. 5 x 16. 5cm (TP155) available for sale Performance material (BA4553-72 available for hire/ Répertoire / Partition de Poche