(1989)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the...(+)
(1989)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the GRAMMY®-winning Metropolis Symphony has entered the orchestral repertoire and been performed by orchestras all over theworld.Metropolis Symphony is a five-movement musical response to the world of Superman and Oh Lois! invokes Lois Lane news reporter at the Daily Planet alongside Clark Kent (alias Superman). Marked withthe tempo “faster than a speeding bullet ” this five-minute movement is a lively polyrhythmic counterpoint that suggests a cartoon history of mishaps screams dialogue crashes and disasters all in rapid motion.Duration - ca. 5:00
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The ...(+)
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-Dûm), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its première in Brussels on 15th March 1988, performed by the The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The ...(+)
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-Dûm), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its première in Brussels on 15th March 1988, performed by the The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The ...(+)
from Symphony No. 1 - The Lord of the Rings. Johan de Meij?s first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band, arranged by the composer has the following movements: I. GANDALF (The Wizard), IV. JOURNEY IN THE DARK (The Mines of Moria and The Bridge of Khazad-Dûm), V. HOBBITS. The symphony was written in the period between March 1984 and December 1987, and had its première in Brussels on 15th March 1988, performed by the The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra.
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted fromlute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted fromlute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
As the conductor of the National Theatre Orchestra in Olso Johan Halvorsen was ...(+)
As the conductor of the National Theatre Orchestra in Olso Johan Halvorsen was primarily a composer of incidental and stage music. The Suite Ancienne Op.31 was arranged by the composer in 1911 from his music for the Holberg Play The Lying-In Room as a full concert work.
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto).
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto).
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto).
Faced with the daunting legacy of Beethoven's symphonic works Brahms took twent...(+)
Faced with the daunting legacy of Beethoven's symphonic works Brahms took twenty years to shape his first symphony- a masterpiece that premiered in 1876 to great critical acclaim. The expansive Symphony No.1 perfectly displays Brahm's ability to organise a variety of moods into a coherent whole. Published in full score ideal for study purpose.