Urtext of the Rachmaninoff Complete Works - Volume 2. Composed by Sergei R...(+)
Urtext of the
Rachmaninoff
Complete Works - Volume
2.
Composed by Sergei
Rachmaninoff (1873-1943).
Edited by Valentin
Antipov.
Sheet music. For the
first
time, Rachmaninoff's
complete works for piano
solo are published in
eight
volumes. The practical
urtext editions with
unreduced musical text
from
the Rachmaninoff Critical
Edition contain detailed
information on the
history
of the compositio.
Classical. Softcover. 240
pages. Russian Music
Publishing #RMP3402.
Published by Russian
Music
Publishing
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperbac...(+)
Mixed Voices a cappella
SKU: BT.EMBZ6725
Extended and revised
paperback edition.
Composed by Zoltan
Kodaly. Hymns & Chorals.
Book Only. Composed 1972.
404 pages. Editio Musica
Budapest #EMBZ6725.
Published by Editio
Musica Budapest
(BT.EMBZ6725).
This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Essential Home Library Seri...(+)
This edition:
Piano/Vocal/Chords. P/V/C
Mixed Folio. Essential
Home Library Series.
(Wolfgang Amadeus Mozart)
* Moonlight Sonata (First
Movement). Level: (Ludwig
van Beethoven) * Ode to
Joy (Ludwig van
Beethoven) * Pavane
(Maurice Ravel) * Prelude
in A Major (Frederic
Chopin) * Rondo alla
Turca (Wolfgang Amadeus
Mozart) * Sonata No. 1 in
C Major (First Movement)
(Wolfgang Amadeus Mozart)
* Trumpet Tune (Jeremiah
Clarke), and many more.
Book. 144 pages.
Published by Alfred
Publishing.
Piano Accompaniment, Soprano SKU: HL.329321 Soprano Edition. Compo...(+)
Piano Accompaniment,
Soprano
SKU:
HL.329321
Soprano
Edition. Composed by
Various. Edited by
Richard Walters. Vocal
Collection. Broadway,
Musicals. Softcover. 200
pages. Published by Hal
Leonard (HL.329321).
ISBN 9781540083432.
UPC: 840126905694. 9x12
inches.
134 songs
particularly good for
auditions have been
selected from Volumes 1-7
of the Singer's Musical
Theatre Anthology and
professionally edited for
a 30-40 second ?16-bar?
version, retaining the
original
key.
Contents: Ah!
Sweet Mystery of Life ?
All That Matters ? Almost
Real ? Another Suitcase
in Another Hall ? Another
Winter in a Summer Town ?
Art Is Calling for Me ?
The Beauty Is ? Bewitched
? Beyond My Wildest
Dreams ? A Call from the
Vatican ? Can't Help
Lovin' Dat Man ? Children
of the Wind ? Children
Will Listen ? Come to My
Garden ? Cry like the
Wind ? Daddy's Girl ?
Dear Friend ? Falling in
Love with Love ? Feelings
? Follow Your Heart ? For
the First Time in Forever
(Broadway Version) ? From
Chopin to Country ? The
Glamorous Life ? Glitter
and Be Gay ? The Golden
Ram ? Gooch's Song ?
Green Finch and Linnet
Bird ? Hello, Young
Lovers ? Home ? Home ?
How Lovely to Be a Woman
? I Could Have Danced All
Night ? I Don't Know His
Name ? I Don't Know What
I'd Do Without You ? I
Feel Pretty ? I Have a
Love ? I Have Confidence
? I Have Dreamed ? I Have
to Tell You ? I Know It's
Today ? I Wonder What
Became of Me ? I'll Know
? I'm Leaving You ? I've
Decided to Marry You ? If
I Loved You ? If I Were a
Bell ? In His Eyes ? In
My Life ? Inside Out ? Is
It Really Me? ? It Never
Was You ? Let Us Be Glad
? Like a Woman Loves a
Man ? Listen to Your
Heart ? Love, Look Away ?
Love Makes Such Fools of
Us All ? Lovely ? Make
Believe ? Matchmaker ?
Migratory V ? Mister Snow
? Moonfall ? Morning
Person ? Mr. Right ? Much
More ? My Favorite Things
? My Funny Valentine ? My
Lord and Master ? My Ship
? My True Love ? My White
Knight ? Nelson ? Never ?
No One Is Alone - Part I
? No Other Love ? Not a
Day Goes By ? Nothing Is
Too Wonderful to Be True
? Nothing Stops Another
Day ? Old Maid ? On the
Steps of the Palace ?
Once You Lose Your Heart
? One Boy (Girl) ? One
More Kiss ? Only Love ?
Out of My Dreams ? People
Will Say We're in Love ?
Practically Perfect ?
Raining ? Raunchy ?
Ribbons down My Back ?
Rosa's Confession ? The
Saga of Jenny ? The
Secret Service ? Show Me
? The Simple Joys of
Maidenhood ? So in Love ?
So Many People ? Some
Things Are Meant to Be ?
Somebody, Somewhere ? The
Song That Goes like This
? Sons of (Fils De) ?
Soon ? Speak Low ? Take
Me to the World ? Ten
Minutes Ago ? Thank
Goodness ? That Dirty Old
Man ? That'll Show Him ?
There's a Small Hotel ?
There's Music in You ?
Think of Me ? This Is All
Very New to Me ? This
Place Is Mine ? Till
There Was You ? To Build
a Home ? Too Much in Love
to Care ? Tour de France
? Unexpected Song ?
Unusual Way ? Vanilla Ice
Cream ? Waiting ? Waitin'
for My Dearie ? What More
Do I Need? ? When Did I
Fall in Love ? When He
Sees Me ? When There's No
One ? Where or When ?
When Was I Born? ? Will
He Like Me? ? Will You? ?
Wishing You Were Somehow
Here Again ? With You ?
Without You ? The Wo.
Guitar SKU: HL.50510141 Performace Pieces, Etudes and Technical Exerci...(+)
Guitar
SKU:
HL.50510141
Performace Pieces,
Etudes and Technical
Exercises for
Advanced. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
5. Baroque, Classical,
Hungarian, Renaissance.
Softcover. 108 pages.
Editio Musica Budapest
#Z12891. Published by
Editio Musica Budapest
(HL.50510141).
ISBN
9790080128916. UPC:
073999708516. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Erzsebet Nagy;
Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since its
first edition, the
musical interests of
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty,so that
students can spend longer
on a varied repertoire at
their respective level.
We have determined the
works in the volume V
which demand a more
developed technique and
musicality to extend the
repertoire of those who
wish to study further.
The transcription of lute
works has sometimes made
significant compromises
necessary. However, in
our view, it is a
significant gain that
students can get to know
a Dowland fantasy or an
early English Baroque set
of variations. This
volume comprises 44
concert pieces from the
early 17th to the 20th
centuries, 18
advanced-level studies by
Carcassi, Coste,
Giuliani, and Sor, as
well as several
advanced-level technical
exercises. Besides
original works by
Giuliani, Sor, Tarrega,
and others, it features
several transcriptions of
works by Dowland, Rameau,
J. S. Bach, and D.
Scarlatti.
By Chris Tedesco. This edition: Paperback. Instructional. Blues, Jazz. Conductor...(+)
By Chris Tedesco. This
edition: Paperback.
Instructional. Blues,
Jazz. Conductor's score
and 2 CDs. Text Language:
English. 112 pages.
Published by Santorella
Publications
Piano - intermediate to difficult SKU: HL.49045232 For Piano. Comp...(+)
Piano - intermediate to
difficult
SKU:
HL.49045232
For
Piano. Composed by
Renato de Grandis. This
edition: Saddle
stitching. Sheet music.
Piano. The 48 Preludi are
either short sketches or
expansive concert pieces
which also allude to
types of setting or
themes from the piano
music since Scarlatti.
Suitable for music
lessons and competitions,
either individually, in
freely formed groups or
as a cy. Classical.
Softcover. Composed
1999-2000. 46 pages.
Duration 32'. Schott
Music #ED22099. Published
by Schott Music
(HL.49045232).
ISBN
9790001201667. UPC:
841886029330.
9.0x12.0x0.166
inches.
The 48
Preludes by the Venetian
composer Renato de
Grandis (1927-2008) were
composed, largely,
between 1998-2002. It was
only subsequently that he
arranged them into 4
cycles of 12 preludes,
drawing also from earlier
compositions. Written in
a traditional pianistic
style, they are short
sketches which are
sometimes characterized
by musical thoughts,
sometimes by moods or by
natural phenomena. The
fourth volume presented
here is once again
divided into two cycles
of 6 preludes each, with
the first cycle paying
tribute to the landscapes
and towns of Friuli north
of Venice.
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano SKU: HL.368695 Composed by Herbert Howells. Piano. Classical. Softc...(+)
Piano
SKU:
HL.368695
Composed by
Herbert Howells. Piano.
Classical. Softcover. 132
pages. Novello & Co Ltd.
#NOV100463. Published by
Novello & Co Ltd.
(HL.368695).
ISBN
9781705141779. UPC:
840126969085.
9.0x12.0x0.289
inches.
This
collection of 27 pieces,
transcribed and edited by
the Howells scholar
Jonathan Clinch and
published for the first
time to coincide with
Matthew Schellhorn's
recording of the complete
piano music by Howells
for Naxos, reveals a
previously neglected
aspect of this celebrated
English composer. The
pieces chart the musical
development of Howells,
from his earliest known
work “The Arab's
Song,†written when
he as 16, to the
“Petrus
Suite,†completed
in his 80s, as well as
demonstrating his
fascination with French
music
(“Phantasy,â€
“Harlequin
Dreamingâ€) and the
Tudor period
(“Pavane†and
“Galliard.â€)
The volume also includes
the moving tribute to his
friend and fellow
composer Finzi.
Comprising a wide array
of pieces from
characterful miniatures
to more substantial
suites, the collection
will appeal to Howells
devotees and lovers of
20th century English
music, as well as to
anyone seeking fresh and
distinctive piano
repertoire. Includes: The
Arab's Song • To a
Wild Flower •
Romance • Melody
• Legend •
Summer Idyls: I.
Meadow-Rest • II.
Summer-Song • III.
June-Haze • IV.
Down the Hills • V.
Quiet Woods • VI.
Near Midnight •
VII. In the Morning
• Phantasy •
Harlequin Dreaming
• Minuet for Ursula
• My Lord
Harewood's Galliard
• Finzi: His Rest
• Siciliana •
“Comme le cerf
soupire...†•
Pavane and Galliard
• Petrus Suite:
Finnicle's Scherzo
• Gavotte •
Vagrant Flute •
Minuet • 'Sine
Nomine' •
Bassoonic's Dance •
Odd's Minuet •
Toccatina.
Composed by Gabriel
Faure. Edited by
Christina M. Stahl and
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Version of 1900.
Choral score. Opus 48. 19
pages. Baerenreiter
Verlag #BA09461_91.
Published by Baerenreiter
Verlag (BA.BA09461-91).
ISBN 9790006565474. 27
x 19 cm inches. Text
Language:
Latin.
TheMesse de
Requiemis probably the
internationally
best-known and most
frequently performed work
by Gabriel Faure . The
composer's first version
was limited to just five
movements and small-scale
forces with low strings,
harp and organ. The work
was then expanded several
times culminating in the
version for large
orchestra of 1900. This
orchestral version forms
the basis of this
edition.
Despite
its comparatively long
period of gestation, the
Requiem forms a stylistic
unity. Unlike other
requiem settings, the
composer foregoes any
theatrical gestures in
this work. A restrained
dynamic range together
with graceful melodic
writing for both soloists
and choir give the work a
gentle and optimistic
character.
The
choral score just as the
vocal score are based on
the volume of the
Complete Works of Gabriel
Faure (BA 9461) published
in 2010. It is important
to note that this choral
score is also compatible
with the first
small-scale version as
well as the second
chamber orchestra
version.
-
High-quality Urtext
edition based on
theComplete Works of
Gabriel Faure - First
systematic evaluation of
all sources - Based on
the large orchestral
version of 1900 -
Choral score suitable for
all versions of the
Requiem
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Solo voices, choir,
orchestra (Solo SATB
voices, Mixed choir,
4Fl(Flote I-III muta in
Piccolo-Flote), 2
Ob+EnglHn, 3clar(clar III
muta in Bass-clar),
3bsn(bassoonott III muta
in Kontra-bassoonott),
4Hn, 4Trp, 3tbn, Tb,
3timp, Tri, Tr-Kl,
Be-Hang, Tam, Glsp, Gl,
Cel, 2 harp, Org, Str)
SKU: BA.BA06863
September 1927
Version. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek. Series B,
Volume 5-II. September
1927 Version. Complete
edition, Score. 179
pages. Duration 41
minutes, 13 seconds.
Baerenreiter Verlag
#BA06863_00. Published by
Baerenreiter Verlag
(BA.BA06863).
ISBN
9790260105317. 34.2 x 27
cm inches. Text Language:
Church
Slavic.
“The
Glagolitic Massâ€,
one of the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
This
new critical edition
presents two different
versions of the work in
two separate volumes
(B/5-I, BA 6862 und
B/5-II, BA 6863): the
“September
1927†version which
the composer completed
before the first
rehearsals and subsequent
premiere in Brno and the
version he partly
reworked for the first
Prague performance in
April 1928. This second
version was then revised
further and published
after Janacek’s
death by Universal
Edition Wien in 1930.
Known as the “final
authorised
version“, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janacek’s regular
copyist Václav
Sedlacek.
The new
Barenreiter edition also
contains an informative
preface
(Cz/Eng/Ger/Fr/Ru) as
well as detailed critical
commentary. The
“September
1927†version can
be seen more as a
supplement and appears
without text
commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, choir,
orchestra (SATB voice
Solos, SATB Choir,
4Fl(Flote 3 muta in
Piccolo-Flote), 2 Ob,
EnglHn, 3clar, clar-B,
3bsn, bsn-Co, 4Hn, 4Trp,
3tbn, Tb, timp, Tri,
Tr-Kl, Be, Be-Hang, Tam,
Glsp, Gl, Cel, 2 harp,
Org, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA06862
Final version.
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka and Leoš
Faltus. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek.
Series B, Volume 5-I.
Complete edition, Score.
Duration 40 minutes.
Baerenreiter Verlag
#BA06862_00. Published by
Baerenreiter Verlag
(BA.BA06862).
ISBN
9790260105300. 34.2 x
27.3 cm inches. Text
Language: Church
Slavic.
The
Glagolitic Mass, one of
the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
The
recently published
scholarly-critical
edition presents two
different versions of the
work in two separate
volumes: the
“September
1927†version (BA
6863) which the composer
completed before the
first rehearsals and
subsequent premiere in
Brno and the version he
partly reworked for the
first Prague performance
in April 1928 (BA 6862).
This second version was
then revised further and
published after
Janácek’s death
by Universal Edition Wien
in 1930. Known as the
“final authorised
versionâ€, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janácek’s
regular copyist Václav
Sedlácek.
The
“final authorised
version†is the
significant version and
most suited to
performance purposes. The
instrumentation is
richer, it is more
straightforward to
rehearse and several
important passages are
more coherent than in the
earlier version. It is
the later version that is
presented in the vocal
score. The Old Church
Slavonic text has been
prepared by the slavicist
Radoslav Vecerka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Choir SKU: ST.EC47 Composed by Various. Edited by Peter Wright. Library V...(+)
Choir
SKU: ST.EC47
Composed by Various.
Edited by Peter Wright.
Library Volumes. Edited
by Peter Wright. First
published in 2006. Pages:
192. Format: Hardback.
Dimensions (mm): 325 x
246 x 21. Choral Score.
Stainer & Bell Ltd.
#EC47. Published by
Stainer & Bell Ltd.
(ST.EC47).
ISBN
9790220221255.
This
is a collection of over
thirty early 15th-century
Sanctus and Agnus dei
settings not otherwise
available in modern
critical editions. The
volume is complementary
to EC42, and part of an
ongoing subseries to
include settings of the
Gloria and Credo, and of
the Kyrie, 'squares' and
music from fragmentary
choirbooks.
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series I, Voume 18, Nos.
1 2. Complete edition,
Score. Composed 1743. HWV
57. Duration 3 hours.
Baerenreiter Verlag
#BA04099_00. Published by
Baerenreiter Verlag
(BA.BA04099).
ISBN
9790006550111. 33 x 25.7
cm inches. Text Language:
English. Preface: Hans
Dieter Clausen. Text:
Newburgh
Hamilton.
Handel
composed Samson directly
after completing the
Messiah. After its
premiere in 1743 in the
Covent Garden Theatre in
London, the work rapidly
became one of the
composerâ??s most
successful oratorios
alongside Esther and
Judas Maccabaeus. This
probably had as much to
do with the popular Old
Testament story of the
libretto as with
Handelâ??s masterly
shaping of the arias and
choruses.
By
including some movements
in the appendix, this
edition makes it possible
for the first time to
perform the work in its
original 1741 version.
The edition is based
on the complete edition
volume of the Halle
Handel Edition (BA 4099),
offering the complete
music text of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Heinrich
Schutz. Edited by Bettina
Varwig. This edition:
complete edition, urtext
edition. Linen. New
Schutz Edition 1. Revised
new editon of BA 1709.
Complete edition, Score.
SWV 435. Baerenreiter
Verlag #BA05953_01.
Published by Baerenreiter
Verlag (BA.BA05953-01).
ISBN 9790006497652.
27.7 x 19.6 cm inches.
Language: German.
Preface: Varwig,
Bettina.
In volume
1 of the New Schutz
Edition Friedrich
Schoneich presented the
Historia der Geburt Jesu
Christi. He had to accept
that one source was
considered lost. The
volume was published in
1955 and, of course,
Schoneich edited it
within the framework of
the musicological
standards of his
time.
For her
new edition, Bettina
Varwig has now been able
to take all known sources
into account including
the first print, copies
of parts of the work
which have come down to
us in the Duben
Collection, as well as
the score copy from the
music archive of the
Berlin Sing-Akademie,
which had been known only
from fragmentary copies
until it had been
returned from Kiew. This
enables a fresh view of
the Historia on how it
presumably was performed.
The edition maintains the
original note values and
generally follows the
editorial principles of
the New Edition of the
Complete
Works.
The
Introduction centrally
deals with the question
how the Historia was
performed at Christmas
1660 in the Dresden
Schlosskirche and how it
can be realised today.
Also the scoring for
singers and instruments
(Evangelist movements
versus concertante
movements) is being
appropriately discussed.
Three appendices enable a
greater understanding of
the source traditions of
the work which are
documented in detail in
the Critical Commentary
and whose readings are
critically examined
there.
Replaces
BA1709.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding