Vocal Score-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

Violin 2-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann's 'uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius' melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called 'Ausfüllungsbass' (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg's churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

TVWV 4:17-Georg Philippp Telemann's Du Aber Daniel Gehe Hin for SATB and Piano.With the final verse of the Book of Daniel from the Old Testament and a related cantata text Telemann mourns the death of a prominent but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar the Kantor of the Nikolaikirche in Berlin to whom we owe the survival of this work contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata.

The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs. The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked to remove their swords, and ladies the hoops in their dresses. The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by King George II at the work's opening run in London in 1743. / SATB Et Orgue

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'. As an individual piece this song arranged for SATB Voices with Piano accompaniment is perfect for Christian settings especially during the Christmas season.

This funeral anthem for SATB and orchestra was composed for and performed at the funeral of Queen Caroline consort of George II in Westminster Abbey on 17 December 1737. This vocal score is edited by Watkins Shaw and includes a piano reduction of the orchestral score.Duration approximately 50 mins.

George Frideric Handel's Lord I Trust Thee for SATB choir and Organ From The Passion of Christ.

Coronation Anthem for King George II for SAATB Choir edited by Donald Burrows. Can also be performed SATB choir.

Vocal score for George Frideric Handel's Acis And Galate for Tonic Sol-Fa and SATB Chorus.

The 'Hallelujah' Chorus arguably the most famous choral work of the western classical tradition is the closing number of the second part of Handel's Messiah.Such is the strength of Handel's word setting that this empathic triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected remaining a firm favourite with choirs.The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event held in aid of local causes and in order to get the maximum attendance at Neale's new music hall in Fishamble Street men were asked to removetheir swords and ladies the hoops in their dresses.The tradition of standing during performances of the 'Hallelujah' Chorus still indulged at some performances in Britains is said to have been started by King George II at the work's opening run in London in 1743.

The King Shall Rejoice is a Coronation Anthem for King George II. Scored for six-part choir SAATBB although with some modifications can be used for SATB. The accompaniment presents a practical keyboard representation of the orchestral accompaniment. Edited by Damian Cranmer.

Coronation Anthem for King George II for SAATB Choir edited by Donald Burrows. Can also be performed SATB choir.

Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale

Par HAENDEL GEORG FRIEDRICH. A sacred oratorio arranged for SATB with piano part. Edited, with piano reduction, by Watkins Shaw. Paperback Edition, large print. Printed on 364x257 paper./ Répertoire / Choeur Mixte SATB et Piano